Fondazione Merz’s new Palermo space is an art powerhouse
Occupying a former factory building in Palermo, Sicily, Fondazione Merz’s second location opens with a radical group show ‘L'altro, lo stesso’
In Palermo, the Fondazione Merz has unveiled its second site, ZACentrale, which aims to transform the city’s ZAC (Zisa Arti Contemporanee) building into a contemporary art powerhouse.
ZACentrale is sited within Cantieri Culturali alla Zisa, Palermo’s cultural district and hub for artistic experimentation. At the beginning of the 20th century, the area was home to one of Europe’s leading industrial producers of furniture. The Second World War prompted a gradual decline in factory output before production ceased altogether in 1968. After a block on demolition efforts, the City of Palermo began an ambitious process of regenerating the site, which is now home to more than 20 cultural organisations.
Fondazione Merz – an independent institution established in 2005 by Beatrice Merz, named after Beatrice’s father, legendary Arte Povera artist Mario Merz – will operate ZACentrale from the 1,560 sq m ZAC building for a minimum of three years, turning it into a new cultural hub.
The foundation is no stranger to breathing new life into historically significant structures. Its original Turin site is a former heating plant for the Lancia car factory and a quintessential example of the city’s 1930s industrial architecture.
Group show ‘L'altro, lo stesso’ is part exhibition, part ecosystem, treated not as individual works, but as a living, breathing whole. Featuring new commissions by local Sicilian artists and works by international artists including Afghan artist Lida Abdul, Rosa Barba, Alfredo Jaar, Joan Jonas, Mario and Marisa Merz and Lawrence Weiner.
ZACentrale’s inaugural exhibition (on view until 27 March 2022) takes its title from L'altro, lo stesso (The other, the same), a collection of poems by Jorge Luis Borges, written in 1964. ‘In these poems, nature is the protagonist and through Borges’ gestural language, its strength and fragility are both explored,’ say curators Beatrice Merz and Agata Polizzi. ‘The dialogue between these varying generations of artists, who differ in time and intention, becomes a collective network, with each artwork contributing to the concept and function of the exhibition.’
INFORMATION
‘L’altro, lo stesso’, until 27 March 2022, ZACentrale, Fondazione Merz, fondazionemerz.org
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Harriet Lloyd-Smith was the Arts Editor of Wallpaper*, responsible for the art pages across digital and print, including profiles, exhibition reviews, and contemporary art collaborations. She started at Wallpaper* in 2017 and has written for leading contemporary art publications, auction houses and arts charities, and lectured on review writing and art journalism. When she’s not writing about art, she’s making her own.
-
Sundance Film Festival 2025: The films we can't wait to watch
Sundance Film Festival, which runs 23 January - 2 February, has long been considered a hub of cinematic innovation. These are the ones to watch from this year’s premieres
By Stefania Sarrubba Published
-
Wellness takes to the skies and the high seas in this concept superyacht and private jet retrofit
High-end mobility design pivots to minimalist calm and life-affirming ambience as wellness trends take hold. The Sea Rover yacht and Afterglow private jet point the way
By Jonathan Bell Published
-
Tour 21 lesser-known modernist houses in Europe
Take a tour of some of Europe's lesser-known modernist houses; architectural writer and curator Adam Štěch leads the way, discussing the 20th-century movement's diversity under a single vision
By Adam Štěch Published
-
Remembering Oliviero Toscani, fashion photographer and author of provocative Benetton campaigns
Best known for the controversial adverts he shot for the Italian fashion brand, former art director Oliviero Toscani has died, aged 82
By Anna Solomon Published
-
Distracting decadence: how Silvio Berlusconi’s legacy shaped Italian TV
Stefano De Luigi's monograph Televisiva examines how Berlusconi’s empire reshaped Italian TV, and subsequently infiltrated the premiership
By Zoe Whitfield Published
-
Louis Fratino leans into queer cultural history in Italy
Louis Fratino’s 'Satura', on view at the Centro Pecci in Italy, engages with queer history, Italian landscapes and the body itself
By Sam Moore Published
-
‘I just don't like eggs!’: Andrea Fraser unpacks the art market
Artist Andrea Fraser’s retrospective ‘I just don't like eggs!’ at Fondazione Antonio dalle Nogare, Italy, explores what really makes the art market tick
By Sofia Hallström Published
-
Triennale Milano exhibition spotlights contemporary Italian art
The latest Triennale Milano exhibition, ‘Italian Painting Today’, is a showcase of artworks from the last three years
By Tianna Williams Published
-
Walls, Windows and Blood: Catherine Opie in Naples
Catherine Opie's new exhibition ‘Walls, Windows and Blood’ is now on view at Thomas Dane Gallery, Naples
By Amah-Rose Abrams Published
-
Raffaele Salvoldi stacks hundreds of marble blocks for dazzling Milan installation
For a Milan Design Week 2023 installation, Italian artist Raffaele Salvoldi teams up with marble brand Salvatori to create architectural sculptures comprising hundreds of marble blocks
By Harriet Lloyd-Smith Published
-
Remote Antarctica research base now houses a striking new art installation
In Antarctica, Kyiv-based architecture studio Balbek Bureau has unveiled ‘Home. Memories’, a poignant art installation at the remote, penguin-inhabited Vernadsky Research Base
By Harriet Lloyd-Smith Published