The fifth edition of the Ithra Art Prize is now open for submissions
The Ithra Art Prize 2023 is inviting contemporary artists from or based in the Arab world to enter, and is open for submissions until 1 April

In partnership with Ithra
The Saudi art community is calling it ‘an escape from the Dark Ages’ – a local art scene that is burgeoning with creativity, diversity and infrastructural growth.
Riyadh Art, Saudi’s first national public art initiative, is set to transform the city into a gallery without walls and a creative powerhouse for the digital age, while art fairs like the Desert X AlUla biennial are attracting international interest from renowned dealers and collectors. By 2035, the Saudi city of AlUla will be home to 15 landmark destinations for culture, heritage and creativity – museums, galleries, research centres and arts districts – while new galleries continue to emerge in the larger cities of Medina and Jeddah.
Mēm, by Ayman Zedani, winner of the first Ithra Art Prize, in 2018
Inspired by Saudi’s expanding artistic development and a new generation of Saudi talent creating work that speaks directly to a young and culturally open-minded population, Ithra (aka the King Abdulaziz Center for World Culture, in Dhahran) invites contemporary artists from or based in the Arab world to enter the Ithra Art Prize.
Now in its fifth iteration, the Ithra Art Prize is open to established contemporary artists and art collectives from the 22 Arab countries (Algeria, Bahrain, Comoros, Djibouti, Egypt, Iraq, Jordan, Kuwait, Lebanon, Libya, Mauritania, Morocco, Oman, Palestine, Qatar, Saudi Arabia, Somalia, Sudan, Syria, Tunisia, UAE and Yemen). International artists who have lived in these countries for at least ten years are also eligible to apply.
The winner, who will receive $100,000 to bring their proposed artistic vision to life, will be announced on 15 May, and the 2023 winning artwork will be unveiled as part of Ithra’s fifth anniversary celebrations in June.
Launched in 2017, the Ithra Art Prize was presented in collaboration with Art Dubai for its first three editions. The fourth edition’s winning artwork was unveiled with the Diriyah Biennale Foundation at the kingdom’s inaugural biennale.
‘The Ithra Art Prize reaffirms Ithra’s commitment to developing the creative industries in the kingdom, the region and the wider world,’ said Farah Abushullaih, head of museum at Ithra. ‘As one of the largest art grants internationally, we support artists from and based in the Arab world to develop important and meaningful work. The Ithra Art Prize aims to inspire creative thought, broaden cultural horizons and enable talent while empowering the art ecosystem.’
Ithra, aka the King Abdulaziz Center for World Culture
UAE-based artist Ayman Zedani was the prize’s inaugural winner with his spatial installation Mēm, while London-based Daniah Al Saleh won the second edition for Sawtam – a digital, audio-visual presentation based on the phonemes of the Arabic language. Saudi-based Fahad bin Naif won the third edition for his installation Rakhm, meaning ‘incubation’, and Berlin-based Tunisian-Ukrainian artist Nadia Kaabi-Linke won the fourth edition for E Pluribus Unum – A Modern Fossil, which reflects on the how the pandemic has affected the travel industry and how humanity measures progress and economic growth.
For more information on Ithra and how to apply, visit ithra.com. The competition closes on 1 April 2023.
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
-
Enter the world of Cave Bureau, and its architectural and geological explorations
Nairobi practice Cave Bureau explores architecture’s role in the geological afterlives of colonialism, as part of a team exhibiting at the British pavilion at the Venice Architecture Biennale 2025
By Marwa El Mubark
-
All-In is the Paris-based label making full-force fashion for main character dressing
Part of our monthly Uprising series, Wallpaper* meets Benjamin Barron and Bror August Vestbø of All-In, the LVMH Prize-nominated label which bases its collections on a riotous cast of characters – real and imagined
By Orla Brennan
-
Maserati joins forces with Giorgetti for a turbo-charged relationship
Announcing their marriage during Milan Design Week, the brands unveiled a collection, a car and a long term commitment
By Hugo Macdonald
-
Edinburgh Art Festival 2023: from bog dancing to binge drinking
What to see at Edinburgh Art Festival 2023, championing women and queer artists, whether exploring Scottish bogland on film or casting hedonism in ceramic
By Amah-Rose Abrams
-
Last chance to see: Devon Turnbull’s ‘HiFi Listening Room Dream No. 1’ at Lisson Gallery, London
Devon Turnbull/OJAS’ handmade sound system matches minimalist aesthetics with a profound audiophonic experience – he tells us more
By Jorinde Croese
-
Hospital Rooms and Hauser & Wirth unite for a sensorial London exhibition and auction
Hospital Rooms and Hauser & Wirth are working together to raise money for arts and mental health charities
By Hannah Silver
-
‘These Americans’: Will Vogt documents the USA’s rich at play
Will Vogt’s photo book ‘These Americans’ is a deep dive into a world of privilege and excess, spanning 1969 to 1996
By Sophie Gladstone
-
Brian Eno extends his ambient realms with these environment-altering sculptures
Brian Eno exhibits his new light box sculptures in London, alongside a unique speaker and iconic works by the late American light artist Dan Flavin
By Jonathan Bell
-
Asim Waqif creates dense bamboo display at the Hayward in London
The Bagri Foundation Commission, Asim Waqif’s वेणु [Venu], opens at the Hayward Gallery in London
By Cleo Roberts-Komireddi
-
Forrest Myers is off the wall at Catskill Art Space this summer
Forrest ‘Frosty’ Myers makes his mark at Catskill Art Space, NY, celebrating 50 years of his monumental Manhattan installation, The Wall
By Pei-Ru Keh
-
Jim McDowell, aka ‘the Black Potter’, on the fire behind his face jugs
A former coal miner, Jim McDowell defied the odds to set up his workshop and keep a historic form of American pottery alive
By Aruna D’Souza