Pastel prisms: Dawn Ng’s free-ranging installation at Hermès’ Aloft space
When Singaporean curator Emi Eu approached compatriot Dawn Ng to create an installation to inaugurate Hermès’s refurbished flagship store, the visual artist barely hesitated. For one thing, it’s not everyday that the sixth-generation marque comes knocking. And for another, the site – Aloft at Hermès – is both a brand new, fourth-floor column-less exhibition space that is one of just five Fondation d'entreprise Hermès art spaces in the world, and the perfect blank canvas for Ng’s expansive, free-ranging installations.
‘When Emi approached me with the Hermès commission, she spoke of new perspectives and horizons,' Ng recalls. ‘I thought about newness in the context of the world we live in today, which tends to shout or blare, to rise above the visual or social noise around us and create a big bang. I wanted to take the work in the opposite direction to a place that was soft, naive and innocent.’
The result is all that and more. Anchored by large pastel-hued plaster and wood blocks whose ends are lined with slender slabs of mirrors, the all-white room engenders an immediate sensation of quiet stillness. The random placement of the blocks creates physical gullies that coax visitors to flow in and out of spaces, their presence reflected in fleeting, disembodied mirrored glimpses. The concept is disarming in its simplicity and unexpectedly moving in the experience.
Ng says the abstract colour planes – an idea that owes much to the French post-war artist Yves Klein – represent different portals, and their symbolic and psychological ability to usher people from one place, time, or self, to the next, so that they disappear and re-emerge again.
‘I felt this softness and purity was much more powerful and startling when transformed into a surreal environment for someone to be immersed in,’ she says. ‘I wanted to create an abstract sense of moving through the soft pastel colour planes of an early horizon – that child-like, ephemeral place between sleep and consciousness, that gentle awakening to a new beginning.’
INFORMATION
'How to Disappear into a Rainbow' is on view until 14 August. For more information, visit the Fondation d'entreprise Hermès website
Photography courtesy the artist and Hermès
ADDRESS
Aloft, Hermès
541 Orchard Road
#01-02A Liat Towers
Singapore
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Daven Wu is the Singapore Editor at Wallpaper*. A former corporate lawyer, he has been covering Singapore and the neighbouring South-East Asian region since 1999, writing extensively about architecture, design, and travel for both the magazine and website. He is also the City Editor for the Phaidon Wallpaper* City Guide to Singapore.
-
Take a bite: Laila Gohar and The Luxury Collection’s ‘Cakes & Candles’ are a sweet treat for the senses
Laila Gohar’s six cake-inspired candles draw on The Luxury Collection’s hotels around the world – where guests can enjoy matching edible confections
By Tianna Williams Published
-
The Wallpaper* guide to party dressing with abandon
Decadent get-ups to let your sartorial hair down this festive season, ready for a month-long marathon of hedonism and indulgence
By Jack Moss Published
-
C-Next Designers Europe hosted by Cosentino is forging the future of the interior design industry
220 interior design professionals from 30 countries attended the invite-only event in Almeria for two days of factory tours, workshops and panel discussions
By Hugo Macdonald Published
-
Artist Jonathan Baldock plays hide and seek with the windows of Hermès' London flagship
A series of fantastical, brightly coloured hedges, dotted with peepholes, transform Hermès' New Bond Street store, offering an interactive experience for the passerby
By Anne Soward Published
-
Art SG 2024: what to see at Southeast Asia’s biggest art fair
Art SG returns for its second year with a rich international roster of artists and galleries
By Daven Wu Published
-
Remote Antarctica research base now houses a striking new art installation
In Antarctica, Kyiv-based architecture studio Balbek Bureau has unveiled ‘Home. Memories’, a poignant art installation at the remote, penguin-inhabited Vernadsky Research Base
By Harriet Lloyd-Smith Published
-
Ryoji Ikeda and Grönlund-Nisunen saturate Berlin gallery in sound, vision and visceral sensation
At Esther Schipper gallery Berlin, artists Ryoji Ikeda and Grönlund-Nisunen draw on the elemental forces of sound and light in a meditative and disorienting joint exhibition
By Harriet Lloyd-Smith Published
-
Cecilia Vicuña’s ‘Brain Forest Quipu’ wins Best Art Installation in the 2023 Wallpaper* Design Awards
Brain Forest Quipu, Cecilia Vicuña's Hyundai Commission at Tate Modern, has been crowned 'Best Art Installation' in the 2023 Wallpaper* Design Awards
By Harriet Lloyd-Smith Published
-
Michael Heizer’s Nevada ‘City’: the land art masterpiece that took 50 years to conceive
Michael Heizer’s City in the Nevada Desert (1972-2022) has been awarded ‘Best eighth wonder’ in the 2023 Wallpaper* design awards. We explore how this staggering example of land art came to be
By Harriet Lloyd-Smith Published
-
Cerith Wyn Evans: ‘I love nothing more than neon in direct sunlight. It’s heartbreakingly beautiful’
Cerith Wyn Evans reflects on his largest show in the UK to date, at Mostyn, Wales – a multisensory, neon-charged fantasia of mind, body and language
By Harriet Lloyd-Smith Published
-
The best 7 Christmas installations in London for art lovers
As London decks its halls for the festive season, explore our pick of the best Christmas installations for the art-, design- and fashion-minded
By Harriet Lloyd-Smith Published