Kyle Bell was 28 when he first picked up a camera. Raised in Tulsa, Oklahoma, where he is still based, Bell is part of the Thlopthlocco Creek community and a self taught filmmaker working in documentary and narrative film. He describes his career so far as having a snowball effect, from starting out by photographing and filming friends’ weddings, to trying his hand at shooting documentaries, and then entering them at film festivals: ‘it was just a lot of figuring out stuff on my own.’
Kyle Bell: from self-taught video maker to Spike Lee's Protégé
Bell was part of the most recent edition of the Rolex Mentors and Protégés programme, working closely with film director Spike Lee. When he received the invitation to participate in the Rolex Mentors and Protégés initiative, he had just started working on 'Spirits', his first narrative short. The film gathers some of the themes Bell has developed in his documentary work: a young indigenous man is preparing to leave home to play college football, and the 9-minute film follows his struggle in separating from his community, his grandmother in particular.
'When I was approached by Rolex for this project, I automatically knew I wanted to work with a Native American filmmaker,' says Lee. 'It's about representation, to give people the opportunity to tell their own narrative.'
‘Knowing that I will always have support from someone like Spike Lee and Rolex with my filmmaking, the possibilities are endless,' says Bell.
Among Bell's most poignant works is the documentary 'Defend the Sacred', for which he won the Golden Space Needle Audience Award at the 2017 Seattle International Film Festival. The 17-minute documentary (available to watch below) chronicles the protests at Standing Rock, led by the Sioux Tribe against the building of the Dakota Access Pipeline through the indigenous reservation's territory, causing a risk for their water supply.
It was the first time in American history that tribes from different parts of the US have come together in solidarity, united to amplify their voice against one issue, with over 5000 indigenous people from 300 tribal nations gathered in one place. Bell's lens observes the gathering, giving voice to some of the tribes' spokespeople, documenting the collective experience of the people present at Standing Rock with a result that is a moving window into the events.
A still from Spirits
'A lot of my work involves my identity, my native or indigenous point of view,' says Bell. 'If you look back on history, what we've been through as indigenous people, it's a dark history, and it's not talked about in schools or in history books often. We weren't represented in a positive light in history and in films and so for me it's important to tell positive stories from our perspective, to leave a sense of hope.'
'We are still here as a people, even though history did try to exterminate us. If we look back, we went through genocide, assimilation, colonisation. And so I just want to leave something positive, and for me, film is the ultimate empathy driver.'
Watch: Defend the Sacred by Kyle Bell
-
How Billecart-Salmon became the hospitality industry’s champagne of choiceNeil Ridley ventures into a subterranean temple to patience and precision beneath the village of Aÿ-Champagne, France, and discovers a winery not of spectacle, but of soul
-
In Baku Sakashita’s new lighting collection, hand-dyed silk threads are delicately illuminatedIn ‘Haku’, ultra-fine LEDs are woven within plant-dyed threads, showcasing intricacy, artistry and traditional Japanese craftsmanship
-
Discover the chic simplicity of CC-Steding jewelleryNic Farnan and Ben Chaplin create delicate silver jewellery in their east London studio
-
Jamel Shabazz’s photographs are a love letter to Prospect ParkIn a new book, ‘Prospect Park: Photographs of a Brooklyn Oasis, 1980 to 2025’, Jamel Shabazz discovers a warmer side of human nature
-
The Hammer Museum in Los Angeles launches the seventh iteration of its highly anticipated artist biennialOne of the gallery's flagship exhibitions, Made in LA showcases the breadth and depth of the city's contemporary art scene
-
Thomas Prior’s photography captures the uncanny fragility of American lifeA new book unites two decades of the photographer’s piercing, uneasy work
-
Central Park’s revitalised Delacorte Theater gears up for a new futureEnnead Architects helmed an ambitious renovation process that has given the New York City cultural landmark a vibrant and more accessible future
-
Stephen Prina borrows from pop, classical and modern music: now MoMA pays tribute to his performance work‘Stephen Prina: A Lick and a Promise’ recalls the artist, musician, and composer’s performances, and is presented throughout MoMA. Prina tells us more
-
Curtains up, Kid Harpoon rethinks the sound of Broadway production ‘Art’He’s crafted hits with Harry Styles and Miley Cyrus; now songwriter and producer Kid Harpoon (aka Tom Hull) tells us about composing the music for the new, all-star Broadway revival of Yasmina Reza’s play ‘Art’
-
Richard Prince recontextualises archival advertisements in TexasThe artist unites his ‘Posters’ – based on ads for everything from cat pictures to nudes – at Hetzler, Marfa
-
The best Ruth Asawa exhibition is actually on the streets of San FranciscoThe artist, now the subject of a major retrospective at SFMOMA, designed many public sculptures scattered across the Bay Area – you just have to know where to look
