A temple of light; a temple of silence. James Turrell’s new installations – collectively grouped under the title 'Inspire the Light' – at the Venet Foundation are one (well, two) of a kind. Staged in the middle of sumptuous Mediterranean gardens, the new skyspace – entitled Elliptic, Ecliptic – seems, from the inside, like a white sculpture carved into the deep blue sky. The second piece, entitled Prana, is an aperture: inside the pitch-dark room, a red rectangle projects a foggy, almost volcanic, crimson hue. Walking into both spaces becomes a physical and metaphysical experience.
'Both installations give me a lot of pleasure. If they both have a strong physical presence, it is their intellectual dimension that fulfills me. They hint at an essential link in art, they are part of the course of art history,' explains Bernar Venet, a master sculptor who received a Lifetime Achievement Award in NY this year for his exemplary career.
'It’s a major art piece from my generation,' Venet adds, 'and although I never met James Turrell personally, this is a way for me to pay tribute to his work.' Set in an old factory and a 17th century mill, the Venet Foundation stands out for its coherence, and Turrell’s two pieces definitely add clout to the young institution.
It took five weeks of construction work, an English expert, four German light masters and an American executive to put the installation together. 'Piecing this skyspace together was like building a new home,' Venet explains. The outcome is spectacular; blending perfectly with the surrounding nature, Turrell’s talent joins Venet’s unique collection of timeless pieces. 'It felt natural for James Turrell to join "the family",' the sculptor comments, highlighting the fact that the Venet Foundation also houses 29 works by Frank Stella (including a breathtaking open-air chapel), five light sculptures by Dan Flavin and pieces by Carl Andre, Donald Judd, Richard Long, François Morellet and Sol LeWitt, to name just a selection.
In Le Muy, on a summer night’s stroll through the gardens, Venet’s vision came to life. Let there be light.
Blending perfectly with the surrounding nature, James Turrell’s talent joins Bernar Venet’s unique collection of timeless pieces. Pictured left: Effondrement: 200 tons, by Bernar Venet, 2015. Courtesy Jérôme Cavalière, Marseille. Right: Diagonal of 74.3°, by Bernar Venet, 2006. Courtesy Serge Demailly, La Cadière-d’Azur. Courtesy Archives Bernar Venet, New York
As Venet explains, 'Both installations give me a lot of pleasure. If they both have a strong physical presence, it is their intellectual dimension that fulfils me. They hint at an essential link in art, they are part of the course of art history.' Pictured: Bernar Venet (right) under James Turrell's Elliptic, Ecliptic installation.
It took five weeks of construction work, an English expert, four German light masters and an American executive to put the installation together – and the outcome is suitably spectacular. Pictured: Elliptic, Ecliptic, 1999.
INFORMATION
’Inspire the Light’ in on view until October. For more information and to schedule a tour, visit the Venet Foundation website
ADDRESS
Venet Foundation
365 chemin du Moulin de Serres
83490 Le Muy
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