Elmgreen & Dragset give poolside lounging a new slant in Miami
The Scandinavian duo’s Bent Pool is the final sculpture in a series of site-specific works to be permanently installed in and around the Miami Beach Convention Center

The swimming pool isn’t a new motif in the work of Scandinavian art duo Elmgreen & Dragset. From a diving board sticking out of a window at the Louisiana Museum of Modern Art in 1997 to a silicone mannequin floating face down at the 2009 Venice Biennale or, more recently, a deserted public pool at London’s Whitechapel Gallery, the artists’ fascination for all things aquatics has been a driving force across their multi-faceted, witty oeuvre.
This time, the subversive pair take to Miami Beach with an ambitious installation erected outside of the Convention Center, seasonal home to Art Basel Miami Beach. Titled Bent Pool, the 20ft tall curved swimming pool draws on minimalism’s geometric forms as much as on pop art and conceptualism’s use of readymade objects and imagery. But it also pays homage to the city’s architectural tradition, while providing a commentary on luxury in the age of climate change. ‘Swimming pools are woven into the very fabric of Miami Beach,’ Michael Elmgreen and Ingar Dragset said of their site-specific work, ‘what they represent is actually something in danger of becoming frivolous, rather than remaining iconic.’
Bent Pool, 2019, by Elmgreen & Dragset, installation view in Miami Beach.
Indeed, it is no secret that, while extravagant condominiums continue to rise along its shores, Miami Beach is, in fact, drowning. In recent years, the growing threats associated with rising sea levels and stronger tropical storms have cast uncertainty over the coastal city’s scenic, pastel-tinted streets and art deco buildings, leading to rampant climate gentrification across the surrounding county. ‘You have this illustrious legacy of iconic hotels and swimming pool design, luxury and leisure, which is nowadays juxtaposed with this undeniable fragility that comes from the city’s very geography,’ said the Berlin-based duo, who are currently enjoying a solo exhibition at the Nasher Sculpture Center in Dallas, Texas.
The sculpture, which mimics the frame of an otherwise oval swimming pool, bent in an inverted U-shape and standing upright on a two-tier plinth, is reminiscent of the monumental architecture of a triumphal arch. Such structure traditionally marks historical battles or the ceremonial entrance to a city – here, suitably greeting the art crowds as they march into Art Basel Miami Beach and neighbouring Design Miami, where they’ll put their bet on the next hot thing. But the artists explain that the piece ‘creates a more intimate and everyday kind of arch’, one which can only be crossed by one person at a time; perhaps a nod to the relentlessly fast-paced and speculative nature of the art market.
RELATED STORY
Officially inaugurated during Art Basel Miami Beach, Bent Pool is the final in a series of six site-specific public art works, permanently installed in and around the Miami Beach Convention Center. Other artworks launched earlier this year include a ceramic-tile installation by British artist Sarah Morris, a mural by German artist Franz Ackermann, outdoors garden sculptures by Dutch artist Joep van Lieshout and hand-painted glass panels by British-American artist Ellen Harvey. They were selected by the City of Miami Beach’s Art in Public Places programme in concurrence with the $620m revamp of the 1950s Miami Beach Convention Center, completed last year by American firm Fentress Architects. Having cost $7m (the programme allocates 2 per cent of all capital costs for City projects), the series represents the largest public art project of its kind in American history installed on a single site – that is, while it’s still afloat.
Bent Pool, 2019, by Elmgreen & Dragset.
Bent Pool, 2019, by Elmgreen & Dragset.
Humanoids, 2019, by Joep Van Lieshout.
Located World Miami Beach, 2019, by Joseph Kosuth.
Morris Lapidus, 2019, by Sarah Morris.
INFORMATION
elmgreen-dragset.com; miamibeachfl.gov
ADDRESS
Miami Beach Convention Center
1901 Convention Center Drive
Miami Beach
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
-
Revolutionary Apple icon designer Susan Kare unveils a playful jewellery and objet collaboration with Asprey Studio
Asprey Studio's new collection, Esc Keys, brings digital artworks by Susan Kare to life
By Hannah Silver Published
-
What is the role of fragrance in contemporary culture, asks a new exhibition at 10 Corso Como
Milan concept store 10 Corso Como has partnered with London creative agency System Preferences to launch Olfactory Projections 01
By Hannah Tindle Published
-
Jack White's Third Man Records opens a Paris pop-up
Jack White's immaculately-branded record store will set up shop in the 9th arrondissement this weekend
By Charlotte Gunn Published
-
In ‘The Last Showgirl’, nostalgia is a drug like any other
Gia Coppola takes us to Las Vegas after the party has ended in new film starring Pamela Anderson, The Last Showgirl
By Billie Walker Published
-
‘American Photography’: centuries-spanning show reveals timely truths
At the Rijksmuseum in Amsterdam, Europe’s first major survey of American photography reveals the contradictions and complexities that have long defined this world superpower
By Daisy Woodward Published
-
Miami’s new Museum of Sex is a beacon of open discourse
The Miami outpost of the cult New York destination opened last year, and continues its legacy of presenting and celebrating human sexuality
By Anna Solomon Published
-
Sundance Film Festival 2025: The films we can't wait to watch
Sundance Film Festival, which runs 23 January - 2 February, has long been considered a hub of cinematic innovation. These are the ones to watch from this year’s premieres
By Stefania Sarrubba Published
-
What is RedNote? Inside the social media app drawing American users ahead of the US TikTok ban
Downloads of the Chinese-owned platform have spiked as US users look for an alternative to TikTok, which faces a ban on national security grounds. What is Rednote, and what are the implications of its ascent?
By Anna Solomon Published
-
Architecture and the new world: The Brutalist reframes the American dream
Brady Corbet’s third feature film, The Brutalist, demonstrates how violence is a building block for ideology
By Billie Walker Published
-
Year in review: top 10 art and culture interviews of 2024, as selected by Wallpaper’s Hannah Silver
From Antony Gormley to St. Vincent and Mickalene Thomas – art & culture editor Hannah Silver looks back on the creatives we've most enjoyed catching up with during 2024
By Hannah Silver Published
-
What to look out for at Art Basel Miami Beach 2024
Art Basel Miami Beach returns for its inaugural edition under new director Bridget Finn, running 6-8 December, with 286 international exhibitors and a packed week of parties, pop-up, and special projects
By Annabel Keenan Published