A posthumous dialogue: Testino and van der Elsken at Annet Gelink Gallery
Mario Testino and Ed van der Elsken come from different backgrounds – different continents – and are of different eras. They found renown in different photographic fields. Yet there is something similar in the approach to their work that suggests kindred spirits.
Testino has been an admirer of van der Elsken since the 1980s, and earlier this year MATE (Museo Mario Testino) in Lima, Peru, put the late enfant terrible of Dutch photography centre stage with a show entitled 'Sin Censura' ('Uncensored'), the second exhibition in the museum's annual series, 'Maestros de la Fotographia' ('Masters of Photography').
‘When you are trained as a photographer, you are often told to look for perfection – but in Ed's work I discovered the opposite,’ Testino explains. ‘Photography can be anything; good images exist because you create an emotion and you see something other people don't see, and you put it out there. I notice a lot of my work is like that.’
For Testino, a photograph exists as much to capture a moment in time as to demonstrate high art. ‘We are both curious about many things that are just there – maybe not the most perfect thing or the thing most sought after by society, but something that just caught our eye. And we are the people who can make others look differently, and maybe change their perception of things,’ he adds.
The idea of 'Me and You' developed from the MATE exploration. For this new exhibition, Testino chose images from his ouevre that had never before been exhibited, and likewise selected lesser-known photographs from the van der Elsken Archive of Amsterdam's Annet Gelink Gallery. The juxtaposition of the two photographers’ works suggesting a posthumous dialogue.
The exhibition is also a rare opportunity to see Testino's work in such an intimate situation. The exhibits have been brought directly from his immense archive in London and are personal works created with no specific purpose (in contrast to his fashion commissioned works, with which we are more familiar). It is refreshing to see a more private, unofficial manifestation of Testino's marvellous artistic soul.
INFORMATION
'Me and You' is on view until 5 March 2016. For more information, visit Annet Gelink Gallery's website
ADDRESS
Annet Gelink Gallery
Laurierstraat 189
1016 PL Amsterdam
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Yoko Choy is the China editor at Wallpaper* magazine, where she has contributed for over a decade. Her work has also been featured in numerous Chinese and international publications. As a creative and communications consultant, Yoko has worked with renowned institutions such as Art Basel and Beijing Design Week, as well as brands such as Hermès and Assouline. With dual bases in Hong Kong and Amsterdam, Yoko is an active participant in design awards judging panels and conferences, where she shares her mission of promoting cross-cultural exchange and translating insights from both the Eastern and Western worlds into a common creative language. Yoko is currently working on several exciting projects, including a sustainable lifestyle concept and a book on Chinese contemporary design.
-
These illuminating fashion interviews tell the story of style in 2024
Selected by fashion features editor Jack Moss from the pages of Wallpaper*, these interviews tell the stories behind the designers who have shaped 2024 – from Kim Jones to Tory Burch, Willy Chavarria to Martine Rose
By Jack Moss Published
-
Earthscape Studio: an Indian architecture studio of elevated simplicity
Based in India's Coimbatore, Earthscape Studio places craftsmanship, sustainability and a refreshing site-specific approach at its heart; resulting in designs that appear simple but unexpected, and elevated
By Ellie Stathaki Published
-
Maserati unveils the Fuoriserie By Hiroshi Fujiwara MC20 Cielo model
Hiroshi Fujiwara, the so-called Godfather of Streetwear, lends his talents to Maserati’s in-house bespoke division, creating a stylish take on the company’s open-topped supercar
By Jonathan Bell Published