Dyson family plan to open art collection to the public with new gallery
The proposed gallery, designed by Wilkinson Eyre architects and located in the grounds of James and Deirdre Dyson's Dodington Park home, will house the family art collection, studded with modern marvels
For many private art collections, private is the operative word. But for Sir James and Lady Deirdre Dyson, it's time their impressive collection came up for air, and free public appreciation. The family has just announced plans to build a new pavilion gallery in the grounds of their home in the Cotswolds.
The proposed gallery, which has just been submitted for planning approval, has been designed by Wilkinson Eyre architects and will be sited on the northern edge of the Dysons’ sprawling Dodington Park home in South Gloucestershire, a stone’s throw from the current Dyson HQ.
The estate's palatial main house, built in the 18th century, is Grade I listed. Even the grounds – which span 300 acres and were originally laid out by Capability Brown in 1764 – boast a Grade II listing, including the ancient brick wall which will encircle the proposed art space.
The structure will be, in the words of architect Chis Wilkinson, ‘low key’: modern, discreet and in tune with its neighbouring architecture. It will comprise two floors (ground and basement) and feature angular exterior steel columns clad in bronze to echo the tone of the surrounding brick. The overhanging diagrid roof will be carpeted in sedum plants to minimise environmental intrusion. It will be free for the public to visit (albeit on limited days of the year), but pre-booking is essential.
For industrial designer and inventor James Dyson, whose business success began with a bagless vacuum and resulted in a multi-billion pound empire, art appreciation is deep-rooted – he himself was once an aspiring painter. The same can be said for his wife, Deirdre Dyson, an accomplished artist and carpet designer in her own right. The pair met in 1966 while studying at London’s Byam Shaw School of Art (James later studied furniture design at the Royal College of Art) and have since amassed a star-studded array of painting and sculpture, with Pop Art as a recurring theme.
Among the works are Roy Lichtenstein’s Crying Girl (1963), a late Andy Warhol print from his Toy Series (1983), Peter Blake’s Twins in the Tea Garden (1999) and David Hockney's Domestic Interior Scene, Broadchalke, Wiltshire (1963). The roll call continues with Pablo Picasso, Yves Klein, Victor Vasarely, painted steel sculptures by Allen Jones and even more Hockneys. ‘The most vibrant and significant period in British Pop Art came from the Royal College of Art in the first half of the Sixties and the collection is clearly informed by this,’ explains Tim Marlow, chief executive and director of London's Design Museum. ‘It is wide-ranging and personal but also has an underlying coherence and quality.’
Dodington Art Gallery, which is slated for completion in 2021, is a project reinforced by good intentions: sustainable construction, sensitivity to its surroundings and the promise of free public access to a collection of art Marlow describes as ‘compelling and important’.
INFORMATION
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Harriet Lloyd-Smith was the Arts Editor of Wallpaper*, responsible for the art pages across digital and print, including profiles, exhibition reviews, and contemporary art collaborations. She started at Wallpaper* in 2017 and has written for leading contemporary art publications, auction houses and arts charities, and lectured on review writing and art journalism. When she’s not writing about art, she’s making her own.
-
Incorp brings together the work of Sissel Tolaas and Panconesi in three unique fragrances
Collaborative fragrance project Incorp was founded by Kira Lillie, bringing together the work of artist Sissel Tolaas, jewellery designer Marco Panconesi and more
By Mary Cleary Published
-
CES 2025: a collection of this year’s conceptual tech and real-world innovations
Robots of every shape and size were on display at CES, some with more promise than others, along with new approaches to art, health and entertainment
By Jonathan Bell Published
-
Discover Interni Venosta, the new furniture label where craft and beauty speak for themselves
Interni Venosta, the new furniture label of Emiliano Salci and Britt Moran, is a perfectly pitched celebration of craft, quality and nostalgia
By Hugo Macdonald Published
-
Surrealism as feminist resistance: artists against fascism in Leeds
‘The Traumatic Surreal’ at the Henry Moore Institute, unpacks the generational trauma left by Nazism for postwar women
By Katie Tobin Published
-
From activism and capitalism to club culture and subculture, a new exhibition offers a snapshot of 1980s Britain
The turbulence of a colourful decade, as seen through the lens of a diverse community of photographers, collectives and publications, is on show at Tate Britain until May 2025
By Anne Soward Published
-
Jasleen Kaur wins the Turner Prize 2024
Jasleen Kaur has won the Turner Prize 2024, recognised for her work which reflects upon everyday objects
By Hannah Silver Last updated
-
Peggy Guggenheim: ‘My motto was “Buy a picture a day” and I lived up to it’
Five years spent at her Sussex country retreat inspired Peggy Guggenheim to reframe her future, kickstarting one of the most thrilling modern-art collections in history
By Caragh McKay Published
-
Please do touch the art: enter R.I.P. Germain’s underground world in Liverpool
R.I.P. Germain’s ‘After GOD, Dudus Comes Next!’ is an immersive installation at FACT Liverpool
By Will Jennings Published
-
‘Regeneration and repair is a really important part of how I work’: Bharti Kher at Yorkshire Sculpture Park
Bharti Kher unveils the largest UK museum exhibition of her career at Yorkshire Sculpture Park
By Will Jennings Published
-
‘Mental health, motherhood and class’: Hannah Perry’s dynamic installation at Baltic
Hannah Perry's exhibition ’Manual Labour’ is on show at Baltic in Gateshead, UK, a five-part installation drawing parallels between motherhood and factory work
By Emily Steer Published
-
Francis Alÿs plots child play around the world at the Barbican
In Francis Alÿs' exhibition ‘Ricochets’ at London’s Barbican, the artist explores the universality of play, even in challenging situations
By Amah-Rose Abrams Published