Over the past two decades, Cuban artist Wilfredo Prieto has earned a reputation as a 'superminimalist' for his ability to tease out the sublime in ordinary, oft-overlooked objects (fruit, coins, liquids, matches.) His delicate interventions release them from their quotidian identities, turning them into utterly intoxicating sculptures (from a cubed watermelon, to a jumble of razor wire mimicking a cloud accumulation, and a flying helicopter tethered to a table.)
For his first solo exhibition with Mexico City’s Kurimanzutto, 'You can’t make a revolution with silk gloves', he moved to the city a month and a half prior to the 28 May opening and used the gallery as his studio. 'The main idea was to intervene the whole gallery,' says Prieto. 'The street, the reception, the kitchen, even the garden, thinking on the architecture and the function of each spot.'
To wit: he littered the cracks in the asphalt of the street outside the gallery with the dust of ten peso coins, while the floor and front wall of the reception area are joined in a Fred Sandbeck-style with an extended paper clip. Inside the interior courtyard, a plant-filled vestibule spouts call-in numbers from Cuban radio DJs, while the flashlight of a smartphone on the opposite wall ostensibly sheds light on a rope that runs into the main gallery and connects to a 20 ft piece of rebar. Above the rebar, hanging from a string, is a lone red alstroemeria flower that seemingly overlooks a folded stage curtain and a McCracken-esque lean-to sculpture made from plates of glass sourced from a local window shop.
The main gallery's corners are anchored, respectively, by a fan that blows a single piece of hair attached to a raisin and ten clippings from the artist’s fingernails. Meanwhile, in the rear courtyard Prieto has scented the tropical garden with Chanel No. 5, filled two drawers in the kitchen (one with table salt; the other with Maldon), and in the upstairs project space a tomato can filled with magnets rolls from one side of the room to the other, labouriously scratching a gesture into the back wall.
'One has mental associations that allow us to associate objects with one idea and another naturally and spontaneously. I take full advantage of the symbolic connotation that the object has,' says Prieto. 'These [objects] work independently, but in another context they may have other meanings.'
Despite the dark Stalinist overtones of the show’s title, the unexpected connections in Prieto's organic interventions seem more applicable to the words of Che Guevara: 'The revolution is not an apple that falls when it is ripe. You have to make it fall.'
Characterised by an almost shocking simplicity, Wilfredo Prieto's sculptures and installations function as a poetic commentary on social and political issues. Pictured: Dancing Hair with Raisin, 2015
Hanging from a string is a lone red alstroemeria flower that seemingly overlooks a folded stage curtain and a McCracken-esque lean-to sculpture made from plates of glass sourced from a local window shop. Pictured: Transparent, Dark, Dirty, 2015
The Cuban artist is known for his way of communicating with less, making provocative objects from items that might usually be easily overlooked. Pictured: Wilfredo Prieto
The materials used by Prieto to create his conceptual installations vary, depending on the particular idea or the concept he is working on
The artist tries to distance himself from his roots, preferring to to adopt a sort of detachment, in order to know himself better. Pictured: Egg and 8 Ball, 2016
In the rear courtyard (pictured) Prieto has scented a tropical garden with Chanel No. 5
With simple gestures, the artist suggests we distance ourselves from the day-to-day, to try to experience it in a new light. Pictured: Stone with Silk, 2016
For one piece, Prieto filled two drawers with salt: one with table salt, the other with Maldon. Pictured: The No Name Salt and the Maldon, 2016
INFORMATION
’Wilfredo Prieto: You can’t make a revolution with silk gloves’ is on view until 27 August. For more information, visit Kurimanzutto’s website
Photography: Abigail Enzaldo, 2016. Courtesy the artist and Kurimanzutto, Mexico City
ADDRESS
Kurimanzutto
Gob. Rafael Rebollar 94
col. San Miguel Chapultepec 11850
Mexico City
-
Wallpaper* checks in at the refreshed W Hollywood: ‘more polish and less party’The W Hollywood introduces a top-to-bottom reimagining by the Rockwell Group, capturing the genuine warmth and spirit of Southern California
-
Book a table at Row on 5 in London for the dinner party of dreamsRow on 5, located on the storied Savile Row, emerges as a perfectly tailored fit for fans of fine dining
-
How a bijou jewellery salon in Monaco set the jewellery trends for 2025Inside the inaugural edition of Joya, where jewellery is celebrated as miniature works of art
-
Out of office: what the Wallpaper* editors have been doing this weekInvesting in quality knitwear, scouting a very special pair of earrings and dining with strangers are just some of the things keeping the Wallpaper* team occupied this week
-
Tanya Aguiñiga: the artist weaving new narratives for borderless creativityWe profile LA-based artist and Loewe Foundation Craft Prize finalist Tanya Aguiñiga, whose work explores life on the US-Mexico border and seeks to empower transnational voices
-
Bosco Sodi’s monumental new Mexico City studio is a multifunctional featAs Bosco Sodi unveils his new Studio CMDX in Atlampa, Mexico City, we speak to the artist about how the vast Alberto Kalach-designed former warehouse is a feat in multitasking
-
Artist’s Palate: Jose Dávila’s chocolate fudge with pecansTry Jose Dávila’s indulgent recipe for chocolate fudge with pecans, from our December 2022 issue’s Artist’s Palate feature, a Wallpaper* homage to our favourite contemporary art
-
Botanical sculptor Azuma Makoto creates a sculptural ecosystem at Mexico’s SFER IKJapanese artist Azuma Makoto’s largest flower sculpture to date responds to SFER IK’s unique biophilic design and the surrounding wilderness
-
Mexico City art hub JO-HS opens inside a modernist iconNew exhibition space and creative hub JO-HS opens inside a striking example of modernist Mexico City architecture by Carlos Herrera
-
Bosco Sodi’s message of post-pandemic hope in New York CityThe Mexican artist takes over Manhattan's Washington Square Park on Sunday 23 May, giving away 439 small clay spheres embedded with seeds to spread a message of hope
-
Unno gallery shines a spotlight on Latin American design talentOffering a new point of view on the region's talent, Milan-based digital gallery Unno makes its debut with a series of collectible design objects that reference ancient aesthetics with a contemporary spin
