Elizabeth Price debuts video work in first London show since her Turner Prize win
As a young man exited the small, curtained nook where Turner Prize winner Elizabeth Price was exhibiting her latest two-channel HD video, txtʃərz, he remarked at how refreshing it was to catch an esteemed artist in the backwoods of Waterloo Station. The artist, he said, was bringing her message to the masses – a rare delight.
The venue in question was the Morley Gallery, part of the arts centre at the eponymous college of adult learning in London’s Southbank. And the message, delivered in a dispassionate electronic voice evocative of Stephen Hawking, was of a higher education in turmoil. Price, a former teacher born to two teachers, envisions a field that is increasingly corrupted by money, distrust and corporate greed.
txtʃərz is, at its most basic, a phonetic play on words. Price’s simple graphics superimpose her transcribed script atop backlit stencils of lace fabrics silhouetted like ecclesiastical robes – as perfectly symmetrical as Rorschach tests. While the choppy voice dictates and its missive unfurls across the screen, a narrative unfolds.
A group of disaffected professionals in some futuresque world are sitting a series of silent protests in which they communicate nothing. Any speech comes out in random glottal utterances, which, when strung together, roughly resemble the word ‘teachers’ – though in reality we learn nothing definitive about their demands.
When the media and academia take notice, the effort to define their struggle and its origin creates divisions among the protesters. It’s an absurd premise rendered more so by the robotic narrator: who’s programmed it? Is it impartial? Who can, or should, we trust?
Price’s layering of voices, fabrics, suspenseful music and even time (past and future mix seamlessly with the present) create the requisite texture in this quick, seven-minute hit. You’ll probably want to watch it twice, but ultimately, it’s a lecture on the absence of lecturing that demands your attention.
INFORMATION
txtʃərz is on view 5 – 14 July. For more information, visit the Morley Gallery website
ADDRESS
Morley Gallery
61 Westminster Bridge Road
London SE1 7HT
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Based in London, Ellen Himelfarb travels widely for her reports on architecture and design. Her words appear in The Times, The Telegraph, The World of Interiors, and The Globe and Mail in her native Canada. She has worked with Wallpaper* since 2006.
-
How We Host: Interior designer Heide Hendricks shows us how to throw the ultimate farmhouse fêteThe designer, one half of the American design firm Hendricks Churchill, delves into the art of entertaining – from pasta to playlists
-
Arbour House is a north London home that lies low but punches highArbour House by Andrei Saltykov is a low-lying Crouch End home with a striking roof structure that sets it apart
-
25 of the best beauty launches of 2025, from transformative skincare to offbeat scentsWallpaper* beauty editor Mary Cleary selects her beauty highlights of the year, spanning skincare, fragrance, hair and body care, make-up and wellness
-
Out of office: The Wallpaper* editors’ picks of the weekFar from slowing down for the festive season, the Wallpaper* team is in full swing, hopping from events to openings this week. Sometimes work can feel like play – and we also had time for some festive cocktails and cinematic releases
-
The Barbican is undergoing a huge revamp. Here’s what we knowThe Barbican Centre is set to close in June 2028 for a year as part of a huge restoration plan to future-proof the brutalist Grade II-listed site
-
Out of office: The Wallpaper* editors’ picks of the weekIt’s wet, windy and wintry and, this week, the Wallpaper* team craved moments of escape. We found it in memories of the Mediterranean, flavours of Mexico, and immersions in the worlds of music and art
-
Each mundane object tells a story at Pace’s tribute to the everydayIn a group exhibition, ‘Monument to the Unimportant’, artists give the seemingly insignificant – from discarded clothes to weeds in cracks – a longer look
-
Out of office: The Wallpaper* editors’ picks of the weekThis week, the Wallpaper* team had its finger on the pulse of architecture, interiors and fashion – while also scooping the latest on the Radiohead reunion and London’s buzziest pizza
-
Out of office: The Wallpaper* editors’ picks of the weekIt’s been a week of escapism: daydreams of Ghana sparked by lively local projects, glimpses of Tokyo on nostalgic film rolls, and a charming foray into the heart of Christmas as the festive season kicks off in earnest
-
Wes Anderson at the Design Museum celebrates an obsessive attention to detail‘Wes Anderson: The Archives’ pays tribute to the American film director’s career – expect props and puppets aplenty in this comprehensive London retrospective
-
Meet Eva Helene Pade, the emerging artist redefining figurative paintingPade’s dreamlike figures in a crowd are currently on show at Thaddaeus Ropac London; she tells us about her need ‘to capture movements especially’