The photographic duo exploring the language of flowers

Floral still life
Set design: William Farr
(Image credit: Metz + Racine)

It’s one of the oldest subjects in the history of art – but can it still be interesting in 2018? From carved lotus flowers engraved onto ancient Egyptian jewellery, to Renaissance still lifes and of course, van Gogh’s odes in oil to poppies and sunflowers, flowers have fascinated visual artists all over the world for centuries and inspired a myriad of metaphors in poems and literature.

For van Gogh – who encouraged his sister to take up gardening for its therapeutic properties – looking at flowers was looking at life. Everything you needed to learn about colour and form could be found in a simply arranged vase. Georgia O’Keeffe painted flowers so large you couldn’t ignore them. Their transience makes them all the more appealing for the artist who seeks to immortalise beauty before it fades.

Set design: Anna Lomax

Set design: Anna Lomax

(Image credit: Metz + Racine)

Photographic duo Barbara Metz and Eve Racine, who have worked together for 18 years, have turned their talents to flowers with their latest personal project, a limited-edition book titled Flowers / Together Pt. 1, designed by Mototake Makishima and made in collaboration with set designers they have met through their work. For the first part of what will become a series, Metz and Racine invited set designers to create still life compositions interpreting the theme of flowers, which they then photographed, spending a day with each designer to work on the shoot.

As the resulting pictures prove, the floral subject still has plenty to give. As Liam Hess writes in the publication foreword, flowers symbolise ‘the deepest sadness love and the deepest sadness’, and the images run the gamut of emotions and aesthetics, from sleek to messy, starkly minimal to playful maximalist.

Flowers can certainly, as the book proves, be pretty, but can they be political? Flowers / Together Pt.1, as the title suggests, is also as much a rumination of the power of creative collaboration. No one vision is dominant here; there’s space for all perspectives, and put together, they can create something beautiful. That, for Metz and Racine, is a vital message for our times.

Floral still life

Set design: Jean Michel Bertin

(Image credit: Metz + Racine)

Floral still life

Set design: Anna Lomax

(Image credit: Metz + Racine)

Floral still life

Set design: Hana Al Sayed

(Image credit: Metz + Racine)

Floral still life

Set design: Hana Al Sayed

(Image credit: Metz + Racine)

Floral still life

Set design: Anna Burns

(Image credit: Metz + Racine)

Floral still life

Set design: Robert Storey

(Image credit: Metz + Racine)

Floral still life

Set design: Anna Burns

(Image credit: Metz + Racine)

Floral still life

Set design: Jean Michel Bertin

(Image credit: Metz + Racine)

Floral still life

Set design: Janina Pedan

(Image credit: Metz + Racine)

INFORMATION

Flowers / Together Pt.1, available from Artwords Bookshop. For more information, visit the Metz + Racine website and Mototake Makishima’s website

Charlotte Jansen is a journalist and the author of two books on photography, Girl on Girl (2017) and Photography Now (2021). She is commissioning editor at Elephant magazine and has written on contemporary art and culture for The Guardian, the Financial Times, ELLE, the British Journal of Photography, Frieze and Artsy. Jansen is also presenter of Dior Talks podcast series, The Female Gaze.

With contributions from
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