Corporeal company: Random International explores movement with robots and mirrors
How much visual information does one need to discern another moving human? What is the relationship between man and machine? These abstruse questions yield surprisingly playful answers in ‘On the Body’, a new exhibition by Random International at the Pace Gallery in New York. Hannes Koch and Florian Ortkrass, the founders of the Berlin- and London-based contemporary design studio, showed six new interactive pieces from the past two years.
Arranged chronologically, the show highlights two of the firm’s latest projects: Fifteen Points, a robotic sculpture that executes a rather jaunty walk through LED lights; and Blur Mirror, a reflective work composed of tiny tiles that cloud the face of one’s reflection. For Fifteen Points, Koch and Ortkrass worked with the BioMotion Lab at Queen’s University to translate the data of the ‘average human walk’ into a mechanised movement. ‘We were interested in the secondary information one gets through miniscule changes like emotions or gender,’ Koch says. (Fifteen Points reads as male and appears to be happy, as far as robots go.) Blur Mirror is described by the pair as ‘very analogue – we manipulated the mirrored tiles to vibrate at a high-speed to give the appearance of a digitised experience even though it is a mechanical process’.
Other pieces in the exhibition evolved out of Random International’s collaboration with choreographer Wayne McGregor in 2010 and further explore the body’s movement. For example, Small Study / I (FAR) lights up in response to motion and its thick layers of lights and panels invite the viewer to interact with it on multiple sides. Conversely, Fragments, a grid of 200 square mirrors, physically tilts and turns to follow its viewers. As a whole, the exhibition explores light, shadow, motion and the human perspective in an up-close, personal way. ‘We like to create one-on-one experiences where the person has a very intimate encounter with the work,’ Ortkrass concludes.
INFORMATION
‘On the Body’ is on view until 22 October. For more information, visit the Pace Gallery’s website
ADDRESS
Pace Gallery
537 West 24th Street
New York, NY 10001
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
-
The most whimsical hotel Christmas trees around the world
We round up the best hotel Christmas tree collaborations of the year, from an abstract take in Madrid to a heritage-rooted installation in Amsterdam
By Tianna Williams Published
-
Stone dials are making a comeback: here are the watches doing it best
Watches with hard stone dials are enjoying a surge in popularity
By Chris Hall Published
-
These illuminating fashion interviews tell the story of style in 2024
Selected by fashion features editor Jack Moss from the pages of Wallpaper*, these interviews tell the stories behind the designers who have shaped 2024 – from Kim Jones to Tory Burch, Willy Chavarria to Martine Rose
By Jack Moss Published
-
Inside Luna Luna: the amusement park designed by artists lands in New York
‘Luna Luna: Forgotten Fantasy’ – featuring rides by Basquiat, Lichtenstein, Hockney, Haring, and Dalí – has opened at The Shed
By Osman Can Yerebakan Published
-
Henni Alftan’s paintings frame everyday moments in cinematic renditions
Concurrent exhibitions in New York and Shanghai celebrate the mesmerising mystery in Henni Alftan’s paintings
By Osman Can Yerebakan Published
-
Brutalism in film: the beautiful house that forms the backdrop to The Room Next Door
The Room Next Door's production designer discusses mood-boarding and scene-setting for a moving film about friendship, fragility and the final curtain
By Anne Soward Published
-
'There’s an anxiety under all of it': Violet Dennison in New York
Violet Dennison debuts abstract paintings with new show 'Damaged Self' at Tara Downs Gallery
By Mary Cleary Published
-
‘Gas Tank City’, a new monograph by Andrew Holmes, is a photorealist eye on the American West
‘Gas Tank City’ chronicles the artist’s journey across truck-stop America, creating meticulous drawings of fleeting moments
By Jonathan Bell Published
-
Mark Armijo McKnight’s bodily landscapes capture the tactile serenity of the American West
The artist’s new exhibition at the Whitney Museum, which is organised by the museum curator Drew Sawyer, offers a succinct window into his contemplative suggestion of queering a landscape
By Osman Can Yerebakan Published
-
Dark, glamorous and hedonistic: a photography book captures New York in the 1990s
New York: High Life, Low Life, by Dafydd Jones, goes behind the scenes of New York society
By Hannah Silver Published
-
Derrick Alexis Coard’s portraits are a sensitive, positive testimony to Black men
The late artist Derrick Alexis Coard’s retrospective ‘I Am That I Am’, at New York’s Salon 94, honours his ‘symbolic expression for possible change for the African-American male community’
By Tianna Williams Published