Dan Lam’s eye-popping sculptures are difficult to forget. Polymorphous and multitextural, she is inspired by the aesthetics of artists such as Lynda Benglis and Claes Oldenburg, and Tara Donovan’s manipulation of materials. With these influences, Lam creates psychotropic objects that trick the senses.
Born in Manila to a Vietnamese family who relocated to Texas when she was child, Lam spent her formative creative years in Dallas – graduating in 2010 from the University of North Texas and later completing a Masters at Arizona State University. At school, she was challenged over her proclivity for making things that were ‘too pretty’, which pushed her to explore what happened to beauty when there was too much of it.
The artist now works alone at her studio at home in Dallas making her freestanding pieces and wall sculptures. 'I love being able to get to work whenever I need to or if an idea strikes. My studio takes up the back half of the house and everything is covered in plastic sheeting. I usually work at night, from around 8pm–4am.'
Lam describes the process of making her most recently released works – freestanding ‘drippy sculptures’ that she presented for the first time in March. 'I start with the polyurethane foam on top of some kind of armature. I have a loose idea in my mind of the form I want. The nature of the foam is somewhat unpredictable, so a lot of my process is guiding materials and then releasing control to the material/gravity. If the shape calls for it I will manipulate or add textures. I will also work in a subtractive way with the shape if I think it needs it needs cleaning up here and there. At this point I add acrylic paint and occasionally resin, depending on what kind of finish I want. There are usually quite a few layers. Lately I've been mixing it up with each piece, going between matte and gloss.'
Lam’s work fuses her interests in design and art, creating visual metaphors that unite her approach to physical substance with her conceptual ideas on objects in general. 'With the drippy sculptures, I look to the body (flesh, skin, foods) and nature (aposematism) for cues. I'm interested in creating these bright, attractive things that begged to be held, but either can't be touched because of the setting, or you can actually touch them, but they're hard and spiky – making them not so inviting.'
Lam’s most recent ‘drippy sculpture’ works are currently on sale at Left Field, San Luis Obispo, CA, and on Friday 13 May will be part of a group show, 'Prick', at The Platform, Trinity Groves, Dallas, and in August at a solo presentation at Fort Works Art, Fort Worth, Texas.
At school, Lam was challenged over her predilection for making things that were ‘too pretty’. This pushed her to explore what happened to beauty when there was too much of it. Pictured: Drinking Watermelon
The artist now works at her studio in Dallas, making freestanding pieces and wall sculptures. Pictured: The Friend
Lam presented her drippy sculptures for the first time in March. She says, ’I have a loose idea in my mind of the form I want. The nature of the [polyurethane] foam is somewhat unpredictable.’ Pictured: The Gang
Lam adds, ’I’m interested in creating these bright, attractive things that begged to be held, but either can’t be touched because of the setting, or you can actually touch them, but they’re hard and spiky – making them not so inviting.’ Pictured: They’re kind of small
Lam’s sculptures are currently on sale at Left Field, San Luis Obispo, CA, and on Friday 13 May will be part of a group show, ’Prick’, at The Platform, Trinity Groves, Dallas, and in August at a solo presentation at Fort Works Art, Fort Worth, Texas. Pictured: The Natural Look
INFORMATION
For more information, visit Dan Lam’s website
-
‘Concrete Dreams’: rethinking Newcastle’s brutalist pastA new project and exhibition at the Farrell Centre in Newcastle revisits the radical urban ideas that changed Tyneside in the 1960s and 1970s
-
Mexican designers show their metal at Gallery Collectional, Dubai‘Unearthing’ at Dubai’s Gallery Collectional sees Ewe Studio designers Manu Bañó and Héctor Esrawe celebrate Mexican craftsmanship with contemporary forms
-
At The Manner, New York has a highly fashionable new living roomThe Manner, a new hopsitality experience by Standard International in the heart of SoHo, triples up as a hotel, private residence, and members’ club
-
Inside Jack Whitten’s contribution to American contemporary artAs Jack Whitten exhibition ‘Speedchaser’ opens at Hauser & Wirth, London, and before a major retrospective at MoMA opens next year, we explore the American artist's impact
-
Frieze Sculpture takes over Regent’s ParkTwenty-two international artists turn the English gardens into a dream-like landscape and remind us of our inextricable connection to the natural world
-
Harlem-born artist Tschabalala Self’s colourful ode to the landscape of her childhoodTschabalala Self’s new show at Finland's Espoo Museum of Modern Art evokes memories of her upbringing, in vibrant multi-dimensional vignettes
-
Wanås Konst sculpture park merges art and nature in SwedenWanås Konst’s latest exhibition, 'The Ocean in the Forest', unites land and sea with watery-inspired art in the park’s woodland setting
-
Pino Pascali’s brief and brilliant life celebrated at Fondazione PradaMilan’s Fondazione Prada honours Italian artist Pino Pascali, dedicating four of its expansive main show spaces to an exhibition of his work
-
John Cage’s ‘now moments’ inspire Lismore Castle Arts’ group showLismore Castle Arts’ ‘Each now, is the time, the space’ takes its title from John Cage, and sees four artists embrace the moment through sculpture and found objects
-
Gerhard Richter unveils new sculpture at Serpentine SouthGerhard Richter revisits themes of pattern and repetition in ‘Strip-Tower’ at London’s Serpentine South
-
Peter Blake’s sculptures spark joy at Waddington Custot in London‘Peter Blake: Sculpture and Other Matters’, at London's Waddington Custot, spans six decades of the artist's career
