Step into Yoko Ono’s immersive world at Tate Modern
‘Yoko Ono: Music of the Mind’ spans the artist and activist's work from the 1950s to the present day

‘Yoko Ono: Music of the Mind’ at Tate Modern is an exhibition that wants you to get involved, fittingly for an artist and activist who has long considered participation to be integral to her art. It’s the thread that runs throughout the show, her largest UK retrospective, tracing her multidisciplinary work from the 1950s to date in an immersive experience that’s faithful to the instructive core at the heart of Ono’s work.
Yoko Ono, Freedom 1970. Courtesy the artist
A chronological narrative takes us from Ono’s childhood in Tokyo, Japan, to her evacuation to the countryside during the Second World War and subsequent move to New York, where she conceived her first works. The instructive elements in her art are clear early on, in pieces that encouraged viewers to light a match. The idea is explored in three parts here – in the instruction itself, the performance, and the film.
Yoko Ono at Tate Modern
Yoko Ono, FLY, 1970-71. Courtesy the artist
This sets the pattern for the rest of the exhibition. Through her art, Ono instructs us – play chess with all-white pieces until you can’t remember where your pieces are, remove your shoes and carry out activities inside a black bag, hammer a nail, add colour to a white boat in a reflection of displacement, write a message to your mother – and as visitors to the exhibition, we can faithfully obey.
Yoko Ono, Add Colour (Refugee Boat), 2016, at MAXXI Foundation. Photo © Musacchio, Ianniello & Pasqualini
The exhibition lingers on Ono’s five-year stay in London, from 1966, as a turning point in the radical nature of her work, tracing the connections she made with artists, writers and musicians, including husband and collaborator John Lennon. A multimedia approach invites us in, from 1969 film Bed Peace, showing the couple’s second ‘bed-in’ event, and the resulting media scourge that ensued.
Yoko Ono, Apple, 1966, from ‘Yoko Ono: One Woman Show’, 1960-1971, MoMA, NYC, 2015. Photo © Thomas Griesel
The exhibition takes its name from Ono’s concerts and events in London and Liverpool in 1966 and 1967, where ‘silent’ music reigned, present only in listeners’ minds. Here, music is everywhere, including anthems Sisters O Sisters (1972), Woman Power (1973) and Rising (1995), supporting Ono’s work for violence against women in a multisensory mash-up.
‘Yoko Ono: Music of the Mind’ at Tate Modern, London, 15 Feb – 1 September 2024
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Yoko Ono with Glass Hammer, 1967 from ‘HALF-A-WIND SHOW’, Lisson Gallery, London, 1967. Photo © Clay Perry
Hannah Silver is the Art, Culture, Watches & Jewellery Editor of Wallpaper*. Since joining in 2019, she has overseen offbeat design trends and in-depth profiles, and written extensively across the worlds of culture and luxury. She enjoys meeting artists and designers, viewing exhibitions and conducting interviews on her frequent travels.
-
‘Nothing just because it’s beautiful’: Performance artist Marina Abramović on turning her hand to furniture design
Marina Abramović has no qualms about describing her segue into design as a ‘domestication’. But, argues the ‘grandmother of performance art’ as she unveils a collection of chairs, something doesn’t have to be provocative to be meaningful
By Anna Solomon Published
-
A local’s guide to Los Angeles by defiant artist Fawn Rogers
Oregon-born, LA-based artist Fawn Rogers gives us a personal tour of her adopted city as it hosts its sixth edition of Frieze
By Sofia de la Cruz Published
-
Shakara is a stylish new addition to London's West African dining scene
Shakara, a new Marylebone bar and dining room, adds to the city's ever-more impressive high-end West African dining scene
By Ben McCormack Published
-
'We need to be constantly reminded of our similarities' – Jonathan Baldock challenges the patriarchal roots of a former Roman temple in London
Through use of ceramics and textiles, British artist Jonathan Baldock creates a magical and immersive exhibition at ‘0.1%’ at London's Mithraum Bloomberg Space
By Emily Steer Published
-
Discover Rotimi Fani-Kayode's fluid photographs of the queer male body, on show in London
‘Rotimi-Fani Kayode: The Studio – Staging Desire’ at Autograph ABP celebrates the work of the Nigerian-born photographer
By Upasana Das Published
-
Saatchi Gallery is in full bloom with floral works from Vivienne Westwood, Marimekko, Buccellati and more
‘Flowers – Flora in Contemporary Art & Culture’ at Saatchi Gallery, London, explores the relationship between creatives and their floral muses, and spans from fashion and jewellery to tattoos
By Tianna Williams Published
-
'I want to get into these images and perfume them': Linder's retrospective opens at the Hayward Gallery
'Linder: Danger Came Smiling' gathers fifty years of the artist's work at the Hayward Gallery. We meet the punk provocateur ahead of her first retrospective
By Hannah Silver Published
-
Tasneem Sarkez's heady mix of kitsch, Arabic and Americana hits London
Artist Tasneem Sarkez draws on an eclectic range of references for her debut solo show, 'White-Knuckle' at Rose Easton
By Zoe Whitfield Published
-
‘A call to action for more authentic expressions of working-class life’: a London show reframes working-class Britain
London exhibition ‘Lives Less Ordinary’, at Two Temple Place, challenges age-old stereotypes
By Teshome Douglas-Campbell Published
-
‘Dr Tetris’ on the biggest ever iteration of the puzzle in London
Tetris comes to 360-degree, 23,000 sq ft, 16k LED screens in London; Craig McLean speaks to Henk Rogers, the man who’s kept the game alive
By Craig McLean Published
-
Never-before-seen Barbara Hepworth works go on show in landmark exhibition
In ‘Barbara Hepworth: Strings’, various Hepworth sculptures will be exhibited in public for the first time, at Piano Nobile, London
By Anna Solomon Published