Art has long been celebrated for its ability to shed new light on everyday life, by urging awareness of the most extreme aspects of it – and also of those less relevant – transforming the seemingly insignificant into potent symbols. Yet, if art can’t influence our reality, how can it turn us into active spectators? This is one of the weighty questions which this year’s edition of Miart plans to answer in the course of three short days.
For the fifth consecutive year, the Milan art fair directed by Alessandro Rabottini will open its doors to the public the weekend before Salone del Mobile. A formidable roster of 186 galleries from 19 countries will be showing at the 2019 edition and divided into seven themed sections: established contemporary, established masters, generations, decades, emergent, on demand, and finally, the object section, curated once again by design critic and journalist Hugo MacDonald.
This year’s focus will be on creating dialogues between artists in order to understand where contemporary art is going at present. It is also the first time that a number of international art galleries such as Galerie Thaddaeus Ropac, Cabinet, Marian Goodman Gallery, Hauser & Wirth, Herald St and more, will make Milan the centre of their trade. Local galleries, too, are putting their best foot forward. Milan’s very own Galleria Gomiero presents an remarkable selection of late-career drawings from late by architect Carlo Scarpa while Dimore will frame the works of 20th-century masters including Marcel Breuer in a polished domestic interior setting.
Another highlight of this edition is a series of talks organised in collaboration with Beatrice Bulgari’s In Between Art Film, which sees 40 artists, museum curators and directors, collectors, designers and international writers discussing the theme of ‘The Common Good’ and how it can be explored in relation to the three main areas of Miart: modern art, contemporary art and design.
Clearing and Mai 36 join forces to show Koenraad Dedobbeleer in the Established Contemporary section
Bologna’s Galleria Enrico Astuni brings Alessandro Mendini to the Established Masters section
A sculpture by Tony Cragg is among the works at Galerie Thaddaeus Ropac’s stand
INFORMATION
Miart 2019 runs from 5-7 April. For more information, visit the Miart website
-
Indian studio Compartment S4 celebrates architectural collaborationCompartment S4, the Indian architecture studio out of Ahmedabad and Mumbai, is true to its collective nature
-
A revamped Edinburgh apartment combines Californian-style modernism with modern craftArcher + Braun have transformed an apartment in a historic house with finely tuned contemporary additions and sympathetic attention to detail
-
Formafantasma’s biodiversity-boosting installation in a Perrier Jouët vineyard is cross-pollination at its bestFormafantasma and Perrier Jouët unveil the first project in their ‘Cohabitare’ initiative, ‘not only a work of art but also a contribution to the ecosystem’
-
Louis Fratino leans into queer cultural history in ItalyLouis Fratino’s 'Satura', on view at the Centro Pecci in Italy, engages with queer history, Italian landscapes and the body itself
-
Out of office: what the Wallpaper* editors have been doing this weekA snowy Swiss Alpine sleepover, a design book fest in Milan, and a night with Steve Coogan in London – our editors' out-of-hours adventures this week
-
Pino Pascali’s brief and brilliant life celebrated at Fondazione PradaMilan’s Fondazione Prada honours Italian artist Pino Pascali, dedicating four of its expansive main show spaces to an exhibition of his work
-
‘I just don't like eggs!’: Andrea Fraser unpacks the art marketArtist Andrea Fraser’s retrospective ‘I just don't like eggs!’ at Fondazione Antonio dalle Nogare, Italy, explores what really makes the art market tick
-
Miranda July considers fantasy and performance at Fondazione Prada‘Miranda July: New Society’ at Fondazione Prada, Milan, charts 30 years of the artist's career
-
Juergen Teller’s ‘i need to live’ explores beauty and fragility at Triennale MilanoJuergen Teller’s ‘i need to live’ is on show at Triennale Milano, following its Paris debut, and spans shots of Yves Saint Laurent and Björk, as well as quirky self-portraits
-
Triennale Milano exhibition spotlights contemporary Italian artThe latest Triennale Milano exhibition, ‘Italian Painting Today’, is a showcase of artworks from the last three years
-
Walls, Windows and Blood: Catherine Opie in NaplesCatherine Opie's new exhibition ‘Walls, Windows and Blood’ is now on view at Thomas Dane Gallery, Naples
