How one photographer illuminated humanity on New York’s streets in the 1960s-1980s
What is it that makes us human? It might be our resilience; our ability to come together in times of need; to create, even in times of dire hardship. This is the portrait of humanity presented in Builder Levy’s photographs of New York City, shot between the 1960s and 1980s, and now collected in a forthcoming book published by Damiani, titled Humanity in the Streets.
Levy in fact started out as a painter and sculptor – as an art major at Brooklyn College, as he explains in a preface to the book, he defined himself as an abstract expressionist. ‘At the same time,’ he writes, ‘I felt a need for a direct connection to the social realities of life in the city, nation, and world.’
It was this social impulse that propelled Levy out onto the streets of New York with a camera, and specifically, to the streets that swelled with civil rights and anti-war protests. Identifying with the causes he captured, he referred to himself as ‘a partisan participant’.
He is not as well-known as some of his peers in the genre – but this doesn’t take away from his place in the canon. As Deborah Willis writes in an introduction, ‘He is quick and he is steady as he shapes a story about protest and the everyday. He questions what it means to be non-violent when arms surround a young black man’s neck in a menacing way.’
The camera wasn’t only a way to document what was going on in the world around him – a world he knew well. It was the way to seek out ‘possibilities of a better world’, to make some order out of the chaos and find some beauty in the turbulence.
From Coney Island to photographs Levy shot while living, and teaching in Forte Greene, Clinton Hill and Bedford-Stuyvesant, many of his images, though soaring with human spirit, are depressingly similar to scenes today, as protests continue to ripple under Trump’s reign. Yet what you also notice about Levy’s pictures are the smiles: children, protesters, passersby – they are angry, but they are empowered.
INFORMATION
Builder Levy: Humanity in the Streets, $49.95, published by Damiani on 23 October. To pre-order, visit the Damiani Editore website
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Charlotte Jansen is a journalist and the author of two books on photography, Girl on Girl (2017) and Photography Now (2021). She is commissioning editor at Elephant magazine and has written on contemporary art and culture for The Guardian, the Financial Times, ELLE, the British Journal of Photography, Frieze and Artsy. Jansen is also presenter of Dior Talks podcast series, The Female Gaze.
-
A new Oxford Street pop-up celebrates IKEA's blue bags
IKEA's iconic blue bag gets its own pop-up concept store, the 'Hus of Frakta'.
By Smilian Cibic Published
-
Audemars Piguet and Kaws have created the Royal Oak Concept watch we didn't know we needed
The Audemars Piguet x Kaws Royal Oak Concept Tourbillon 'Companion' is slick wrist-worn art
By Thor Svaboe Published
-
A friendly rivalry coloured by kinship: Wendy Maruyama and Tom Loeser on their two-artist show
'I wanted to make furniture, just not traditional furniture, but weird furniture,' says Wendy Maruyama on ‘Colorama’, a two-artist show presented at design gallery Superhouse (until 11 January 2025)
By Gregory Han Published
-
Henni Alftan’s paintings frame everyday moments in cinematic renditions
Concurrent exhibitions in New York and Shanghai celebrate the mesmerising mystery in Henni Alftan’s paintings
By Osman Can Yerebakan Published
-
Discover Eve Arnold’s intimate unseen images of Marilyn Monroe
‘Marilyn Monroe by Eve Arnold’, published by ACC Art Books, is a personal portrayal of an icon
By Hannah Silver Published
-
10 books culture editor Hannah Silver recommends this winter
Lacking inspiration over what to read next? Wallpaper* culture editor, Hannah Silver, shares her favourite books
By Hannah Silver Published
-
Brutalism in film: the beautiful house that forms the backdrop to The Room Next Door
The Room Next Door's production designer discusses mood-boarding and scene-setting for a moving film about friendship, fragility and the final curtain
By Anne Soward Published
-
'There’s an anxiety under all of it': Violet Dennison in New York
Violet Dennison debuts abstract paintings with new show 'Damaged Self' at Tara Downs Gallery
By Mary Cleary Published
-
‘Gas Tank City’, a new monograph by Andrew Holmes, is a photorealist eye on the American West
‘Gas Tank City’ chronicles the artist’s journey across truck-stop America, creating meticulous drawings of fleeting moments
By Jonathan Bell Published
-
'I’m So Happy You Are Here': discover the work of Japanese women photographers
Subtitled ‘Japanese Women Photographers from the 1950s to Now’, this new monograph from Aperture is a fascinating insight into a critically overlooked body of work
By Jonathan Bell Published
-
Mark Armijo McKnight’s bodily landscapes capture the tactile serenity of the American West
The artist’s new exhibition at the Whitney Museum, which is organised by the museum curator Drew Sawyer, offers a succinct window into his contemplative suggestion of queering a landscape
By Osman Can Yerebakan Published