Over 100,000 unseen Andy Warhol photographs to be made public

Andy Warhol once said, ‘My idea of a good picture is one of a famous person doing something unfamous.’ It’s a sentiment that couldn’t be more apparent in a trove of over 130,000 photographic exposures made by the artist from 1976 until his death in 1987.
Acquired by Stanford University’s Cantor Arts Center from The Andy Warhol Foundation in 2014, the collection of 3,600 contact sheets and corresponding negatives is set to go on show at Cantor at the end of September. Despite shooting a roll of film or more a day, Warhol only printed under a fifth of the photographs he took. The exhibition will be the first time many of these images of Warhol’s famous social circle will be seen by the public.
The pictures satiate our voyeuristic appetite for celebrities and artists with their guard down, with snapshots of young artists Keith Haring and Jean-Michel Basquiat, and stars like Michael Jackson, Liza Minnelli, and Dolly Parton. Look carefully and you’ll also find candid photographs of Debbie Harry, Nancy Reagan, Arnold Schwarzenegger, and Truman Capote.
Contact Sheet [Photo shoot with Andy Warhol with shadow], 1986, by Andy Warhol, gelatin silver print. Gift of The Andy Warhol Foundation for the Visual Arts, Inc. ©The Andy Warhol Foundation for the Visual Arts
‘Whether commenting on sex, money, physical appearance, or social standing, the artist sized up his friends and acquaintances, as well as himself, with merciless precision,’ says Richard Meyer, who has curated the show with fellow Stanford professor Peggy Phelan. ‘This exhibition allows viewers to experience Warhol’s photography in a depth and detail never before possible.’
‘Contact Warhol: Photography Without End’ will also trace the artist’s fascination with the gay culture of the 1970s and 80s. Photographs of drag queens and Fire Island parties will feature alongside the artist's rarely-seen, sexually explicit images. Photographs of the artist’s boyfriend, Jon Gould – an executive at Paramount Studios who died as a result of AIDS in 1986 – will also be exhibited.
Opening in tandem with the exhibition is a digitisation project helmed by Cantor project archivist Amy DiPasquale, which will make the centre’s collection of Warhol’s photographic work available to the public. The archive of contact sheets and negatives will searchable through an online database on the Stanford University Libraries system, and on the Cantor website by the end of the year.
Unidentified Photographers, c 1981, by Andy Warhol, gelatin silver print. The Andy Warhol Museum, Pittsburgh; Contribution The Andy Warhol Foundation for the Visual Arts, Inc. © 2018 The Andy Warhol Foundation for the Visual Arts, Inc / Licensed by Artists Rights Society (ARS), New York
Detail from Contact Sheet [Andy Warhol, Bianca Jagger, Halston, Diane de Beauvau, Bethann Hardison in the back of a limousine], 1976, by Andy Warhol, gelatin silver print. Gift of The Andy Warhol Foundation for the Visual Arts, Inc. © The Andy Warhol Foundation for the Visual Arts
Detail from Contact Sheet [Andy Warhol photo shoot with Liza Minnelli and Victor Hugo, John Lennon], 1978, by Andy Warhol, gelatin silver print. Gift of The Andy Warhol Foundation for the Visual Arts, Inc. © The Andy Warhol Foundation for the Visual Arts
Jean-Michel Basquiat, 1982, by Andy Warhol, Polaroid Polacolor ER. The Andy Warhol Museum, Pittsburgh; Contribution The Andy Warhol Foundation for the Visual Arts, Inc. © 2018 The Andy Warhol Foundation for the Visual Arts, Inc / Licensed by Artists Rights Society (ARS), New York
Jean-Michel Basquiat, c 1982, by Andy Warhol, acrylic, silkscreen ink, and urine on canvas. The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. © 2018 The Andy Warhol Foundation for the Visual Arts, Inc / Licensed by Artists Rights Society (ARS), New York
Liza Minnelli, 1977, by Andy Warhol. Polaroid Polacolor Type 108. The Andy Warhol Museum, Pittsburgh; Contribution The Andy Warhol Foundation for the Visual Arts, Inc. © 2018 The Andy Warhol Foundation for the Visual Arts, Inc / Licensed by Artists Rights Society (ARS), New York
Liza Minnelli, 1979, by Andy Warhol, acrylic and silkscreen ink on linen. The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution Dia Center for the Arts. © 2018 The Andy Warhol Foundation for the Visual Arts, Inc / Licensed by Artists Rights Society (ARS), New York
Contact Sheet [New Year’s Eve party at River Café with woman in Marie Antoinette mask, Benjamin Liu and Larissa, Michael Musto, Tama Janowitz, Paige Powell, Ron Galella], 1987, by Andy Warhol, gelatin silver print. Gift of The Andy Warhol Foundation for the Visual Arts, Inc. © The Andy Warhol Foundation for the Visual Arts
Detail from Contact Sheet [New Year’s Eve party at River Café with woman in Marie Antoinette mask, Benjamin Liu and Larissa, Michael Musto, Tama Janowitz, Paige Powell, Ron Galella], 1987, by Andy Warhol, gelatin silver print. Gift of The Andy Warhol Foundation for the Visual Arts, Inc. © The Andy Warhol Foundation for the Visual Arts the Visual Arts
Detail from Contact Sheet [Stuart Pivar with skulls and skeletons at anatomical model showroom (?)], 1986, by Andy Warhol, gelatin silver print. Gift of The Andy Warhol Foundation for the Visual Arts, Inc. © The Andy Warhol Foundation for the Visual Art
INFORMATION
‘Contact Warhol: Photography Without End’ is on view 28 September – 6 January. For more information, visit the Cantor Arts Center website
ADDRESS
Stanford University
Cantor Arts Center
328 Lomita Drive
Stanford CA 94305
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
-
Itapororoca House is nestled in the Brazilian forest overlooking its leafy coastal context
Designed by Bloco Arquitetos, Itapororoca House is a treetop residence in Bahia, Brazil, offering a large wrap-around veranda to invite nature in
-
Sophie Smallhorn’s plywood tables for Uncommon Projects are colourful and modular
These modular tables by the artist and the plywood specialist play with colour for function, fun and flexibility
-
Aldo Frattini Bivouac is a mountain shelter, but not as you know it
A new mountain shelter on the northern Italian pre-Alp region of Val Seriana, Aldo Frattini Bivouac is an experimental and aesthetically rich, compact piece of architecture
-
Jamel Shabazz’s photographs are a love letter to Prospect Park
In a new book, ‘Prospect Park: Photographs of a Brooklyn Oasis, 1980 to 2025’, Jamel Shabazz discovers a warmer side of human nature
-
The Hammer Museum in Los Angeles launches the seventh iteration of its highly anticipated artist biennial
One of the gallery's flagship exhibitions, Made in LA showcases the breadth and depth of the city's contemporary art scene
-
Thomas Prior’s photography captures the uncanny fragility of American life
A new book unites two decades of the photographer’s piercing, uneasy work
-
Central Park’s revitalised Delacorte Theater gears up for a new future
Ennead Architects helmed an ambitious renovation process that has given the New York City cultural landmark a vibrant and more accessible future
-
Stephen Prina borrows from pop, classical and modern music: now MoMA pays tribute to his performance work
‘Stephen Prina: A Lick and a Promise’ recalls the artist, musician, and composer’s performances, and is presented throughout MoMA. Prina tells us more
-
Curtains up, Kid Harpoon rethinks the sound of Broadway production ‘Art’
He’s crafted hits with Harry Styles and Miley Cyrus; now songwriter and producer Kid Harpoon (aka Tom Hull) tells us about composing the music for the new, all-star Broadway revival of Yasmina Reza’s play ‘Art’
-
Richard Prince recontextualises archival advertisements in Texas
The artist unites his ‘Posters’ – based on ads for everything from cat pictures to nudes – at Hetzler, Marfa
-
The best Ruth Asawa exhibition is actually on the streets of San Francisco
The artist, now the subject of a major retrospective at SFMOMA, designed many public sculptures scattered across the Bay Area – you just have to know where to look