While Paris- and Berlin-based painter Bernard Frize is best known in Europe, he is now receiving his dues with Galerie Perrotin’s ‘Bernard Frize: Dawn comes up so young’, which happens to be the New York gallery’s first solo show devoted to his oeuvre. The stately brick Georgian building is the perfect setting for Frize’s paintings, which owe a nod to Morris Louis’ acclaimed diaphanous drip endeavors.
Mixing synthetic resin with acrylic paint, Frize turns to a subtle palette of pink, lavender and blue, tilting the canvas slightly so the paint flows to the very bottom. There’s a performative aspect to his technique; with the artist’s fluid application of paint, he explains that his objective is for the work ‘to make itself’. This approach is perfectly encapsulated in the works Capiteux, Elfuenté and Fragante, in which the top of the canvas is anchored by an amorphous form in black. All were completed last year.
And while his thin fluid application of paint may seem spontaneous, Frize is exacting. Frequently, he will complete a total of ten paintings, rejecting nine of them. Many of the other works on show rely on amorphous geometric shapes.
With Frize’s work represented in the collections of the Tate, Centre Pompidou, the MoMA, and a slew of museums in Switzerland and Vienna, this exhibition is certain to cement the artist’s Stateside reputation.
The stately brick Georgian gallery building is the perfect setting for Frize’s paintings, which owe a nod to Morris Louis’s acclaimed diaphanous drip endeavors. Pictured left: Notos, 2015. Right: Füjin, 2015
The length and breadth of Frize's ouevre has been represented, with work from the period 1992–2015 featured
Mixing synthetic resin with acrylic paint, Frize turns to a subtle palette of pink, lavender and blue, tilting the canvas slightly so the paint flows to the very bottom
While Frize's thin fluid application of paint may seem spontaneous, he is exacting. Frequently, he will complete a total of ten paintings and reject nine
With Frize’s work represented in the collections of the Tate, Centre Pompidou, the MoMA, and a slew of museums in Switzerland and Vienna, this exhibition is certain to cement the artist’s Stateside reputation. Pictured left: Ubos, 1993. Right: Upir, 1992
INFORMATION
‘Bernard Frize: Dawn comes up so young’ is on view until 18 June. For more information, visit the Galerie Perrotin website
Photography: Claire Dorn. Courtesy the artist / ADAGP, Paris & ARS, New York, 2016
ADDRESS
Galerie Perrotin
909 Madison Avenue
New York, NY 10021
-
Year in review: top 10 design stories of 2024Wallpaper* magazine's 10 most-read design stories of 2024 whisk us from fun Ikea pieces to the man who designed the Paris Olympics, and 50 years of the Rubik's Cube
-
Sharon Smith's Polaroids capture 1980s New York nightlifeIDEA Books has launched a new monograph of Smith’s photographs, titled Camera Girl and edited by former editor-in-chief of LIFE magazine, Bill Shapiro
-
A multifaceted Beverly Hills house puts the beauty of potentiality in the frameA Beverly Hills house in Trousdale, designed by Robin Donaldson, brings big ideas to the residential scale
-
Inside Luna Luna: the amusement park designed by artists lands in New York‘Luna Luna: Forgotten Fantasy’ – featuring rides by Basquiat, Lichtenstein, Hockney, Haring, and Dalí – has opened at The Shed
-
Henni Alftan’s paintings frame everyday moments in cinematic renditionsConcurrent exhibitions in New York and Shanghai celebrate the mesmerising mystery in Henni Alftan’s paintings
-
Brutalism in film: the beautiful house that forms the backdrop to The Room Next DoorThe Room Next Door's production designer discusses mood-boarding and scene-setting for a moving film about friendship, fragility and the final curtain
-
'There’s an anxiety under all of it': Violet Dennison in New YorkViolet Dennison debuts abstract paintings with new show 'Damaged Self' at Tara Downs Gallery
-
‘Gas Tank City’, a new monograph by Andrew Holmes, is a photorealist eye on the American West‘Gas Tank City’ chronicles the artist’s journey across truck-stop America, creating meticulous drawings of fleeting moments
-
Mark Armijo McKnight’s bodily landscapes capture the tactile serenity of the American WestThe artist’s new exhibition at the Whitney Museum, which is organised by the museum curator Drew Sawyer, offers a succinct window into his contemplative suggestion of queering a landscape
-
Dark, glamorous and hedonistic: a photography book captures New York in the 1990sNew York: High Life, Low Life, by Dafydd Jones, goes behind the scenes of New York society
-
Derrick Alexis Coard’s portraits are a sensitive, positive testimony to Black menThe late artist Derrick Alexis Coard’s retrospective ‘I Am That I Am’, at New York’s Salon 94, honours his ‘symbolic expression for possible change for the African-American male community’
