Few artists swing from paintings and works on paper, clear across to sculpture that approaches design and then onto glazed ceramics, but Mary Heilmann remains supreme when it comes to producing such a distinctively diverse oeuvre. The 303 Gallery in Chelsea, New York is now showcasing her latest creative endeavors for their latest exhibition, ‘Mary Heilmann: Waves, Roads, Etc.’ which features forty-five works.
Vivid colors mark Heilmann’s palette. ‘As to her paintings with their sharp geometric forms, Mary frequently takes waves as well as roads and reinterprets them visually,’ says Christian Alexa, 303 Gallery’s director. Yellow lines stretching down black asphalt delineate Heilmann’s ‘Highway, My Way’, but when it comes to the ocean, she often veers away from the requisite blue waves. For example, Heilmann turns to soft pink, stacked geometric forms against a white background for her Rose Wave.
Best known for the chairs that lay strewn like a blaze of vibrant confetti on the Whitney Museum of American Art terrace as part of their inaugural exhibition, 303 gallery is also sporting her riffs on the simple, painted plywood Adirondack chair, which the artist sees as sculpture. So arranged in a circular pattern at the gallery are Heilmann’s Sunny Chaises in yellow and blue, that they form the perfect perch to take in this exhibition.
There’s also a set of ceramic cups, complete with saucers in brilliant blue, turquoise and red, to match. ‘As Mary has said a number of times, art has no limits,’ adds Alexa.
The pieces on display range from paintings and works on paper to furniture-like sculptures and ceramics
Vivid colors mark Heilmann’s palette
’Mary frequently takes waves as well as roads and reinterprets them visually,’ says Christian Alexa, 303 Gallery’s director. Pictured: Rose Wave, 2015
Heilmann is probably best known for her version of the painted Adirondack chair, which were featured in the Whitney Museum of Art’s inugural exhibition at its downtown location
INFORMATION
‘Mary Heilmann Geometrics: Waves, Roads, Etc.’ is on view at 303 Gallery until 19 December, website
Photography: Courtesy of the artist and 303 Gallery, New York
ADDRESS
303 Gallery
507 West 24th Street
New York
-
Six brilliant bars for your 2025 celebrations, hot off the Wallpaper* travel deskWallpaper’s most-read bar reviews of the year can't be wrong: here’s inspiration for your festive and new year plans, from a swanky Las Vegas lounge to a minimalist London drinking den
-
Misfires and Monstrosities: three vehicular design disasters that show taste is in retreatFrom a multi-million dollar piece merchandise to a wretched Rolls-Royce, these are the low points of the year in transportation design
-
Thirty years after Dog Man Star, Brett Anderson looks back on Suede's album coversBrett Anderson talks cover art, photography and iconic imagery
-
Inside Luna Luna: the amusement park designed by artists lands in New York‘Luna Luna: Forgotten Fantasy’ – featuring rides by Basquiat, Lichtenstein, Hockney, Haring, and Dalí – has opened at The Shed
-
Henni Alftan’s paintings frame everyday moments in cinematic renditionsConcurrent exhibitions in New York and Shanghai celebrate the mesmerising mystery in Henni Alftan’s paintings
-
Brutalism in film: the beautiful house that forms the backdrop to The Room Next DoorThe Room Next Door's production designer discusses mood-boarding and scene-setting for a moving film about friendship, fragility and the final curtain
-
'There’s an anxiety under all of it': Violet Dennison in New YorkViolet Dennison debuts abstract paintings with new show 'Damaged Self' at Tara Downs Gallery
-
‘Gas Tank City’, a new monograph by Andrew Holmes, is a photorealist eye on the American West‘Gas Tank City’ chronicles the artist’s journey across truck-stop America, creating meticulous drawings of fleeting moments
-
Mark Armijo McKnight’s bodily landscapes capture the tactile serenity of the American WestThe artist’s new exhibition at the Whitney Museum, which is organised by the museum curator Drew Sawyer, offers a succinct window into his contemplative suggestion of queering a landscape
-
Dark, glamorous and hedonistic: a photography book captures New York in the 1990sNew York: High Life, Low Life, by Dafydd Jones, goes behind the scenes of New York society
-
Derrick Alexis Coard’s portraits are a sensitive, positive testimony to Black menThe late artist Derrick Alexis Coard’s retrospective ‘I Am That I Am’, at New York’s Salon 94, honours his ‘symbolic expression for possible change for the African-American male community’
