For the tenth edition of Sotheby's annual outdoor sculpture installation 'Beyond Limits: The Landscape of British Sculpture 1950-2015', the auction house has invited respected art historian and commentator Tim Marlow to curate an exhibition that celebrates the understated success of British sculpture.
Opened yesterday in the majestic grounds of Chatsworth House in Derbyshire, the showcase hones in on the post-war period, from 1950 to the present day. Working together with Simon Stock, Sotheby's senior international specialist in impressionist and modern art, Tim Marlow has expertly pulled together 39 works by 30 artists and woven them into the gardens at Chatsworth, where they frame the estate's sweeping vistas. Visitors can witness how pieces from the 1960s by pioneers such as Reg Butler and Barbara Hepworth paved the way for present day artists such as Sarah Lucas, Mark Wallinger and Conrad Shawcross.
'We’ve been able to curate an exhibition that responds to the growing interest in outdoor sculpture, and also explores and celebrates the rise of British sculpture,' says Marlow, who serves as director of artistic programmes at the Royal Academy. 'The relationship of the landscape to the works on display is integral – whether they were directly inspired by or conceived in opposition to the idea of landscape. The result, I hope, will be a sparky, creative conversation between some of the best British sculpture of the last 65 years and one of the greatest of all British country houses and its surrounding landscape.'
Celebrating the understated but pivotal success of post-war British sculpture, the showcase is woven into the majestic grounds at Chatsworth, the country estate and ancestral seat of the Duke and Duchess of Devonshire. Three Obliques (Walk In), by Barbara Hepworth, 1969
Opened yesterday, the exhibition includes 39 works by 30 artists pulled together by Marlow and Simon Stock, Sotheby’s senior international specialist in impressionist and modern art. Pictured: Sunshine, by Anthony Caro, 1964
Visitors can witness how pieces from the 1960s by pioneers such as Reg Butler and Barbara Hepworth paved the way for present day artists such as Sarah Lucas, Mark Wallinger and Conrad Shawcross.Pictured: The Family of Man: Figure 1, Ancestor 1, by Barbara Hepworth, 1970
’The relationship of the landscape to the works on display is integral – whether they were directly inspired by or conceived in opposition to the idea of landscape,’ says Marlow, who serves as director of artistic programmes at the Royal Academy. Pictured: The Dappled Light of the Sun I, II and III, by Conrad Shawcross, 2015
The 2015 showcase is the first themed edition of ’Beyond Limits’. Pictured: Dreadnought: Problems Of History – The Search For The Hidden Stone, by Stephen Cox, 1990–2015
Lynn Chadwick’s dramatically cloaked figures, Pair Of Walking Figures – Jubilee, 1977 (pictured), sit in contrast to the natural setting of the Chatsworth garden
Mark Wallinger’s The Black Horse, 2015 (pictured), is a scaled-down, life-sized version of his winning submission for the BBC’s 2009 Ebbsfleet Landmark Project
INFORMATION
Website
Courtesy of Sotheby’s. ’Beyond Limits: The Landscape of British Sculpture 1950-2015’ is on show at Chatsworth House until 25 October
ADDRESS
Chatsworth House
Bakewell
Derbyshire
DE45 1PP
-
An eco-conscious reconfiguration of space revives a London homeAn eco-conscious reimagining of a Victorian terraced home for a growing London family, THISS Studio’s Hartley House offers sustainable, spacious living
-
A guide to the best fashion stores Copenhagen has to offerWallpaper* picks the must-visit fashion stores in Copenhagen – from big-name boutiques and historic department stores to local labels and the best in second-hand, each presenting a fresh take on Danish design
-
Indian studio Compartment S4 celebrates architectural collaborationCompartment S4, the Indian architecture studio out of Ahmedabad and Mumbai, is true to its collective nature
-
Surrealism as feminist resistance: artists against fascism in Leeds‘The Traumatic Surreal’ at the Henry Moore Institute, unpacks the generational trauma left by Nazism for postwar women
-
From activism and capitalism to club culture and subculture, a new exhibition offers a snapshot of 1980s BritainThe turbulence of a colourful decade, as seen through the lens of a diverse community of photographers, collectives and publications, is on show at Tate Britain until May 2025
-
Inside Jack Whitten’s contribution to American contemporary artAs Jack Whitten exhibition ‘Speedchaser’ opens at Hauser & Wirth, London, and before a major retrospective at MoMA opens next year, we explore the American artist's impact
-
Frieze Sculpture takes over Regent’s ParkTwenty-two international artists turn the English gardens into a dream-like landscape and remind us of our inextricable connection to the natural world
-
Jasleen Kaur wins the Turner Prize 2024Jasleen Kaur has won the Turner Prize 2024, recognised for her work which reflects upon everyday objects
-
Peggy Guggenheim: ‘My motto was “Buy a picture a day” and I lived up to it’Five years spent at her Sussex country retreat inspired Peggy Guggenheim to reframe her future, kickstarting one of the most thrilling modern-art collections in history
-
Please do touch the art: enter R.I.P. Germain’s underground world in LiverpoolR.I.P. Germain’s ‘After GOD, Dudus Comes Next!’ is an immersive installation at FACT Liverpool
-
‘Regeneration and repair is a really important part of how I work’: Bharti Kher at Yorkshire Sculpture ParkBharti Kher unveils the largest UK museum exhibition of her career at Yorkshire Sculpture Park
