Exhibitions & Shows
The best of the year's art exhibitions and shows, compiled by Wallpaper*
-
Yinka Shonibare considers the tangled relationship between Africa and Europe at Serpentine South
Yinka Shonibare‘s ‘Suspended States’ at Serpentine South, London, considers history, refuge and humanitarian support (until 1 September 2024)
By Tianna Williams Published
-
Ibrahim Mahama tells us why he has covered the Barbican in pink fabric
Ibrahim Mahama's 'Purple Hibiscus' has transformed the Barbican’s Lakeside Terrace
By Hannah Silver Published
-
Gavin Turk subverts still-life painting and says: ‘We are what we throw away’
Gavin Turk considers wasteful consumer culture in ‘The Conspiracy of Blindness’ at Ben Brown Fine Arts, London
By Rowland Bagnall Published
-
What’s the big deal with breasts, ask artists at the Venice Biennale
‘Breasts’ is set to open at ACP Palazzo Franchetti for the duration of the Venice Art Biennale 2024
By Hannah Silver Published
-
Dorothy Hepworth and Patricia Preece: Bloomsbury’s untold story
‘Dorothy Hepworth and Patricia Preece: An Untold Story’ is a new exhibition at Charleston in Lewes, UK, that charts the duo's creative legacy
By Katie Tobin Published
-
On art and motherhood: the artists doing both
‘Acts of Creation: On Art and Motherhood’, a Hayward Gallery Touring exhibition, has opened in Bristol, showing work by more than 100 artists
By Amah-Rose Abrams Published
-
Miranda July considers fantasy and performance at Fondazione Prada
‘Miranda July: New Society’ at Fondazione Prada, Milan, charts 30 years of the artist's career
By Mary Cleary Published
-
Anselm Kiefer's vast mixed media works take over Florence's Palazzo Strozzi
A new exhibition, 'Fallen Angels,' sees Anselm Kiefer present a combination of old and new works that reflect Palazzo Strozzi's unique position within the Florentine Renaissance
By Finn Blythe Published
-
The Devil is a flawed everyman in Nick Cave’s ceramics
A show of Nick Cave’s ceramics, ‘The Devil – A Life’ at Xavier Hufkens in Brussels, explores the complex character
By Hannah Silver Published
-
Don’t miss: Thea Djordjadze’s site-specific sculptures in London
Thea Djordjadze’s ‘framing yours making mine’ at Sprüth Magers, London, is an exercise in restraint
By Hannah Silver Published
-
‘Accordion Fields’ at Lisson Gallery unites painters inspired by London
‘Accordian Fields’ at Lisson Gallery is a group show looking at painting linked to London
By Amah-Rose Abrams Published
-
Group show ‘Constellations’ at Gallery 1957 considers alternative forms of life
Artists reject human dominance in 'Constellations Part 1: Figures On Earth & Beyond' at Gallery 1957’s space in London.
By Gameli Hamelo Published
-
Nannies, security and hairdressers: artists and their day jobs
‘Day Jobs’, a group exhibition on view at the Cantor Arts Center, California, looks at how artists are earning their living
By Ann Binlot Published
-
Dan Flavin’s fluorescent lights light up Basel
‘Dedications in Lights’ celebrates Dan Flavin’s conceptual works, at Kunstmuseum Basel
By Amah-Rose Abrams Published
-
Who is the future of British art? Hauser & Wirth Somerset finds out
‘Present Tense’ at Hauser & Wirth Somerset showcases some of Britain’s most exciting emerging talents with a group show of 23 artists
By Mary Cleary Published
-
Eric White considers the dreamy dystopia of the TV Guide in New York
Eric White’s ‘Local Programming’ at Grimm New York, looks at the dark side of the entertainment world
By Hannah Silver Published
-
Step inside Precious Okoyomon’s post-apocalyptic forest in Madrid
In Madrid, Precious Okoyomon and Hans Ulrich Obrist reconvene for Obrist’s annual site-specific curation for Fundación Sandretto Re Rebaudengo
By Will Jennings Published
-
Ruby Dickson’s Kim Kardashian paintings explore celebrity culture in London
Ruby Dickson’s ‘Maybe my fairy-tale has a different ending than I dreamed it would. But that’s OK’ is exhibiting at Nicoletti gallery, London
By Sam Moore Published
-
Detroit Institute of Arts celebrates Black cinema
‘Regeneration: Black Cinema 1898-1971’ at the Detroit Institute of Arts (DIA) brings lost or forgotten films, filmmakers and performers to a contemporary audience
By Anne Soward Published
-
Jean-Michel Basquiat’s LA-made work goes on show at Gagosian
‘Made on Market Street’ at Gagosian in Beverly Hills is the first show to present works made by the young artist between 1982 and 1984
By Hunter Drohojowska-Philp Published
-
Fetishism, violence and desire: Alexis Hunter in London
‘Alexis Hunter: 10 Seconds’ at London's Richard Saltoun Gallery focuses on the artist’s work from the 1970s, disrupting sexual stereotypes
By Hannah Silver Published
-
In the shadow of the American dream: David Wojnarowicz at MoMA
Wojnarowicz's work is featured in a new exhibition at MoMA along with his contemporaries from the Eighties New York downtown scene
By Lauren Cochrane Published
-
Emma Talbot: ‘What I create is really bound up with being a woman’
Artist Emma Talbot on presenting an alternative naked truth about women and ageing, and capturing untold stories in her paintings, drawings, sculptures and animations
By Romina Provenzi Published
-
BLUM marks 30 years of Japanese contemporary art in America
BLUM will take ‘Thirty Years: Written with a Splash of Blood’ to its New York space in September 2024, continuing its celebration of Japanese contemporary art in America
By Timothy Anscombe-Bell Published
-
Danielle Brathwaite-Shirley confronts gaming, VR and rebirth at Studio Voltaire
Danielle Brathwaite-Shirley has opened her first institutional solo exhibition, ‘THE REBIRTHING ROOM’, at Studio Voltaire, London
By Hannah Silver Published
-
Politics, protest and potential: the Barbican explores the power of textiles in art
Unravel: The Power and Politics of Textiles in Art’ at the Barbican Centre in London explores how far the medium has evolved in the last sixty years
By Emily Steer Published
-
Todd Gray’s sculptural photography collages defy dimension, linearity and narrative
In Todd Gray’s New York exhibition, he revisits his 40-year archive, fragmented into elaborated frames that open doors for new readings
By Osman Can Yerebakan Published