High-camp: a pair of Catherine Opie solo shows at Lehmann Maupin, NY
New York gallery Lehmann Maupin is going big with its solo debut for photographer Catherine Opie, giving over its Chelsea and Lower East Side galleries to two separate Opie shows.
Opie built her reputation shooting lesbian, gay and transgender subjects with a kind of compassionate classicism – as well as stunning abstract American landscapes – in the 1990s. And, in that sense, 'Portraits and Landscapes', an exhibition of new works at the Chelsea site, is classic Opie.
The exhibition includes portraits of fashion designers Kate and Laura Mulleavy of Rodarte, the artist Kara Walker, film director John Waters, fashion editor Cecilia Dean and New Yorker theatre critic and occasional curator Hilton Als. All are shot in the classical fashion, against a black background and with chiaroscuro lighting. It’s classic icon-making for an alternative set of icons. Around these are her landscapes, blurred or otherwise abstracted and unrecognisable as any particular place or time.
The Lower East Side show, '700 Nimes Road', is a more singular project – 50 photographs of the interiors and favourite objects of the late Elizabeth Taylor. Opie spent six months shooting inside Taylor’s LA home in 2010, while the Hollywood legend was ill but still very much alive. Though Taylor doesn’t appear in any of the images, it is as an intimate portrait of another icon who combined a fierce intelligence with high camp.
And Opie is having a bit of a moment in LA too. A selection of the '700 Nimes Road' images is being shown at MOCA's Pacific Design Center in West Hollywood, while another exhibition of portraits opens at LA’s Hammer Museum on 30 January. A site-specific installation at the Los Angeles Federal Courthouse opens in June this year.
Opie shot to fame in the 1990s with her classical portraits of lesbian, gay and transgender figures, as well as her beautiful landscapes. These two exhibitions, which run simultaneously, offer a chance to appreciate the dual-narrative of Opie’s work.
The Chelsea show presents Opie’s classical renderings of individuals such as Kate and Laura Mulleavy of Rodarte, the artist Kara Walker, film director John Waters and fashion editor Cecilia Dean.
As well as this epicentre of activity in New York, select pieces from the ’700 Nimes Road’ collection are also being displayed in LA at LACMA’s Pacific Design Center in West Hollywood; while an entirely distinct portrait exhibition opens at LA’s Hammer Museum on 30 January this year.
INFORMATION
’Catherine Opie: Portraits and Landscapes’ and ’700 Nimes Road’ are on view until 20 February. For more information, visit Lehmann Maupin’s website
Photography courtesy Lehmann Maupin
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
ADDRESS
Lehmann Maupin
536 West 22nd Street,
New York, NY 10011
201 Chrystie Street
New York, NY 10002
-
One to Watch: designer Valerie Name infuses contemporary objects and spaces with historical detail
From vessels to furnishings and interiors, New York- and Athens-based designer Valerie Name finds new relevance for age-old craft techniques
By Adrian Madlener Published
-
Cora Sheibani celebrates unexpected diamond cuts in a new jewellery collection
Cora Sheibani's latest collection, ‘Facets and Forms’, marries her love of history and science
By Mazzi Odu Published
-
Meet Kenia Almaraz Murillo, the artist rethinking weaving
Kenia Almaraz Murillo draws on the new and the traditional in her exhibition 'Andean Cosmovision' at London's Waddington Custot
By Hannah Silver Published
-
Henni Alftan’s paintings frame everyday moments in cinematic renditions
Concurrent exhibitions in New York and Shanghai celebrate the mesmerising mystery in Henni Alftan’s paintings
By Osman Can Yerebakan Published
-
Brutalism in film: the beautiful house that forms the backdrop to The Room Next Door
The Room Next Door's production designer discusses mood-boarding and scene-setting for a moving film about friendship, fragility and the final curtain
By Anne Soward Published
-
'There’s an anxiety under all of it': Violet Dennison in New York
Violet Dennison debuts abstract paintings with new show 'Damaged Self' at Tara Downs Gallery
By Mary Cleary Published
-
‘Gas Tank City’, a new monograph by Andrew Holmes, is a photorealist eye on the American West
‘Gas Tank City’ chronicles the artist’s journey across truck-stop America, creating meticulous drawings of fleeting moments
By Jonathan Bell Published
-
Mark Armijo McKnight’s bodily landscapes capture the tactile serenity of the American West
The artist’s new exhibition at the Whitney Museum, which is organised by the museum curator Drew Sawyer, offers a succinct window into his contemplative suggestion of queering a landscape
By Osman Can Yerebakan Published
-
Dark, glamorous and hedonistic: a photography book captures New York in the 1990s
New York: High Life, Low Life, by Dafydd Jones, goes behind the scenes of New York society
By Hannah Silver Published
-
Derrick Alexis Coard’s portraits are a sensitive, positive testimony to Black men
The late artist Derrick Alexis Coard’s retrospective ‘I Am That I Am’, at New York’s Salon 94, honours his ‘symbolic expression for possible change for the African-American male community’
By Tianna Williams Published
-
Intimacy, violence and the uncanny: Joanna Piotrowska in Philadelphia
Artist and photographer Joanna Piotrowska stages surreal scenes at the Institute of Contemporary Art at the University of Pennsylvania
By Hannah Silver Published