Celebrating the female artists of contemporary Latin America
Coinciding with International Women’s Day, ‘Female Voices of Latin América’ marks the largest presentation of work from Latin American female artists

‘Female voices of Latin América’ is more of a festival than an exhibition. Involving more than 60 international galleries and institutions, 150 living artists and 19 represented countries, the momentous digital show marks the biggest ever presentation of work from Latin American female artists.
Presented by extended reality (XR) platform Vortic and coinciding with International Women’s Day, the cross-generational initiative offers the floor to artists at various stages of their careers, with work that spans from 1968 to the present day. Exhibiting artists include Liliana Porter, Beatriz Milhazes, Adriana Varejão, Ad Minoliti, Sol Calero and Valeska Soares.
Above: From the series Madres adolescentes by Adriana Lestido, 1988 - 1990. Courtesy of the artist and Rolf Art Gallery. Below: Clemencia Labin, Fruit stitching, 2020. Courtesy of the artist
The show seeks to remedy the lack of historical representation of women from the region in the global art sphere. It also draws timely attention to the tendency for Latin American female artists to be overlooked until the latter parts of their careers. Notably, Cuban-American minimalist pioneer Carmen Herrera sold her first painting aged 89 and received her first retrospective museum show at 101.
‘We have grown tired of not seeing female artists from Latin America receive the recognition they deserve in their own lifetime, says Elena Saraceni, Curatorial Director, Voices of Latin América and Special Projects Consultant at Vortic. ‘As a platform, “Voices of Latin America” plays a well-deserved tribute to those with a remarkable artistic trajectory as well as promoting the current and next generation of artists.’
‘Female Voices of Latin América’ marks the first iteration in a series of thematic shows which aim to amplify art from the region.
Above: Liliana Porter, The Riddle (Black Mickey), 2021. Courtesy of the artist. Below: Valeska Soares, Doubleface (Quadricone Magenta/Earth Green), 2019. Courtesy Fortes D’Aloia & Gabriel, São Paulo/Rio de Janeiro
INFORMATION
’Female Voices of Latin América’ will be live on Vortic from 8 March – 2 May 2021. vortic.art
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Harriet Lloyd-Smith was the Arts Editor of Wallpaper*, responsible for the art pages across digital and print, including profiles, exhibition reviews, and contemporary art collaborations. She started at Wallpaper* in 2017 and has written for leading contemporary art publications, auction houses and arts charities, and lectured on review writing and art journalism. When she’s not writing about art, she’s making her own.
-
Put these emerging artists on your radar
This crop of six new talents is poised to shake up the art world. Get to know them now
By Tianna Williams
-
Dining at Pyrá feels like a Mediterranean kiss on both cheeks
Designed by House of Dré, this Lonsdale Road addition dishes up an enticing fusion of Greek and Spanish cooking
By Sofia de la Cruz
-
Creased, crumpled: S/S 2025 menswear is about clothes that have ‘lived a life’
The S/S 2025 menswear collections see designers embrace the creased and the crumpled, conjuring a mood of laidback languor that ran through the season – captured here by photographer Steve Harnacke and stylist Nicola Neri for Wallpaper*
By Jack Moss
-
Leonard Baby's paintings reflect on his fundamentalist upbringing, a decade after he left the church
The American artist considers depression and the suppressed queerness of his childhood in a series of intensely personal paintings, on show at Half Gallery, New York
By Orla Brennan
-
Desert X 2025 review: a new American dream grows in the Coachella Valley
Will Jennings reports from the epic California art festival. Here are the highlights
By Will Jennings
-
In ‘The Last Showgirl’, nostalgia is a drug like any other
Gia Coppola takes us to Las Vegas after the party has ended in new film starring Pamela Anderson, The Last Showgirl
By Billie Walker
-
‘American Photography’: centuries-spanning show reveals timely truths
At the Rijksmuseum in Amsterdam, Europe’s first major survey of American photography reveals the contradictions and complexities that have long defined this world superpower
By Daisy Woodward
-
Sundance Film Festival 2025: The films we can't wait to watch
Sundance Film Festival, which runs 23 January - 2 February, has long been considered a hub of cinematic innovation. These are the ones to watch from this year’s premieres
By Stefania Sarrubba
-
What is RedNote? Inside the social media app drawing American users ahead of the US TikTok ban
Downloads of the Chinese-owned platform have spiked as US users look for an alternative to TikTok, which faces a ban on national security grounds. What is Rednote, and what are the implications of its ascent?
By Anna Solomon
-
Architecture and the new world: The Brutalist reframes the American dream
Brady Corbet’s third feature film, The Brutalist, demonstrates how violence is a building block for ideology
By Billie Walker
-
‘Gas Tank City’, a new monograph by Andrew Holmes, is a photorealist eye on the American West
‘Gas Tank City’ chronicles the artist’s journey across truck-stop America, creating meticulous drawings of fleeting moments
By Jonathan Bell