'Julian Opie: Winter' exhibition at Alan Cristea Gallery, London

Julian Opie's name is evocative of starkly contoured figures and iconic portraiture, oft mimicked in the 1990s and Noughties. But the Wallpaper* Design Awards judge's latest opus is a subtle, pastoral departure from his usual MO.
This time he's taken inspiration not from the London streets or the cultural figures who have imbued his art with historic significance, but from a stroll through a bleak winter landscape in France. Where exactly in France we're unsure, but Opie leads us through his circuitous loop like an electronic street viewer: pivoting here and there to focus on the clear path ahead.
Opie captures each stage on the walk in a single digital print, coloured in a palette resembling army camouflage. The prints are laminated to a glass façade and presented in a grid on four walls of the Alan Cristea Gallery, in London's Mayfair. With 75 images in all, the viewer feels cocooned in that French landscape. The nose grows cold just contemplating the scene.
This 'Winter' series of all-new editions is a spin-off of Opie's recent computer-animated film of the same name, shown last summer at the Lisson Gallery. That film, a similar series of austere winter landscapes, has also made it into the current show and is on display in Cristea's adjacent gallery - next to a piece by Michael Craig-Martin, a mentor and former instructor of Opie's at Goldsmith's College.
The film's score by Paul Englishby, with vocals by Opie's wife Aniela, is piped into both galleries for the length of the show.
'Winter 32.' by Julian Opie, 2012, from a series of 75 digital prints laminated to glass and mounted to Plexiglas.
The 'Winter' series of all-new editions is a spin-off of Opie's recent computer-animated film of the same name, on show in Alan Cristea's adjacent gallery on Cork Street. © Julian Opie. Courtesy of the artist and Alan Cristea Gallery, London
Opie captures each stage on the walk in a single digital print, coloured in a palette resembling army camouflage. The prints are presented in a grid on four walls of the Alan Cristea Gallery.
'Winter 39.' by Julian Opie, 2012.
'Winter 68.' by Julian Opie, 2012.
ADDRESS
Alan Cristea Gallery
34 Cork Street
London
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Based in London, Ellen Himelfarb travels widely for her reports on architecture and design. Her words appear in The Times, The Telegraph, The World of Interiors, and The Globe and Mail in her native Canada. She has worked with Wallpaper* since 2006.
-
Alberto Caliri’s new vision for Missoni: ‘It’s about getting back to an essence’
The Missoni mainstay has been part of the knitwear brand’s story since 1998. ‘The feeling was not one of radical change, but rather of return,’ he tells Wallpaper* of his first collection back in the creative director seat
By Orla Brennan Published
-
Five new cutting-edge over-ear headphones deliver high-end audio in style
Meze Audio, Dyson, Noble, Grado and Écoute Audio offer up their latest wired and wireless headphones for a premium audio experience
By Jonathan Bell Published
-
Apple is rumoured to be releasing a foldable iPhone. How should it stand out from the crowd?
The new model is forecast for 2026, but Apple’s competitors have already entered the foldable phone market. Is the tech megabrand late to the party, or can we expect something special from its contribution?
By Anna Solomon Published
-
‘Leigh Bowery!’ at Tate Modern: 1980s alt-glamour, club culture and rebellion
The new Leigh Bowery exhibition in London is a dazzling, sequin-drenched look back at the 1980s, through the life of one of its brightest stars
By Amah-Rose Abrams Published
-
‘Yay, To Have a Mouth!’: a London show explores our oral fixation, from Freud to fairytales
This group show at Rose Easton gallery in east London, created in collaboration with Ginny on Frederick, uncovers our fascination with the mouth
By Emily Steer Published
-
High low culture and the sickly sweetness of Tootsie Rolls: Derrick Adams in London
Derrick Adams plays with themes of Black Americana in ‘Situation Comedy’ at Gagosian London.
By Hannah Silver Published
-
'We need to be constantly reminded of our similarities' – Jonathan Baldock challenges the patriarchal roots of a former Roman temple in London
Through use of ceramics and textiles, British artist Jonathan Baldock creates a magical and immersive exhibition at ‘0.1%’ at London's Mithraum Bloomberg Space
By Emily Steer Published
-
'I want to get into these images and perfume them': Linder's retrospective opens at the Hayward Gallery
'Linder: Danger Came Smiling' gathers fifty years of the artist's work at the Hayward Gallery. We meet the punk provocateur ahead of her first retrospective
By Hannah Silver Published
-
Tasneem Sarkez's heady mix of kitsch, Arabic and Americana hits London
Artist Tasneem Sarkez draws on an eclectic range of references for her debut solo show, 'White-Knuckle' at Rose Easton
By Zoe Whitfield Published
-
‘A call to action for more authentic expressions of working-class life’: a London show reframes working-class Britain
London exhibition ‘Lives Less Ordinary’, at Two Temple Place, challenges age-old stereotypes
By Teshome Douglas-Campbell Published
-
Never-before-seen Barbara Hepworth works go on show in landmark exhibition
In ‘Barbara Hepworth: Strings’, various Hepworth sculptures will be exhibited in public for the first time, at Piano Nobile, London
By Anna Solomon Published