Lucas Foglia would be the first to admit that his photographs have a life of their own beyond their subjects. The San Francisco-based photographer has just opened his latest show, 'Frontcountry', at the Michael Hoppen Contemporary gallery, as well as a book of the same name published via the Nazraeli Press.
Frontcountry was seven years in the making, the result of many thousands of miles of travel and an immersive method of working, living and shooting in and amongst his subjects. Foglia's projects start off as an exploration of place, but he soon finds himself more motivated by the people he finds there. For Frontcountry, the photographer headed into the American heartlands of Idaho, Montana, Nevada, New Mexico, Texas, and Wyoming, big open landscapes where great national mythologies were forged and continue to inform our image of the land and the people.
Foglia approached this terrain with an open mind. His earlier project, 'A Natural Order', involved soaking up the culture and lifestyle of communities and individuals who have stepped off the grid, creating a set of bucolic images haunted by the deliberate absence of modern life. Frontcountry is rather different. 'There are not a lot of financial reasons to be a cowboy,' says Foglia, 'people do it because of the history and because of the lifestyle. Everyone I photograph is responding to a mythology and choosing a lifestyle based on that.'
Describing the 'front country' as that 'first row of houses when you're coming back into town from the country,' Foglia has spent seven years being around people in places where people are truly scarce. Ranches sprawl for hundreds of thousands of acres, and although every inch of the land is used in some way, the people who work on it are tough and thin on the ground. Money, what little there is of it, comes through the mines, great open wounds that are being torn up to scrape out copper and gold and other metals. It's a landscape of boom and bust, artificially inflated by mining investment, cataclysmically deflated when it leaves.
In the face of all this, Foglia has made some startling portraits. 'I build friendships that are in part based on the picture making,' he explains, 'for me it's all about collaboration - a number of pictures are of people performing for the camera.' He references the picture 'Tommy Trying to Shoot Coyotes, Big Springs Ranch, Oasis, Nevada' (2012). 'He was trying to show how he could shoot a coyote from on top of the fence pole. I took the photograph the moment before he fell off. With a loaded gun. So it's real. But it's also a performance.'
Our perception of small town America is largely informed by photographs and imagery and Foglia is under no illusions that he is adding to our preconceptions. But once the picture is taken, and the monograph printed or the show hung, he's happy for the next stage of its life to begin. Foglia's images of the mines themselves reveal their massive scale and the effect they have on the landscape, but still contain enough romance and heroism to make the mining company request a print for their HQ.
His portraits, meanwhile, make his subjects' lives look heroic but also leave the viewer in no doubt that these are tough and isolated people. 'I want my work to complicate mythology,' he says, 'each photograph is like a circus. It involves a performance and an audience.' Currently working on a new piece for an upcoming issue of McSweeney's, Foglia's photographs transcend straight documentary, and bring an impossible intimacy to places most of us see only in our mind.
'Naughton Power Plant, PacifiCorp, Kemmerer, Wyoming', 2010
'Loan Office, Happy State Bank, Silverton, Texas', 2012
'Stacy before Church, Diamond Valley, Nevada', 2012
A glossy tome was released by Nazraeli Press to coincide with the exhibition at Michael Hoppen Contemporary gallery
From left: 'Produced Water, Hamilton Dome Oil Field, Owl Creek, Wyoming', 2013; 'Coal Storage, TS Power Plant, Newmont Mining Corporation, Dunphy, Nevada', 2012
'Robinson Mine, KGHM International, Ely, Nevada', 2012
Detail of 'Thomas and Kimberly Swimming, Jeffrey City, Wyoming', 2010
'Ela and Bly, Wind River Reservation, Ethete, Wyoming', 2010
'Briscoe County Jail Cell, Silverton, Texas 2012
'Herman and Erin's New House, Siems Ranch, Merna, Wyoming', 2011; 'Dr. Perkes, Afton, Wyoming', 2010
'Gas Station Gravel, Eden, Wyoming', 2009; 'Mia and Burgundy, Cokeville, Wyoming', 2010
Detail of 'Surface Mining, Newmont Mining Corporation, Carlin, Nevada', 2012
ADDRESS
Michael Hoppen Contemporary
3 Jubilee Place
London SW3 3TD
-
Fendi celebrates 100 years with all-out runway show at its new Milan HQIn the wake of Kim Jones’ departure, Silvia Venturini Fendi took the reins for a special co-ed A/W 2025 collection marking the house’s centenary, unveiling it as the first act of celebrations within Fendi’s expansive new headquarters in Milan
-
‘Leigh Bowery!’ at Tate Modern: 1980s alt-glamour, club culture and rebellionThe new Leigh Bowery exhibition in London is a dazzling, sequin-drenched look back at the 1980s, through the life of one of its brightest stars
-
Inside the unexpected collaboration between Marni’s Francesco Risso and artists Slawn and SoldierNew exhibition ‘The Pink Sun’ will take place at Francesco Risso’s palazzo in Milan in collaboration with Saatchi Yates, opening after the Marni show today, 26 February
-
In ‘The Last Showgirl’, nostalgia is a drug like any otherGia Coppola takes us to Las Vegas after the party has ended in new film starring Pamela Anderson, The Last Showgirl
-
‘American Photography’: centuries-spanning show reveals timely truthsAt the Rijksmuseum in Amsterdam, Europe’s first major survey of American photography reveals the contradictions and complexities that have long defined this world superpower
-
Sundance Film Festival 2025: The films we can't wait to watchSundance Film Festival, which runs 23 January - 2 February, has long been considered a hub of cinematic innovation. These are the ones to watch from this year’s premieres
-
What is RedNote? Inside the social media app drawing American users ahead of the US TikTok banDownloads of the Chinese-owned platform have spiked as US users look for an alternative to TikTok, which faces a ban on national security grounds. What is Rednote, and what are the implications of its ascent?
-
Architecture and the new world: The Brutalist reframes the American dreamBrady Corbet’s third feature film, The Brutalist, demonstrates how violence is a building block for ideology
-
‘Gas Tank City’, a new monograph by Andrew Holmes, is a photorealist eye on the American West‘Gas Tank City’ chronicles the artist’s journey across truck-stop America, creating meticulous drawings of fleeting moments
-
Intimacy, violence and the uncanny: Joanna Piotrowska in PhiladelphiaArtist and photographer Joanna Piotrowska stages surreal scenes at the Institute of Contemporary Art at the University of Pennsylvania
-
First look: Sphere’s new exterior artwork draws on a need for human connectionWallpaper* talks to Tom Hingston about his latest large-scale project – designing for the Exosphere
