It takes a certain vision to honour the beauty of the world as powerfully as probing its most violent facets. Over a seven decade career, 96-year-old artist Etel Adnan has proved that to shape the next generation, art must often shift its shape.
Through visual art, poetry, journalism, prose and plays, she has become a potent voice of contemporary Arab-American culture, author of acclaimed war literature, a devotee of colour, and creator of vivid elemental abstract art.
Adnan was born in Beirut in 1925 to a Greek mother and Syrian father. In 1955, the artist moved from Paris – where she had studied philosophy – to America. There, she attended UC Berkeley and Harvard, and taught philosophy of art and aesthetics at Dominican College in San Rafael, California.
Etel Adnan, Untitled, 2018 Oil on canvas. © the artist. © White Cube
Following a conscious decision to stop writing in French in the wake of the Algerian War, Adnan turned to colour field abstract painting for its immediacy, potency and ability to capture emotion. ‘Abstract art was the equivalent of poetic expression. I didn’t need to use words, but colours and lines. I didn’t need to belong to a language-oriented culture but to an open form of expression,’ she said in 1996.
Her work is constructed with bold blocks of colour, often executed in oil paint – from tube to canvas – with a rigid swipe of a palette knife. As the artist succinctly put it in 2018 during her solo exhibition at SFMoMA: ‘I like discovering new colours… it is like finding a new instrument if you are a musician. Colour inspires me.’
Etel Adnan Key Signs, 2017. Hardback leporello with watercolour on paper. © the artist. © White Cube
Her visual art has also spanned drawing, film, ceramic art and tapestry; her influences are equally as wide-ranging. In the 1970s, California’s Mount Tamalpais became her muse and the subject to which she dedicated numerous paintings and poems. Adnan later discovered Japanese leporellos, accordion-folded sketchbooks within which she could blend the verbal and visual. On 8 October 2021, her expansive career will be celebrated in a solo exhibition at the Guggenheim New York, ‘Etel Adnan: Light’s New Measure’.
Adnan has never had an exclusive relationship with any single discipline, place, language or tradition. But her nomadic existence and fluid practice has only cemented her position as an artist of the world.
Etel Adnan Brume Matinale 2019 Tapestry. © the artist. © White Cube
INFORMATION
Etel Adnan: ‘Light’s New Measure’, 8 October 2021 – 10 January 2022, Guggenheim New York, guggenheim.org
A version of this article appears in Wallpaper’s October 2021, 25th Anniversary Issue (W*270), on newsstands now and available to subscribers – 12 digital issues for $12/£12/€12.
Meet more creative leaders of the future nominated by Michèle Lamy here.
-
Capability House blends contemporary architecture and historical landscape in rural EnglandCapability House is a modern retreat by Dedraft set in the historical landscape of green, Capability Brown-designed grounds in rural England's Aynhoe Park Estate
-
Join our tour of Taikaka House, a slice of New Zealand in SeoulTaikaka House, meaning ‘heart-wood’ in Māori, is a fin-clad, art-filled sanctuary, designed by Nicholas Burns
-
Why radical Swedish designer Ann-Sofie Back was way ahead of her timeA new book and exhibition, ‘Go As You Please’, celebrates 20 years of Ann-Sofie Back’s subversive, Swedish design. Nicole DeMarco speaks to the designer about her distinct (and much-referenced) brand of ‘failed glamour’
-
Tomás Saraceno’s environmental art implores us to live together differentlyThrough his own practice and the work of the Aerocene Foundation, artist Tomás Saraceno has advocated for a radical transformation of our relationship with one another, and with the planet. He features as one of 25 creative leaders of the future in Wallpaper’s 25th Anniversary Issue ‘5x5’ project, nominated by fellow artist Michèle Lamy
-
Jordan Wolfson’s transgressive art exposes the ugly parts of our natureThrough technologically sophisticated installations, Jordan Wolfson compels us to confront uncomfortable truths about human existence. He features as one of 25 creative leaders of the future in Wallpaper’s 25th Anniversary Issue ‘5x5’ project, nominated by fellow artist Michèle Lamy
-
Theaster Gates: London, urban reform and exemplars of Black excellenceThe American artist and urban planner returns to London for a cultural takeover on a grand scale, and – as one of five visionaries invited to nominate creative leaders of the future for ‘5x5’, Wallpaper’s 25th anniversary project – picks five exemplars of Black excellence leading the way for social and creative change
-
Artist Amanda Williams on race, social space and the power of colourChicago-based artist Amanda Williams – tipped by architect Frida Escobedo as one of 25 creative leaders of the future in Wallpaper’s 25th Anniversary Issue ‘5x5’ project – uses colour to dissect politics, urban landscapes and Black social space
