As eerie as his theatrical display of mammoth fossils might seem, Danh Vō’s first solo exhibition at White Cube’s Hong Kong outpost nevertheless offers a timely reflection on modern day questions about identity.
The Vietnamese-born Danish artist’s collection of some 450 ancient bones and a 17th-century ivory statue of Christ – suspended from the ceiling of the gallery's upper floor – has been shown before, as part of his 2015 ‘Banish the Faceless/Reward your Grace’ exhibition in Madrid. Here, it takes on a new dimension within the brightly-lit, sheer white gallery.
'It has a completely different energy and spirit to before,' observes the show's curator, White Cube director Mathieu Paris. 'He likes to frame the work in a space, taking the form from the room to create a new conversation.'
The ground floor, meanwhile, provides a stark contrast with just two works: a 16th-century sculpture of Christ's head inside a contemporary fridge topped with a Roman sculpture of a lion. Nearby, is the artist's iconic gold leaf Budweiser box.
'He works with fragments,' Paris explains. ‘The ivory sculpture, for instance, is a reflection on ivory trafficking, highlighting the confrontation between the material and message.’
Like all his works, the exhibition is an intensely personal reflection on his and his family’s history. Born in South Vietnam, Vō grew up in Denmark, after being rescued by a Danish commercial tanker from a boat his father had constructed in order to flee the country.
The artist says he was especially keen to exhibit in Hong Kong, not least because, as a city of economic and political refugees, it reflects his own mediations on dislocation.
The Vietnamese-born Danish artist’s collection of some 450 ancient bones and a 17th-century ivory statue of Christ suspended from the ceiling of the gallery’s upper floor has been shown before, as part of his 2015 ‘Banish the Faceless/Reward your Grace’ exhibition in Madrid
The installation takes on a new dimension within the brightly-lit, sheer white enclaves of the White Cube
The ground floor, meanwhile, provides a stark contrast with just two works: a 16th-century sculpture of Christ’s head inside a contemporary fridge topped with a Roman sculpture of a lion
Born in South Vietnam, Vō grew up in Denmark after being rescued by a Danish commercial tanker from a boat his father had constructed in order to flee the country
The artist says he was especially keen to exhibit in Hong Kong, not least because, as a city of economic and political refugees, it reflects his own mediations on dislocation
INFORMATION
’Danh Vō’ is on view until 12 November. For more information, visit the White Cube’s website
ADDRESS
White Cube
50 Connaught Road Central
Hong Kong
-
Inside Jack Whitten’s contribution to American contemporary artAs Jack Whitten exhibition ‘Speedchaser’ opens at Hauser & Wirth, London, and before a major retrospective at MoMA opens next year, we explore the American artist's impact
-
Frieze Sculpture takes over Regent’s ParkTwenty-two international artists turn the English gardens into a dream-like landscape and remind us of our inextricable connection to the natural world
-
Harlem-born artist Tschabalala Self’s colourful ode to the landscape of her childhoodTschabalala Self’s new show at Finland's Espoo Museum of Modern Art evokes memories of her upbringing, in vibrant multi-dimensional vignettes
-
Wanås Konst sculpture park merges art and nature in SwedenWanås Konst’s latest exhibition, 'The Ocean in the Forest', unites land and sea with watery-inspired art in the park’s woodland setting
-
Pino Pascali’s brief and brilliant life celebrated at Fondazione PradaMilan’s Fondazione Prada honours Italian artist Pino Pascali, dedicating four of its expansive main show spaces to an exhibition of his work
-
John Cage’s ‘now moments’ inspire Lismore Castle Arts’ group showLismore Castle Arts’ ‘Each now, is the time, the space’ takes its title from John Cage, and sees four artists embrace the moment through sculpture and found objects
-
Gerhard Richter unveils new sculpture at Serpentine SouthGerhard Richter revisits themes of pattern and repetition in ‘Strip-Tower’ at London’s Serpentine South
-
Peter Blake’s sculptures spark joy at Waddington Custot in London‘Peter Blake: Sculpture and Other Matters’, at London's Waddington Custot, spans six decades of the artist's career
