Despite the fact that Charles and Ray Eames practiced photography throughout their lives, the pictures they took have always been stuck in the shadow of the duo’s much-celebrated furniture, architecture and film projects. Determined to bring these photographs into the spotlight, independent curator Alexandra Midal took a trip to LA to sift through the Eames’ photography archive – a vast collection that totals 750,000 slides. Following her research, in 2013 she put together an exhibition in Milan titled ‘Re-Think the Eames’ that showcased 700 of their previously unseen photographs.
Now, three years on, Midal is revisiting the photographs, this time focusing upon a particular series titled Movie Sets that Charles Eames placed into a montage sequence for a lecture in 1971. The photographs were taken between 1951 and 1970 on the film sets of Charles’ good friend, director Billy Wilder. Bonding over their mutual love of contemporary design, the Eames and the Wilders became firm friends early on. ‘You don’t go to watch Billy shoot to learn how make a picture,’ Eames once said, ‘but to learn how to write an editorial, how to make a chair, how to make a piece of furniture.’
Now, all 240 of the previously unknown and unpublished Movie Sets photographs are being presented in a new show called ‘Eames & Hollywood’ that opens today at the Art & Design Atomium Museum in Brussels – the first temporary show that has ever been hosted at the venue. Curated by Midal with the support of the Eames Foundation, the show provides a glimpse into the world of the Eames and their own very unique way of looking at the world.
From technicians clambering over scaffolds to lighting rigs and cameras, as well as the odd glimpse of a Hollywood star, the photographs are displayed backlit across two long walls, supported by a dramatic timber scenography-inspired set designed by Adrien Rovero.
‘What matters so much for the Eames was not the actresses or actors or the stars. Absolutely not,’ says Midal in reference to the exhibition’s set design. ‘What matters to them is the technicians, the extras, the make-up artist, the machinery, the different apparatus; it’s not really the technique but the way the cinema is constructed.’
‘As kids we would see these slideshows in the office all the time and we knew they were special,’ recalls Eames Demetrios, Ray and Charles’ grandson and director of the Eames office. 'What’s so compelling about them is that although they’re nostalgic, they’re actually very contemporary in form and in the way you experience them. So to me it was thrilling to see the exhibition come together and to begin the process of getting them appreciated.’
The photographs were taken between 1951 and 1970 on the film sets of Charles’ good friend, director Billy Wilder. Pictured: Wilder and the Eames
Despite the fact that Charles and Ray Eames practiced photography throughout their lives, the pictures they took have always been in the shadow of the duo’s much-celebrated furniture, architecture and film projects
The images feature technicians clambering over scaffolds to lighting rigs and cameras, as well as the odd glimpse of a Hollywood star
The photographs are displayed backlit across two long walls, supported by a dramatic timber scenography-inspired set, designed by Adrien Rovero
Eames Demetrios, Ray and Charles’ grandson and director of the Eames office recalls, ’As kids we would see these slideshows in the office all the time and we knew they were special’
At the far end of the room, three projection screens showcase the photographs in a montage sequence while a soundtrack of background noise recorded on a movie set is played out on a loop; just the way that Charles Eames had originally intended for his lecture back in 1971
Curated by Midal with the support of the eponymous Foundation, the show provides a glimpse into the world of the Eames and their own very unique way of looking at the world
’What’s so compelling about them is that although they’re nostalgic, they’re actually very contemporary in form and in the way you experience them,’ Demetrios concludes. ’So to me it was thrilling to see the exhibition come together’
INFORMATION
’Eames & Hollywood’ is on view until 4 September. For more information, visit the Art & Design Atomium Museum’s website
Photography courtesy Eames Office and ADAM, 2016
ADDRESS
Art & Design Atomium Museum
Trade Mart Brussels
Belgiëplein 1
Brussels
-
A revamped Edinburgh apartment combines Californian-style modernism with modern craftArcher + Braun have transformed an apartment in a historic house with finely tuned contemporary additions and sympathetic attention to detail
-
Formafantasma’s biodiversity-boosting installation in a Perrier Jouët vineyard is cross-pollination at its bestFormafantasma and Perrier Jouët unveil the first project in their ‘Cohabitare’ initiative, ‘not only a work of art but also a contribution to the ecosystem’
-
Gingerbread City: architects sculpt London out of the season's favourite treatUntil December 29 in Chelsea, see London brought to life in a seasonal-appropriate medium by leading architects and designers
-
Artist Emmanuelle Castellan’s textural takeover in BrusselsLa Verrière gallery in Brussels and Fondation d’entreprise Hermès present ‘Spektrum’, infused with colour and texture by the works of Emmanuelle Castellan
-
The ageing female body and the cult of youth: Joan Semmel in BelgiumJoan Semmel’s ‘An Other View’ is currently on show at Xavier Hufkens, Belgium, reimagining the female nude
-
‘Heaven ’N’ Earth’: Sayre Gomez blurs the reality and illusion of Los AngelesSayre Gomez’s ‘Heaven ‘N‘ Earth’ at Xavier Hufkens in Brussels explores the contrasts between wealth and poverty, reality and illusion in Los Angeles
-
Royal College of Physicians Museum presents its archives in a glowing new lightLondon photography exhibition ‘Unfamiliar’, at the Royal College of Physicians Museum (23 January – 28 July 2023), presents clinical tools as you’ve never seen them before
-
Museum of Sex to open Miami outpost in spring 2023The Museum of Sex will expand with a new Miami outpost in spring 2023, housed in a former warehouse reimagined by Snøhetta and inaugurated with an exhibition by Hajime Sorayama
-
Antony Gormley interview: ‘We’re at more than a tipping point. We’re in a moment of utter crisis’We visit the London studio of British sculptor Antony Gormley ahead of his major new show ‘Body Field’ at Xavier Hufkens Brussels
-
Jenny Holzer curates Louise Bourgeois: ‘She was infinite’The inimitable work of Louise Bourgeois is seen through the eyes of Jenny Holzer in this potent meeting of minds at Kunstmuseum Basel
-
‘A Show About Nothing’: group exhibition in Hangzhou celebrates emptinessThe inaugural exhibition at new Hangzhou cultural centre By Art Matters explores ‘nothingness’ through 30 local and international artists, including Maurizio Cattelan, Ghislaine Leung, Hiroshi Sugimoto, Liu Guoqiang and Yoko Ono
