Crown prince: LA artist Onik Agaronyan’s copper creations are a right royal success

Onik Agaronyan is a born hustler. Growing up under communism in the Armenian capital of Yerevan, the Los Angeles based artist was reprimanded by his grade school teachers for hawking hand-drawn comics to his classmates for ten cents apiece. ‘They called me the Salesman,’ says Agaronyan with a laugh, sipping some wine from a silver chalice at the dining table of his art-filled home in North Hollywood.
By the time he was 11, Agaronyan and his family had moved to LA, where he took his first job at the Koot Soos Collectibles antique store on Hollywood Boulevard. ‘When I first asked the owner for a job, he said, “No, get out of here”,’ recalls Agaronyan. ‘So I rang my parents, got their authorisation to work, and the first week I made somewhere around $200.’ Rather than take the money, though, Agaronyan asked for an old black typewriter: the first treasured object in a collection that now includes some 600 pieces. ‘I was never given money – we grew up modestly. But I always made my own money and bought what I wanted. From a very young age, I wanted really great, beautiful things: art, objects, books.’
When Agaronyan was 14, the owner of the shop succumbed to complications from AIDS and left the business to his young protégé. ‘I didn’t know how to run a shop,’ says Agaronyan. ‘I was literally on my skateboard with candlesticks in my backpack, skating to an antique store to sell them for $30.’ Two years later, though, Agaronyan had saved enough money to buy his first car – in cash.
On the side, Agaronyan privately sold art and worked as an adviser for young Angeleno artists, including his brother George, who now owns Provenance Lighting. And for the past 15 years, Downtown, the stalwart LA vintage decorative arts boutique, has purchased all his finds (from the Rose Bowl Flea Market, the Long Beach Antique Market and beyond). ‘Everything I buy on Sunday, I sell on Monday. It’s better than stocks or any investment,’ says Agaronyan. ‘I don’t buy furniture, as I don’t like to carry it, but I go for lamps, lighting, objects, chandeliers….’
Confident in his aesthetic sensibilities, Downtown also tapped Agaronyan to create pieces for the store as its design and production consultant. However, it took another decade for him to dream up his first serious artworks under his own name. The 2012 series, dubbed 'Inside the Beast', was comprised of copper animal sculptures featuring special hidden compartments. ‘It all started from the rhinoceros,’ he says, fetching a small jointed sculpture of the squatty ungulate from his jam-packed shelf of designer and celebrity biographies (‘I like to learn from the best,’ he says), as his nine-month-old beagle, Pablo, nips at his heels, bites at 1940s French club chairs and jumps onto his cocktail table in an attempt to steal one of three sawfish rostrums from a basket containing corals and a lion’s skull.
After banishing Pablo to the yard, Agaronyan lifts up a flank on the rhino to demonstrate how it doubles as a box. ‘There’s a saying: “If you collect boxes you have a lot of secrets; if you collect lights, you’re afraid of the dark”.’ He collects both, and went on to make several more metal animals and insects, including a camel, beetle, crow and an owl, spending roughly one month on each piece, depending on the complexity.
By 2013, Agaronyan had moved on to the 'Kings and Queens' collection, a series of hand-tooled copper crowns that are plated in silver and gold then festooned with agate, amethyst, rock crystal, natural white and black pearls, antique red corals and yellow citrine. For this series, he masks his boxes inside black chromed copper skulls. ‘Only you need to know that it’s a box – it’s just an added notch of mystery for the whole collection.’
‘This one came out of Albrecht Dürer,’ he says, gesturing to a six-pointed crown with serpent-like vines birthing leafy pods flowering crags of amethyst. He then pulls a book on Dürer from the shelf, opening to a detail shot of the Renaissance master’s Knight, Death and the Devil etching, identifying the figure of death’s head as his source of inspiration. Beside this piece sits a turban-like crown fitted with a large yellow citrine that is backed by a Swarovski crystal. ‘If light hits this, it reflects like a mirror,’ says Agaronyan, pulling over another crown that resembles the Pope’s mitre, only here the head gear is adorned with ‘really rare red corals, which you can’t even get anymore’.
Though the entire collection is about the impossibility of owning anything (‘We are guardians of beautiful things, but we can never own them,’ Agaronyan explains in a two-minute film), plenty of collectors are taking notice of his exquisite handcraft. Elton John, Martyn Lawrence Bullard and Antonia Hutt all bought early works, which debuted at Downtown last year. Agaronyan plans to keep a few pieces for himself, but will sell the rest after exhibiting them at LA’s Maxfield and New York’s Maison Gerard next year. ‘I don’t want to paint a flower painting, I want to achieve madness, I want to achieve shocking,’ Agaronyan concludes in his film.
The next objects he would like to live with include the 'Warriors' collection of skull boxes, topped by intricately ornamented helmets with jewelled motifs based on 17th-century suits of armour, plus a series of animal and plant-inspired jewellery. But even these efforts are just a stepping stone to his legacy endeavour, a home/salon in Studio City, designed to foster discussions and events that showcase the work of upcoming artists and match them with sponsors. ‘It wouldn’t function to sell necessarily,’ he says. ‘It could, but that would not be the goal, because once I get to that position, I won’t need to sell anything.'
As originally featured in the November 2015 edition of Wallpaper* (W*200)
Part of the ’Kings and Queens’ collection, these crowns, skulls and animals are all made of hand-forged copper in different finishes, adorned with semi-precious stones, antique red coral and white pearls
A copper crow with black pearl eyes and a large baroque pearl in its beak
A copper rhinoceros box
Copper beetle boxes with pyrite and malachite eyes
INFORMATION
’Kings and Queen’ collection, prices from $30,000 – $65,000, available from Maison Gerard in New York, and Downtown in Los Angeles
Photography: Rob Kulisek
ADDRESS
Maison Gerard
43 East 10th Street
New York
NY 10003
Downtown
719 N. La Cienega Boulevard
Los Angeles
CA 90069
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
-
The Barbican as muse: composer Shiva Feshareki on bringing the brutalist icon to life through music
For the last two years, British-Iranian experimental composer and turntablist Shiva Feshareki has been drawing on the Barbican’s hidden history as a gateway for her new piece. She talks to Wallpaper* about her Brutalist muse
By El Hunt Published
-
London's coolest design-led coffee shops for your Fashion Week fix
Coffee shops are the heart of London’s neighbourhoods, discover those fusing speciality beans and stylish interiors for the perfect brew
By Sofia de la Cruz Published
-
Martine Rose’s first gallery show celebrates the radical queer energy of Bronski Beat
Taking place at Sadie Coles over London Fashion Week, ‘Everything Must Change’ centres on a 2016 short film by menswear designer Martine Rose and image-maker Sharna Osborne starring Bronski Beat frontman Jimmy Somerville
By Zoe Whitfield Published
-
In ‘The Last Showgirl’, nostalgia is a drug like any other
Gia Coppola takes us to Las Vegas after the party has ended in new film starring Pamela Anderson, The Last Showgirl
By Billie Walker Published
-
‘American Photography’: centuries-spanning show reveals timely truths
At the Rijksmuseum in Amsterdam, Europe’s first major survey of American photography reveals the contradictions and complexities that have long defined this world superpower
By Daisy Woodward Published
-
Don't miss these seven artists at Frieze Los Angeles
Frieze LA returns for its sixth edition, running 20-23 February, showcasing over 100 galleries from more than 20 countries, as well as local staples featuring the city’s leading creatives
By Annabel Keenan Published
-
Pop culture, nostalgia and familiarity: Sam McKinniss in LA
Artist Sam McKinniss’ solo exhibition of paintings at David Kordansky Gallery in Los Angeles taps into familiarity, loss, and nostalgia
By Tianna Williams Published
-
Sundance Film Festival 2025: The films we can't wait to watch
Sundance Film Festival, which runs 23 January - 2 February, has long been considered a hub of cinematic innovation. These are the ones to watch from this year’s premieres
By Stefania Sarrubba Published
-
What is RedNote? Inside the social media app drawing American users ahead of the US TikTok ban
Downloads of the Chinese-owned platform have spiked as US users look for an alternative to TikTok, which faces a ban on national security grounds. What is Rednote, and what are the implications of its ascent?
By Anna Solomon Published
-
Architecture and the new world: The Brutalist reframes the American dream
Brady Corbet’s third feature film, The Brutalist, demonstrates how violence is a building block for ideology
By Billie Walker Published
-
Inside the distorted world of artist George Rouy
Frequently drawing comparisons with Francis Bacon, painter George Rouy is gaining peer points for his use of classic techniques to distort the human form
By Hannah Silver Published