Major artists create new micro artworks for miniature gallery
Masterpieces in miniature: artists including Sean Scully, Damien Hirst, Magdalene Odundo, and Gillian Wearing create tiny new artworks for the 2021 Model Art Gallery at Pallant House, Chichester
We all have a fantasy art collection, and it’s often one of two things that stand in the way of realising that fantasy: money, and wall space. There may be a solution to the latter: contemporary art on a doll’s house scale.
Why hasn’t anyone thought of this before? Well, they have. In 1934, notable art dealer Sydney Burney saw Queen Mary’s Dolls’ House at Windsor Castle and a light bulb went off. All for a charitable cause, he asked some of his high-profile contemporaries, including Henry Moore, Ivon Hitchens and Vanessa Bell to create miniature artworks to fill a model art gallery, named The Thirty Four Gallery, designed by the architect Marshall Sissons.
Lost for decades, most of the works were rediscovered in a suitcase by Burney’s grandson, and the model was recreated by Pallant House Gallery in 1997, based on photographs. To mark the millennium, the Model Art Gallery 2000 opened its tiny doors, housing work by the likes of Frank Auerbach, Peter Blake, Anthony Caro, Prunella Clough, Antony Gormley, Richard Hamilton and Howard Hodgkin.
Now, another gallery appears to have taken a wrong turn down the rabbit hole. The 2021 Model Art Gallery at Pallant House in Chichester is presenting a microcosm of contemporary British art featuring new works created over the last year by 34 leading artists. There are sculptures by Julian Opie, ceramics by Grayson Perry, and the gallery’s façade features Lothar Götz's electric geometric mural, alongside works by Michael Armitage, Cecily Brown, Michael Craig-Martin, Gary Hume, Magdalene Odundo, and Rachel Whiteread.
Ever thought you’d have to squint for a closer look at a Sean Scully or see a porcelain pot by Edmund de Waal no bigger than a thimble? Elsewhere, there’s an expressive nude by Maggi Hambling that’s around the same dimensions as an iPhone, and a pocket-sized Damien Hirst spin painting. Most surprising of all is that, despite their shrunken state, the works in the Model Art Gallery have no less impact than their larger counterparts.
‘At the height of the first lockdown, artists could not get to their studios, exhibitions were cancelled, and many people spoke of being creatively blocked,’ says Pallant House Gallery director Simon Martin. ‘Inspired by the earlier model galleries, I wrote to some of Britain’s leading contemporary artists to ask whether they might participate in a project to create something positive out of the pandemic. Most of the artists usually work on a large scale and were excited by the challenge of condensing their ideas into a miniature artwork and by being part of such a unique history of modern and contemporary British art.’
INFORMATION
’Masterpieces in Miniature: The 2021 Model Art Gallery’, until Spring 2022, Pallant House Gallery. pallant.org.uk
ADDRESS
9 N Pallant
Chichester PO19 1TJ
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Harriet Lloyd-Smith was the Arts Editor of Wallpaper*, responsible for the art pages across digital and print, including profiles, exhibition reviews, and contemporary art collaborations. She started at Wallpaper* in 2017 and has written for leading contemporary art publications, auction houses and arts charities, and lectured on review writing and art journalism. When she’s not writing about art, she’s making her own.
-
Hella Jongerius’ ‘Angry Animals’ take a humorous and poignant bite out of the climate crisis
At Salon 94 in New York, Hella Jongerius presents animal ceramics, ‘Bead Tables’ and experimental ‘Textile Studies’ – three series that challenge traditional ideas about function, craft, and narrative
By Ali Morris Published
-
A photographic study of a family hi-fi store is a vivid portrait of a small business
Fashion photographer Nik Hartley looked behind the scenes at Wilkinson’s Hi-Fi, a longstanding part of its Lancashire community.
By Jonathan Bell Published
-
The Contestant: inside the dark and exploitative beginnings of reality TV
Clair Titley’s The Contestant examines a sensationalist moment in TV history, before Big Brother meant reality became an accepted part of popular culture
By Billie Walker Published
-
The Turner Prize 2024 opens at Tate Britain
The Turner Prize 2024 shortlisted artists are Pio Abad, Claudette Johnson, Jasleen Kaur and Delaine Le Bas
By Hannah Silver Published
-
Peggy Guggenheim: ‘My motto was “Buy a picture a day” and I lived up to it’
Five years spent at her Sussex country retreat inspired Peggy Guggenheim to reframe her future, kickstarting one of the most thrilling modern-art collections in history
By Caragh McKay Published
-
Please do touch the art: enter R.I.P. Germain’s underground world in Liverpool
R.I.P. Germain’s ‘After GOD, Dudus Comes Next!’ is an immersive installation at FACT Liverpool
By Will Jennings Published
-
‘Regeneration and repair is a really important part of how I work’: Bharti Kher at Yorkshire Sculpture Park
Bharti Kher unveils the largest UK museum exhibition of her career at Yorkshire Sculpture Park
By Will Jennings Published
-
‘Mental health, motherhood and class’: Hannah Perry’s dynamic installation at Baltic
Hannah Perry's exhibition ’Manual Labour’ is on show at Baltic in Gateshead, UK, a five-part installation drawing parallels between motherhood and factory work
By Emily Steer Published
-
Francis Alÿs plots child play around the world at the Barbican
In Francis Alÿs' exhibition ‘Ricochets’ at London’s Barbican, the artist explores the universality of play, even in challenging situations
By Amah-Rose Abrams Published
-
At Glastonbury’s Shangri-La, activism and innovation meet
Glastonbury’s south-east corner is known for its after-dark entertainment but by day, there is a different story to tell
By Rhian Daly Published
-
Suzannah Pettigrew's 'tender and ghostly' new show at Surrealist photographer Lee Miller's former home in East Sussex
London-based artist Suzannah Pettigrew's photographic stills create a snapshot of her Sussex coast childhood, conjuring up a hallucinatory world of memory
By Mary Cleary Published