Over the course of history, the visual world has hardly been kind to women. In the 1980s, when Cindy Sherman, a young photographer from New York, was making a name with her self-staged portraits of female stereotypes from pop culture, she was, in part, reacting to widespread conservatism in the West. In the present day, where images have an even greater presence in our lives (it’s now thought that we collectively produce more than three trillion a year) Sherman’s postmodern protest is hardly less piquant.
Interestingly, in the first major survey of Sherman’s work in Los Angeles in nearly two decades, The Broad's guest curator Philipp Kaiser has chosen not to focus on the trendy topics raised by Sherman’s performed photographs, such as intersectional feminism and self-representation. Instead, he has tapped into more local connections in Sherman’s work: her engagement with film both as a source and as a medium, from her iconic Untitled Film Stills series and her 1997 feature film Office Killer, to her lesser-known rear projection series, inspired by late 1950s and 60s cinema.
Also among the 120 works going up – drawn primarily from the Broad's collection, the largest holding of Sherman’s work in the world – are a number of vastly influential series created in the period 1977–2003, including works from Sex Pictures, 1992, and her centrefold images.
So what new information can the viewer glean from this expansive survey of a 40 year career? The artist might always be present in her work, but she remains a perennial mystery. As she told The Guardian in a rare interview in 2011, ‘I'm not about revealing myself.’ When it comes to Sherman’s photographs, the question is always turned back on the person who’s looking.
Among the 120 works going up – drawn primarily from the Broad's collection – are a number of vastly influential series created in the period 1977–2003. Pictured: Untitled #512, 2010–11
The Broad's guest curator Philipp Kaiser has chosen not to focus on the trendy topics raised by Sherman’s performed photographs, such as intersectional feminism and self-representation. Pictured: Untitled Film Still #47, 1979
Instead, he has tapped into more local connections in Sherman’s work: her engagement with film both as a source and as a medium. Pictured: Untitled #122, 1983
In the present day, where images have an even greater presence in our lives, Sherman’s postmodern 1980s protest of female stereotypes has hardly become less piquant. Pictured: Untitled #92, 1981
INFORMATION
’Cindy Sherman: Imitation of Life’ is on view from 11 June – 2 October. For more information, visit The Broad’s website
Photography courtesy of the artist and Metro Pictures
ADDRESS
The Broad
221 S. Grand Avenue
Los Angeles, CA 90012
-
Six brilliant bars for your 2025 celebrations, hot off the Wallpaper* travel deskWallpaper’s most-read bar reviews of the year can't be wrong: here’s inspiration for your festive and new year plans, from a swanky Las Vegas lounge to a minimalist London drinking den
-
Misfires and Monstrosities: three vehicular design disasters that show taste is in retreatFrom a multi-million dollar piece merchandise to a wretched Rolls-Royce, these are the low points of the year in transportation design
-
Thirty years after Dog Man Star, Brett Anderson looks back on Suede's album coversBrett Anderson talks cover art, photography and iconic imagery
-
Inside the distorted world of artist George RouyFrequently drawing comparisons with Francis Bacon, painter George Rouy is gaining peer points for his use of classic techniques to distort the human form
-
Sunshine noir is given an unsettling spin in new film ‘Skincare’; meet the directorBest known for music videos, director and writer of ‘Skincare’ Austin Peters on how he created the film’s bright, ominous world
-
The seven best Los Angeles museumsExplore LA's world-class museums, set within architectural masterpieces, lush gardens, and breathtaking viewpoints
-
Olafur Eliasson's new light sculptures illuminate Los AngelesOlafur Eliasson's new exhibition, 'Open,' at the Museum of Contemporary Art in Los Angeles, includes 11 new pieces
-
The lesser-known Los Angeles galleries contributing to a vibrant art sceneOutside of LACMA, MOCA and The Broad, these independent LA galleries are major players in the art world
-
Mona Kuhn’s love affair with Rudolph Schindler’s modernist LA home‘The Schindler House: A Love Affair’ features artist Mona Kuhn’s surreal-inspired silver prints evoking an impossible love
-
Crisis point: Josh Kline's world is wiped out by climate changeJosh Kline's dystopian show is currently on at MOCA in Los Angeles
-
‘Gas Tank City’, a new monograph by Andrew Holmes, is a photorealist eye on the American West‘Gas Tank City’ chronicles the artist’s journey across truck-stop America, creating meticulous drawings of fleeting moments
