What would we do if our world was annihilated? And who will we be when we emerge from the ruins? Prescient questions become laced with a dystopian doom in Josh Kline’s ‘Climate Change’ exhibition, the fourth chapter in a series of works considering the end of the world through immersive science-fiction installations. Originally conceived in 2018, and currently on show at LA's Museum of Contemporary Art, Kline produced the majority of the works during the pandemic, which for him became a catastrophic foretelling of the results of a broken-down society. Here he brings his apocalyptic visions to life through the mediums of sculpture, moving images and photography.
Josh Kline, Submersion (detail) (2019). Courtesy of the artist; 47 Canal, New York; and Lisson Gallery © Josh Kline. Photo by Joerg Lohse
'Kline’s work is layered, meticulous, and essential in its clear articulation of the problems of the present day and how they will impact human life in the near future,' says Rebecca Lowery, MOCA associate curator. 'We are honoured to have supported the production of several new artworks for this exhibition, and thrilled to share the artist’s project with MOCA’s diverse audiences within and outside of Los Angeles, a city that has played a significant role in the imagination of this saga.'
‘Josh Kline: Climate Change’ is on show until 5 January at MOCA
moca.org
This article appears in the October 2024 issue of Wallpaper*, available in print on newsstands from 5 September on the Wallpaper* app on Apple iOS, and to subscribers of Apple News +. Subscribe to Wallpaper* today
Josh Kline, Domestic Fragility Meltdown (detail) (2019). Courtesy of the artist; 47 Canal, New York; and Lisson Gallery, © Josh Kline. Photo by Joerg Lohse
-
Back-to-school jewels: precious pieces for new terms and fresh startsPrepare to be on sparkling form this semester – we've got your jewellery kit sorted, from a diamond alphabet to a rose-gold pencil bracelet
-
Elemental House adds a Danish twist to a 1970s London houseArchmongers' Elemental House transforms a 1970s terraced house in London's Hackney into a functional, light-filled, Scandinavian-inspired family home
-
20 pairs of bookends celebrate contemporary Scottish design and Dundee’s literary heritageAs Dundee Design Week gets ready for its fifth edition, a bookish commission shines a light on two pioneering female journalists from the city’s storied past
-
Alexander May, founder of LA studio Sized, on the joys of creative polymathyCreative director Alexander May tells us of the multidisciplinary approach that drives his LA studio Sized and its offspring, a 5,000 sq ft event space and an exhibition series
-
Los Angeles art exhibitions: the best shows to see in SeptemberRead our pick of the best Los Angeles art exhibitions to see this month, from Marin Majic at the new Megan Mulrooney Gallery to Richard Orlinski's sculptures on Rodeo Drive
-
Zanele Muholi celebrates South Africa’s Black LGBTI communities in LA and LondonZanele Muholi's portraits and sculptures are currently on show at Southern Guild Los Angeles and the Tate Modern, London
-
Alicja Kwade and Agnes Martin in Los Angeles: time, temporality and perceptionArtists Alicja Kwade and Agnes Martin are in dialogue at Pace Gallery, Los Angeles
-
An avant-garde Korean art movement resurfaces in LALA's Hammer Museum gets its teeth into avant-garde Korean art with ‘Only the Young: Experimental Art in Korea, 1960s–1970s’
-
Jean-Michel Basquiat’s LA-made work goes on show at Gagosian‘Made on Market Street’ at Gagosian in Beverly Hills is the first show to present works made by the young artist between 1982 and 1984
-
Frieze LA 2024 guide: the art, gossip and buzzOur Frieze LA 2024 guide includes everything you need to know and see in and around the fair
-
What happened when Spike Jonze met BjörkSpike Jonze’s ‘The Day I Met Björk’, curated by Humberto Leon, is at Arroz & Fun in Los Angeles and accompanied by a free, downloadable zine from WeTransfer
