Material world: Dale Frank latest explorations in paint, resin and fire foam
January is usually a relatively quiet month for art in Hong Kong but not so at Pearl Lam’s eponymous Pedder Street gallery where the local gallerist is showing a solo exhibition of 16 works by artist Dale Frank.
One of the Australia’s most successful international artists, Frank is renowned for his manipulation of wildly different materials, pouring, melting and folding paint, chemicals, varnish, and resin to create intricate kaleidoscopic abstract images that are part painting, collage and sculpture. ‘It is not important to me if the image is flat or extends so far out from the wall that it touches the floor', he says. Indeed, in the past some of his works have literally slowly slipped off the canvas to create hypnotic stalactite-like goopy forms.
One of the most intriguing transformative pieces on show is, He had the personality of duck fat, comprising a large Perspex base upon which the artist has sculptured compression foam into a moon surface-like landscape before adding a layer of plutonium so that it glows an eerie green in the dark. The artist says he always adds the title after the works leave the studio. ‘I write a story and then move the lines and text around, breaking it up. I then divide it up according to the number of paintings,’ he explains.
Sometimes, however, the seemingly random name fits the image surprisingly well, as with The English have a way with Trifle (above), where oxygenated fire retardant foam on liquid glass interacts with oxygen to create a surreal pink and burnished gold landscape.
All the works were created during 2016, so even familiar-looking pieces reflect Frank’s newest explorations. For instance, his trademark colour resin swirls are now layered on reflective liquid glass creating a mirrored effect that reflects the image of the viewer. ‘Everyone wants to be the centre of the world at the moment so why not make them the centre of the art?’ Frank asks with a laugh.
INFORMATION
’Dale Frank’ is on view until 9 March. For more information, visit the Pearl Lam Galleries website
ADDRESS
Pearl Lam Galleries
601-605 Hong Kong Pedder Building
12 Pedder Street
Central
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Catherine Shaw is a writer, editor and consultant specialising in architecture and design. She has written and contributed to over ten books, including award-winning monographs on art collector and designer Alan Chan, and on architect William Lim's Asian design philosophy. She has also authored books on architect André Fu, on Turkish interior designer Zeynep Fadıllıoğlu, and on Beijing-based OPEN Architecture's most significant cultural projects across China.
-
Audi launches AUDI, a China-only sub-brand, with a handsome new EV concept
The AUDI E previews a new range of China-specific electric vehicles from the German carmaker’s new local sub-brand
By Jonathan Bell Published
-
Inside Izza Marrakech: A new riad where art and bohemian luxury meet
Honouring the late Bill Willis’ hedonistic style, Izza Marrakech fuses traditional Moroccan craftsmanship with the best of contemporary art
By Ty Gaskins Published
-
Clocking on: the bedside analogue timepieces that won’t alarm your aesthetic
We track down the only tick-tocks that matter, nine traditional alarm clocks that tell the time with minimum fuss and maximum visual impact
By Jonathan Bell Published
-
Henni Alftan’s paintings frame everyday moments in cinematic renditions
Concurrent exhibitions in New York and Shanghai celebrate the mesmerising mystery in Henni Alftan’s paintings
By Osman Can Yerebakan Published
-
Inside Jack Whitten’s contribution to American contemporary art
As Jack Whitten exhibition ‘Speedchaser’ opens at Hauser & Wirth, London, and before a major retrospective at MoMA opens next year, we explore the American artist's impact
By Finn Blythe Published
-
‘This blood that is flowing is my blood, and that should be a positive thing’: Tracey Emin at White Cube
Tracey Emin’s exhibition ‘I followed you to the end’ has opened at White Cube Bermondsey in London, and traces the artist’s journey through loss
By Hannah Silver Published
-
Harlem-born artist Tschabalala Self’s colourful ode to the landscape of her childhood
Tschabalala Self’s new show at Finland's Espoo Museum of Modern Art evokes memories of her upbringing, in vibrant multi-dimensional vignettes
By Millen Brown-Ewens Published
-
Artist Peggy Kuiper’s impactful figurative works explore her memories and emotional landscape with striking visual intensity
Peggy Kuiper presents ‘The Conversation That Never Took Place’ at Reflex in Amsterdam, featuring over 25 new works (until 13 July)
By Simon Chilvers Published
-
Don’t miss: Hayv Kahraman intertwines colonialism and botany in London
Artist Hayv Kahraman draws parallels between colonial botany and her experiences as an Iraqi refugee transplanted into Europe, at Pilar Corrias in London
By Hannah Silver Published
-
The ageing female body and the cult of youth: Joan Semmel in Belgium
Joan Semmel’s ‘An Other View’ is currently on show at Xavier Hufkens, Belgium, reimagining the female nude
By Hannah Silver Published
-
Guglielmo Castelli considers fragility and violence with painting series in Venice
Guglielmo Castelli’s exhibition ‘Improving Songs for Anxious Children’ at Palazzetto Tito, Venice, explores childhood as the genesis of discovery
By Sofia Hallström Published