Mathematicians have a tendency to wax lyrical about the 'beauty' and 'elegance' of their discipline. For the most part, this is a tricky concept for the layman to grasp. The enigmatic glamour of prime numbers, for example, is beyond the ken of most of us. But Mathematics: A Beautiful Elsewhere - a new exhibition at the Fondation Cartier pour l'art contemporain - aims to translate the mysterious allure of maths to a wider audience, with a little help from artists like David Lynch, Patti Smith and Takeshi Kitano.
The exhibition, developed in association with the Institut des Hautes Études Scientifiques (IHÉS), takes visitors on a journey through mathematical thought, guided by six of its most prominent figures: Sir Michael Atiyah, Alain Connes, Nicole El Karoui, Misha Gromov, Cédric Villani and Don Zagier - world authorities in fields such as number theory, algebraic geometry, differential geometry and probability.
These eminent eggheads have been invited to come up with new ways of 'seeing, hearing, doing, thinking and interpreting mathematics'. But while there's no doubting the superiority of their grey matter, the assumption is that they might need a hand when it comes to making themselves understood to the average maths dunce.
To help them communicate their brain-meltingly complex ideas, Fondation Cartier has teamed these experts up with eight artists - Jean-Michel Alberola, Raymond Depardon and Claudine Nougaret, Takeshi Kitano, David Lynch, Beatriz Milhazes, Patti Smith and Hiroshi Sugimoto - with the goal of translating aspects of their subject into tangible experiences in a range of media.
David Lynch, for example, has created a structure in the shape of a zero to accommodate Misha Gromov's Library of Mysteries, which provides a retrospective of the major events in the history of mathematics via an audiovisual installation.
Lynch also contributed to 'Ergo-Robots/Flowers Fields: Artificial Curiosity and Language', an interactive installation that sees a 'tribe' of robotic figures emerging from an egg and then exploring their environment, learning new skills and communicating with their human visitors. The robots' heads, which Lynch designed, have a distinct touch of Eraserhead about them.
Arguably the most germane of all the exhibition's installations, however, is Hiroshi Sugimoto's graceful sculpture, a hyperbolic form entitled 'Surface of revolution with constant negative curvature' - which poses the thorny question underpinning this entire project: how can mathematical abstraction be represented visually?
’Fireplace’ is an animated film created for the exhibition by David Lynch
A still from ’Fireplace’
A still from 'Fireplace''
’Galaxy’ is a second animated film created for the exhibition by David Lynch
Still from 'Galaxy'
Still from ’Galaxy’
A still from the film ’Mathematical paradises’, by Beatriz Milhazes, depicting Heat Diffusion (Fourier’s equation)
A still from the film ’Mathematical paradises’, by Beatriz Milhazes, depicting Sea Waves (wave equation)
A still from the film ’Mathematical paradises’, by Beatriz Milhazes, depicting Sea Waves (wave equation)
Hiroshi Sugimoto’s aluminum and mirror sculpture ’Conceptual Form 011: Surface of revolution with constant negative curvature’ poses the question: how can mathematical abstraction be represented visually?
’Conceptual Form 011: Surface of revolution with constant negative curvature’ by Hiroshi Sugimoto
’Conceptual Form 011: Surface of revolution with constant negative curvature’ by Hiroshi Sugimoto
’Ergo-Robots/Flowers Fields: Artificial Curiosity and Language’ - an interactive installation that sees a ’tribe’ of robotic figures emerging from an egg and then exploring their environment, learning new skills and communicating with their human visitors
Coordinated by Pierre-Yves Oudeyer, the ’Ergo-Robots/Flowers Fields’ project came about as the result of an encounter between Oudeyer, mathematician Mikhail Gromov and David Lynch. It was realised by INRIA Flowers in collaboration with University of Bordeaux
’Ergo-Robots/Flowers Fields’ explores fundamental questions about the nature of humans and machines. Based on recent advanced models of autonomous learning inspired by human infant development, the robots progressively acquire new skills, discover ways to communicate, and organise their own culture
David Lynch designed the heads and the environment of the Ergo-robots - with inspiration, we imagine, from his cult 1977 film Eraserhead
ADDRESS
Fondation Cartier pour l'art contemporain
261, boulevard Raspail
75014 Paris
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