Gun violence memorial created by Hank Willis Thomas and Mass Design Group in Washington
In Washington, DC, a poignant installation honours victims of gun violence in America

According to the nonprofit research group, Gun Violence Archive, almost 40,000 Americans are killed by gun violence each year, a tragedy exacerbated by recent economic issues related to Covid-19. Staged within the National Building Museum in Washington, DC, The Gun Violence Memorial Project was conceived by American conceptual artist Hank Willis Thomas and Mass Design Group in partnership with gun violence prevention organisations Purpose Over Pain and Everytown for Gun Safety Support Fund.
Free to the public, the poignant installation comprises four white houses, each constructed with 700 transparent glass bricks, a tribute to each person killed by guns each week in the US. The houses are already home to hundreds of personal artefacts, including photographs, baby shoes, graduation tassels and jewellery.
Over time, cavities will be filled with deeply personal objects of remembrance donated by the families of victims. Using the design as a prototype, the ambition for the project is a permanent national memorial that pays tribute the lives of those killed by guns.
RELATED STORY
‘My family felt the effects of gun violence first hand when my cousin was murdered during a robbery in 2000,’ says Thomas, who is also artistic director of Songha & Company, a conceptual public art practice named after the artist's cousin, Songha Thomas Willis. ‘My life, and by extension my artistic practice, has been influenced ever since.’
The exhibition will also display excerpts from Comes the Light, a forthcoming documentary film exploring the effects of gun violence created by Haroula Rose and Caryn Capotosto.
The Gun Violence Memorial Project will be on view physically and online until September 2022 and is presented in conjunction with ‘Justice is Beauty: The Work of Mass Design Group’, a timely new show surveying the work of the socially conscious nonprofit architecture firm.
‘As the recent tragic shootings in Colorado and Georgia sadly underscore, gun violence isn’t an abstract concept, but an epidemic that strikes every American community,’ said Brent D Glass, interim executive director of the National Building Museum.
INFORMATION
The Gun Violence Memorial Project, until September 2022 at the National Building Museum, Washington, DC. nbm.org
ADDRESS
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
401 F Street NW
Washington, DC 20001
Harriet Lloyd-Smith was the Arts Editor of Wallpaper*, responsible for the art pages across digital and print, including profiles, exhibition reviews, and contemporary art collaborations. She started at Wallpaper* in 2017 and has written for leading contemporary art publications, auction houses and arts charities, and lectured on review writing and art journalism. When she’s not writing about art, she’s making her own.
-
Designer Marta de la Rica’s elegant Madrid studio is full of perfectly-pitched contradictions
The studio, or ‘the laboratory’ as de la Rica and her team call it, plays with colour, texture and scale in eminently rewarding ways
By Anna Solomon Published
-
‘Nothing just because it’s beautiful’: Performance artist Marina Abramović on turning her hand to furniture design
Marina Abramović has no qualms about describing her segue into design as a ‘domestication’. But, argues the ‘grandmother of performance art’ as she unveils a collection of chairs, something doesn’t have to be provocative to be meaningful
By Anna Solomon Published
-
A local’s guide to Los Angeles by defiant artist Fawn Rogers
Oregon-born, LA-based artist Fawn Rogers gives us a personal tour of her adopted city as it hosts its sixth edition of Frieze
By Sofia de la Cruz Published
-
In ‘The Last Showgirl’, nostalgia is a drug like any other
Gia Coppola takes us to Las Vegas after the party has ended in new film starring Pamela Anderson, The Last Showgirl
By Billie Walker Published
-
‘American Photography’: centuries-spanning show reveals timely truths
At the Rijksmuseum in Amsterdam, Europe’s first major survey of American photography reveals the contradictions and complexities that have long defined this world superpower
By Daisy Woodward Published
-
Sundance Film Festival 2025: The films we can't wait to watch
Sundance Film Festival, which runs 23 January - 2 February, has long been considered a hub of cinematic innovation. These are the ones to watch from this year’s premieres
By Stefania Sarrubba Published
-
What is RedNote? Inside the social media app drawing American users ahead of the US TikTok ban
Downloads of the Chinese-owned platform have spiked as US users look for an alternative to TikTok, which faces a ban on national security grounds. What is Rednote, and what are the implications of its ascent?
By Anna Solomon Published
-
Architecture and the new world: The Brutalist reframes the American dream
Brady Corbet’s third feature film, The Brutalist, demonstrates how violence is a building block for ideology
By Billie Walker Published
-
‘Gas Tank City’, a new monograph by Andrew Holmes, is a photorealist eye on the American West
‘Gas Tank City’ chronicles the artist’s journey across truck-stop America, creating meticulous drawings of fleeting moments
By Jonathan Bell Published
-
Intimacy, violence and the uncanny: Joanna Piotrowska in Philadelphia
Artist and photographer Joanna Piotrowska stages surreal scenes at the Institute of Contemporary Art at the University of Pennsylvania
By Hannah Silver Published
-
First look: Sphere’s new exterior artwork draws on a need for human connection
Wallpaper* talks to Tom Hingston about his latest large-scale project – designing for the Exosphere
By Charlotte Gunn Published