Over the course of history, the visual world has hardly been kind to women. In the 1980s, when Cindy Sherman, a young photographer from New York, was making a name with her self-staged portraits of female stereotypes from pop culture, she was, in part, reacting to widespread conservatism in the West. In the present day, where images have an even greater presence in our lives (it’s now thought that we collectively produce more than three trillion a year) Sherman’s postmodern protest is hardly less piquant.
Interestingly, in the first major survey of Sherman’s work in Los Angeles in nearly two decades, The Broad's guest curator Philipp Kaiser has chosen not to focus on the trendy topics raised by Sherman’s performed photographs, such as intersectional feminism and self-representation. Instead, he has tapped into more local connections in Sherman’s work: her engagement with film both as a source and as a medium, from her iconic Untitled Film Stills series and her 1997 feature film Office Killer, to her lesser-known rear projection series, inspired by late 1950s and 60s cinema.
Also among the 120 works going up – drawn primarily from the Broad's collection, the largest holding of Sherman’s work in the world – are a number of vastly influential series created in the period 1977–2003, including works from Sex Pictures, 1992, and her centrefold images.
So what new information can the viewer glean from this expansive survey of a 40 year career? The artist might always be present in her work, but she remains a perennial mystery. As she told The Guardian in a rare interview in 2011, ‘I'm not about revealing myself.’ When it comes to Sherman’s photographs, the question is always turned back on the person who’s looking.
Among the 120 works going up – drawn primarily from the Broad's collection – are a number of vastly influential series created in the period 1977–2003. Pictured: Untitled #512, 2010–11
The Broad's guest curator Philipp Kaiser has chosen not to focus on the trendy topics raised by Sherman’s performed photographs, such as intersectional feminism and self-representation. Pictured: Untitled Film Still #47, 1979
Instead, he has tapped into more local connections in Sherman’s work: her engagement with film both as a source and as a medium. Pictured: Untitled #122, 1983
In the present day, where images have an even greater presence in our lives, Sherman’s postmodern 1980s protest of female stereotypes has hardly become less piquant. Pictured: Untitled #92, 1981
INFORMATION
’Cindy Sherman: Imitation of Life’ is on view from 11 June – 2 October. For more information, visit The Broad’s website
Photography courtesy of the artist and Metro Pictures
ADDRESS
The Broad
221 S. Grand Avenue
Los Angeles, CA 90012
-
A Xingfa cement factory’s reimagining breathes new life into an abandoned industrial siteWe tour the Xingfa cement factory in China, where a redesign by landscape specialist SWA Group completely transforms an old industrial site into a lush park
-
Put these emerging artists on your radarThis crop of six new talents is poised to shake up the art world. Get to know them now
-
Dining at Pyrá feels like a Mediterranean kiss on both cheeksDesigned by House of Dré, this Lonsdale Road addition dishes up an enticing fusion of Greek and Spanish cooking
-
Leonard Baby's paintings reflect on his fundamentalist upbringing, a decade after he left the churchThe American artist considers depression and the suppressed queerness of his childhood in a series of intensely personal paintings, on show at Half Gallery, New York
-
Unlike the gloriously grotesque imagery in his films, Yorgos Lanthimos’ photographs are quietly beautifulAn exhibition at Webber Gallery in Los Angeles presents Yorgos Lanthimos’ photography
-
Desert X 2025 review: a new American dream grows in the Coachella ValleyWill Jennings reports from the epic California art festival. Here are the highlights
-
Cowboys and Queens: Jane Hilton's celebration of culture on the fringesPhotographer Jane Hilton captures cowboy and drag queen culture for a new exhibition and book
-
New gallery Rajiv Menon Contemporary brings contemporary South Asian and diasporic art to Los Angeles'Exhibitionism', the inaugural showcase at Rajiv Menon Contemporary gallery in Hollywood, examines the boundaries of intimacy
-
Helmut Lang showcases his provocative sculptures in a modernist Los Angeles home‘Helmut Lang: What remains behind’ sees the artist and former fashion designer open a new show of works at MAK Center for Art and Architecture at the Schindler House
-
In ‘The Last Showgirl’, nostalgia is a drug like any otherGia Coppola takes us to Las Vegas after the party has ended in new film starring Pamela Anderson, The Last Showgirl
-
‘American Photography’: centuries-spanning show reveals timely truthsAt the Rijksmuseum in Amsterdam, Europe’s first major survey of American photography reveals the contradictions and complexities that have long defined this world superpower
