The power of the image has long held a particular resonance for Peter Kennard, artist and Emeritus Professor of Political Art at the Royal College of Art, whose current exhibition at London’s Whitechapel Gallery is both a tribute to and a warning of the influence of information.
Peter Kennard, The Gamble, 1986
‘Archive of Dissent’ exhibits Kennard’s body of work in the former Whitechapel Library space, a fitting location for his archive format. Uniting photomontages, installations and the newspapers where his images first appeared, the exhibition pays tribute to the space’s original purpose, once known as the ‘People’s University of the East End’ and used as both a refuge from poverty and a place to nurture radical philosophies around art and politics.
Peter Kennard, Protest and Survive, 1980
Over his five decade career, Kennard has been absorbed with exposing the links between financial profit and war, over the years responding to the Vietnam War, the Anti-Apartheid Movement and the Campaign for Nuclear Disarmament (CND), through to the present day wars in Gaza and Ukraine. He returns, frequently, to the collage method as a means of removing what he refers to as the ‘mask’ of misinformation, inspired by John Heartfield’s introduction in the 1930s of montage as a political tool. By juxtaposing the tragic images we have grown accustomed to seeing daily, Kennard reveals the horror of acceptance.
Peter Kennard's 'Archive of Dissent' is at the Whitechapel Gallery, London, until 19 January 2025
Peter Kennard, Union Mask, 2007
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