Meet Marisa Merz, sole female artist of the Arte Povera movement. Aged 90, Merz is receiving recognition of her contributions to radical art in the form of a first US retrospective at the Met Breuer in New York.
Arte Povera began in the north of Italy in the 1960s, a reaction to the rapid industrialisation in the region and the rise of a new commercial middle-class. Favouring 'poor', everyday and non-traditional materials, 'Marisa was an active part of this dynamic and contributed by proving to herself and others that it was possible to disengage from the fixed canons without giving up her identity, and to achieve maximum freedom of expression,' Beatrice Merz, her daughter, and founder/president of Turin's Fondazione Merz, explains.
’Untitled’, by Marisa Merz, undated. Courtesy of the artist and Fondazione Merz
Merz continues to work every day in Turin, where 'her studio is also her home, or any place in which she finds herself', says Beatrice. This spontaneous attitude to art-making emerges in her imaginative use of materials: shoes knitted with copper wire, her mammoth, iconic aluminium Living Sculpture (1966), and more recent and ethereal works, layering wax, pastel and spray paint – all going on show in New York.
Curated by Connie Butler (of the Hammer Museum) and the Met’s Ian Alteveer, 'Marisa Merz: The Sky Is a Great Space' highlights the freedom of Merz’s imagination – a freedom she perhaps didn’t have in her daily life, dedicated to being a mother and wife. 'To detail Merz's full contribution to Arte Povera is complicated. She was certainly outnumbered as well as often overshadowed and undervalued as a contributor by her male contemporaries, not least of them her late husband Mario, whose career she supported and aided,' Alteveer says. 'Her own work, especially the early sculptures made in the late 1960s and early 1970s, were made in time carved out from her own duties at home,' he reveals.
Marisa Merz’s apartment, Turin, 2016. Courtesy of Archivio Merz, Turin
The constraints of being a woman in her times hardly held Merz back – if anything, they made her more determined and free in her artistic expression. Arguably, Alteveer suggests, 'her work, it could be said, might be the best of the bunch because of it'.
Beatrice Merz, her daughter, and founder/president of Turin's Fondazione Merz, explains, 'Marisa was an active part of [the Arte Povera movement] and contributed by proving to herself and others that it was possible to disengage from the fixed canons without giving up her identity'.
Untitled, undated. Courtesy of the artist and Fondazione Merz.
Merz favoured ’poor’, everyday and non-traditional materials.
Merz’s spontaneous attitude to art-making emerges in her imaginative use of materials.
Untitled, 2010.
Curated by Connie Butler (of the Hammer Museum) and the Met’s Ian Alteveer, ’Marisa Merz: The Sky Is a Great Space’ highlights the freedom of Merz’s imagination.
Installation view of ’The Sky is a Great Space’ at The Met Breuer.
INFORMATION
’Marisa Merz: The Sky is a Great Space’ is on view until 7 May. For more information, visit the Met Breuer website
ADDRESS
Met Breuer
945 Madison Avenue
New York NY 10021
-
Bold colours, materials and technical nous: Hublot’s LVMH Watch Week releasesHublot celebrates its distinctive design codes with eight new watches unveiled at LVMH Watch Week 2025, including a Spirit of Big Bang nod to the Year of the Snake
-
A secluded farmhouse in southwest Ireland makes a colourful case for slow livingLiving consciously comes effortlessly at Summerage at The Burren, a serene retreat for city and country dwellers alike
-
Palm Beach Tree House overhauls a cottage in Sydney’s Northern Beaches into a treetop retreatSet above the surf, Palm Beach Tree House by Richard Coles Architecture sits in a desirable Northern Beaches suburb, creating a refined home in verdant surroundings
-
Sundance Film Festival 2025: The films we can't wait to watchSundance Film Festival, which runs 23 January - 2 February, has long been considered a hub of cinematic innovation. These are the ones to watch from this year’s premieres
-
What is RedNote? Inside the social media app drawing American users ahead of the US TikTok banDownloads of the Chinese-owned platform have spiked as US users look for an alternative to TikTok, which faces a ban on national security grounds. What is Rednote, and what are the implications of its ascent?
-
Architecture and the new world: The Brutalist reframes the American dreamBrady Corbet’s third feature film, The Brutalist, demonstrates how violence is a building block for ideology
-
Inside Luna Luna: the amusement park designed by artists lands in New York‘Luna Luna: Forgotten Fantasy’ – featuring rides by Basquiat, Lichtenstein, Hockney, Haring, and Dalí – has opened at The Shed
-
Henni Alftan’s paintings frame everyday moments in cinematic renditionsConcurrent exhibitions in New York and Shanghai celebrate the mesmerising mystery in Henni Alftan’s paintings
-
Brutalism in film: the beautiful house that forms the backdrop to The Room Next DoorThe Room Next Door's production designer discusses mood-boarding and scene-setting for a moving film about friendship, fragility and the final curtain
-
'There’s an anxiety under all of it': Violet Dennison in New YorkViolet Dennison debuts abstract paintings with new show 'Damaged Self' at Tara Downs Gallery
-
‘Gas Tank City’, a new monograph by Andrew Holmes, is a photorealist eye on the American West‘Gas Tank City’ chronicles the artist’s journey across truck-stop America, creating meticulous drawings of fleeting moments
