How one photographer illuminated humanity on New York’s streets in the 1960s-1980s
What is it that makes us human? It might be our resilience; our ability to come together in times of need; to create, even in times of dire hardship. This is the portrait of humanity presented in Builder Levy’s photographs of New York City, shot between the 1960s and 1980s, and now collected in a forthcoming book published by Damiani, titled Humanity in the Streets.
Levy in fact started out as a painter and sculptor – as an art major at Brooklyn College, as he explains in a preface to the book, he defined himself as an abstract expressionist. ‘At the same time,’ he writes, ‘I felt a need for a direct connection to the social realities of life in the city, nation, and world.’
It was this social impulse that propelled Levy out onto the streets of New York with a camera, and specifically, to the streets that swelled with civil rights and anti-war protests. Identifying with the causes he captured, he referred to himself as ‘a partisan participant’.
He is not as well-known as some of his peers in the genre – but this doesn’t take away from his place in the canon. As Deborah Willis writes in an introduction, ‘He is quick and he is steady as he shapes a story about protest and the everyday. He questions what it means to be non-violent when arms surround a young black man’s neck in a menacing way.’
The camera wasn’t only a way to document what was going on in the world around him – a world he knew well. It was the way to seek out ‘possibilities of a better world’, to make some order out of the chaos and find some beauty in the turbulence.
From Coney Island to photographs Levy shot while living, and teaching in Forte Greene, Clinton Hill and Bedford-Stuyvesant, many of his images, though soaring with human spirit, are depressingly similar to scenes today, as protests continue to ripple under Trump’s reign. Yet what you also notice about Levy’s pictures are the smiles: children, protesters, passersby – they are angry, but they are empowered.
INFORMATION
Builder Levy: Humanity in the Streets, $49.95, published by Damiani on 23 October. To pre-order, visit the Damiani Editore website
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Charlotte Jansen is a journalist and the author of two books on photography, Girl on Girl (2017) and Photography Now (2021). She is commissioning editor at Elephant magazine and has written on contemporary art and culture for The Guardian, the Financial Times, ELLE, the British Journal of Photography, Frieze and Artsy. Jansen is also presenter of Dior Talks podcast series, The Female Gaze.
-
Santa Monica hotspot The Georgian Room is a rare, well-done steakhouse speakeasy
Hidden inside The Georgian Hotel in Santa Monica, a restored speakeasy that lovingly nods to its storied past
By Kevin EG Perry Published
-
In St Barths, Cheval Blanc is an oceanside oasis soaking in turquoise views
Following its 10th anniversary, Cheval Blanc St-Barth continues to shine as a pearl of the Caribbean
By Tianna Williams Published
-
We celebrate the emerging London architects to be excited about
These emerging London architects are some of the capital's finest ground-breakers, movers and shakers; heralding a new generation of architecture
By Ellie Stathaki Published
-
Sundance Film Festival 2025: The films we can't wait to watch
Sundance Film Festival, which runs 23 January - 2 February, has long been considered a hub of cinematic innovation. These are the ones to watch from this year’s premieres
By Stefania Sarrubba Published
-
Carsten Höller’s new Book of Games: 336 playful pastimes for the bold and the bored
Artist Carsten Höller invites readers to step out of their comfort zone with a series of subversive games
By Anne Soward Published
-
What is RedNote? Inside the social media app drawing American users ahead of the US TikTok ban
Downloads of the Chinese-owned platform have spiked as US users look for an alternative to TikTok, which faces a ban on national security grounds. What is Rednote, and what are the implications of its ascent?
By Anna Solomon Published
-
Distracting decadence: how Silvio Berlusconi’s legacy shaped Italian TV
Stefano De Luigi's monograph Televisiva examines how Berlusconi’s empire reshaped Italian TV, and subsequently infiltrated the premiership
By Zoe Whitfield Published
-
Architecture and the new world: The Brutalist reframes the American dream
Brady Corbet’s third feature film, The Brutalist, demonstrates how violence is a building block for ideology
By Billie Walker Published
-
How a sprawling new book honours the legacy of cult photographer Larry Fink
‘Larry Fink: Hands On / A Passionate Life of Looking’ pays homage to an American master. ‘He had this ability to connect,’ says publisher Daniel Power
By Jordan Bassett Published
-
New Jay-Z coffee-table book dives into the Brooklyn rapper's archives
'Book of HOV: A Tribute to Jay-Z' is a hefty tome for a hefty talent
By Craig McLean Published
-
Inside Luna Luna: the amusement park designed by artists lands in New York
‘Luna Luna: Forgotten Fantasy’ – featuring rides by Basquiat, Lichtenstein, Hockney, Haring, and Dalí – has opened at The Shed
By Osman Can Yerebakan Published