This year has turned out to be a prolific one for Isamu Noguchi, the American sculptor and designer who died nearly 30 years ago. A long-awaited collaboration with the Brooklyn Botanic Garden sets 15 of his sculptures around the garden’s landscape, and a recent biography, Listening to Stone, by Hayden Herrera, documents his life and work in a gripping narrative.
But, as it was during his life, the real pièce de résistance comes at his studio in Queens, now known as the Noguchi Museum. Following an extensive renovation project and on the occasion of its 30th anniversary, the museum recently opened ‘Museum of Stones,’ an exhibition that explores the cultural implications of stone, the medium with which Noguchi is so closely associated.
For the first time in its history, the museum took the exhibition as an opportunity to integrate work from a roster of contemporary artists, including Scott Burton, Gabriel Orozco, Janine Antoni, Lawrence Weiner, Yoko Ono, and Tom Sachs. Curated in this way, the exhibition contextualizes Noguchi’s work among other projects that work through the same material - even as it underscores the singularity of his work. By incorporating projects from the more recent past, curator Dakin Hart demonstrates the enduring questions about one of art’s most fundamental media.
The show also reaches back in time - far back. Hart places a foundation stone from Jerusalem’s fortification wall that dates from 41-70 C.E., for example, among works by Joseph Kosuth and Mariana Cook. Objects from the Qing dynasty, many on loan from the Metropolitan Museum of Art, get interspersed throughout the exhibition, adding yet another dimension to the reception of Noguchi’s work.
On view through January 10, 2016, the exhibition is something to be seen multiple times, letting the work to be experienced in different qualities of light and weather.
Presented throughout its iconic Queens space, the show includes stone works from artists such as Scott Burton, Gabriel Orozco, Janine Antoni, Lawrence Weiner, Yoko Ono, and Tom Sachs
The exhibition refreshingly showcases Noguchi’s work alongside contemporary projects that focus on the same material, such as Toshiko Takaezu's Dry Riverbed, from 1980
Some of the works reach far back in time. One particuarly historical piece, a foundation stone from Jerusalem’s fortification wall, dates from 41-70 C.E.
Pictured: Rupert Norfolk's Wall no. 2, 2006, made from limestone rocks
A private collection of postcards showing stone sculptures and formations from around the world
Objects from the Qing dynasty, many on loan from the Metropolitan Museum of Art, are also interspersed throughout the exhibition
INFORMATION
’Museum of Stones’ will run until 10 January 2016
ADDRESS
Noguchi Museum
9-01 33rd Road
Queens, New York
-
Fendi celebrates 100 years with all-out runway show at its new Milan HQIn the wake of Kim Jones’ departure, Silvia Venturini Fendi took the reins for a special co-ed A/W 2025 collection marking the house’s centenary, unveiling it as the first act of celebrations within Fendi’s expansive new headquarters in Milan
-
‘Leigh Bowery!’ at Tate Modern: 1980s alt-glamour, club culture and rebellionThe new Leigh Bowery exhibition in London is a dazzling, sequin-drenched look back at the 1980s, through the life of one of its brightest stars
-
Inside the unexpected collaboration between Marni’s Francesco Risso and artists Slawn and SoldierNew exhibition ‘The Pink Sun’ will take place at Francesco Risso’s palazzo in Milan in collaboration with Saatchi Yates, opening after the Marni show today, 26 February
-
Wim Wenders’ photographs of moody Americana capture the themes in the director’s iconic films'Driving without a destination is my greatest passion,' says Wenders. whose new exhibition has opened in New York’s Howard Greenberg Gallery
-
20 years on, ‘The Gates’ makes a digital return to Central ParkThe 2005 installation ‘The Gates’ by Christo and Jeanne-Claude marks its 20th anniversary with a digital comeback, relived through the lens of your phone
-
In ‘The Last Showgirl’, nostalgia is a drug like any otherGia Coppola takes us to Las Vegas after the party has ended in new film starring Pamela Anderson, The Last Showgirl
-
‘American Photography’: centuries-spanning show reveals timely truthsAt the Rijksmuseum in Amsterdam, Europe’s first major survey of American photography reveals the contradictions and complexities that have long defined this world superpower
-
Miami’s new Museum of Sex is a beacon of open discourseThe Miami outpost of the cult New York destination opened last year, and continues its legacy of presenting and celebrating human sexuality
-
Sundance Film Festival 2025: The films we can't wait to watchSundance Film Festival, which runs 23 January - 2 February, has long been considered a hub of cinematic innovation. These are the ones to watch from this year’s premieres
-
What is RedNote? Inside the social media app drawing American users ahead of the US TikTok banDownloads of the Chinese-owned platform have spiked as US users look for an alternative to TikTok, which faces a ban on national security grounds. What is Rednote, and what are the implications of its ascent?
-
Architecture and the new world: The Brutalist reframes the American dreamBrady Corbet’s third feature film, The Brutalist, demonstrates how violence is a building block for ideology
