Storage facility: Marianne Vitale takes over Venus Over Los Angeles

There’s no question that Los Angeles is having a moment right now, with artists and galleries flocking to the West Coast in droves. A year since its opening last spring, Venus Over Los Angeles (the sister gallery of Venus Over Manhattan in New York) has since staged exhibitions for Dan Colen, Dan McCarthy and Katherine Bernhardt, among others.
For its first show of 2016, which is now on view until 27 February, the gallery tapped New York-based artist Marianne Vitale to make her West Coast solo debut. Vitale surveyed the two adjoining spaces located in the mammoth 14,500 sq ft warehouse that makes up the gallery, conceptualising pieces that would make use of their surrounding environments.
'The cross-barrel vaulted ceiling warehouse makes for a good storage facility,' says the artist, who had few words to describe the two pieces, preferring to let the work speak for itself.
In the first room, it took five contractors and one foreman to move 90 factory-length sections of used, steel railroad track from the early 20th century into it, lining them up side by side to form a 40ft x 40ft sq. Titled Thought Field, the work makes viewers think of not just the size of the material, but also of its origin and age. Certain aspects, like the layers of caked-on rust, and the engraved markings that read '1927 Colorado,' give clues to these.
Next door are six stacks of 11ft high and 1ft x 1ft wide beams that the artist had hand-painted to resemble the orange and white stripes that cover traffic barricades. Both of Vitale’s works interact with the space nicely, and allude to their utilitarian roots. 'The rails and beams become inventory, racked and stacked,' she concludes.
Thought Field, 2016, is comprised of 90 factory-length sections of used steel railroad track from the early 20th century, which Vitale has lined up side by side to form a 40-ft-by-40-ft square
Next door are six stacks of 11-ft-high white pine beams, each titled Beam Work, 2016, that the artist had hand-painted to resemble the orange and white stripes that cover traffic barricades
Together, both works interact profoundly with the space, and allude to their utilitarian roots. 'The rails and beams become inventory, racked and stacked,' says Vitale
INFORMATION
'Marianne Vitale' is on view until 27 February. For more information, visit Venus Over Manhattan's website
Photography courtesy the artist and Venus Over Los Angeles
ADDRESS
Venus Over Los Angeles
601 South Anderson Street
Los Angeles, CA 90023
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Ann Binlot is a Brooklyn-based freelance writer who covers art, fashion, design, architecture, food, and travel for publications like Wallpaper*, the Wall Street Journal, and Monocle. She is also editor-at-large at Document Journal and Family Style magazines.
-
Must-visit cinemas with award-worthy design
Creativity leaps the screen at these design-led cinemas, from Busan Cinema Centre’s record-flying roof to The Gem Cinema Jaipur’s art deco allure
By Sofia de la Cruz Published
-
The modernist home of musician Imogen Holst gets Grade II listing
The daughter of the composer Gustav Holst lived here from 1964 until her death, during which time the home served a locus for her own composition work, which included assisting Benjamin Britten
By Anna Solomon Published
-
This fun and free-spirited photography exhibition offers a chromatic view on the world
‘Chromotherapia’ at Villa Medici in Rome, explores how we view colour as a way of therapy, and how it has shaped photography over the last century (until 9 June 2025)
By Tianna Williams Published
-
Helmut Lang showcases his provocative sculptures in a modernist Los Angeles home
‘Helmut Lang: What remains behind’ sees the artist and former fashion designer open a new show of works at MAK Center for Art and Architecture at the Schindler House
By Francesca Perry Published
-
In ‘The Last Showgirl’, nostalgia is a drug like any other
Gia Coppola takes us to Las Vegas after the party has ended in new film starring Pamela Anderson, The Last Showgirl
By Billie Walker Published
-
‘American Photography’: centuries-spanning show reveals timely truths
At the Rijksmuseum in Amsterdam, Europe’s first major survey of American photography reveals the contradictions and complexities that have long defined this world superpower
By Daisy Woodward Published
-
Don't miss these seven artists at Frieze Los Angeles
Frieze LA returns for its sixth edition, running 20-23 February, showcasing over 100 galleries from more than 20 countries, as well as local staples featuring the city’s leading creatives
By Annabel Keenan Published
-
Pop culture, nostalgia and familiarity: Sam McKinniss in LA
Artist Sam McKinniss’ solo exhibition of paintings at David Kordansky Gallery in Los Angeles taps into familiarity, loss, and nostalgia
By Tianna Williams Published
-
Sundance Film Festival 2025: The films we can't wait to watch
Sundance Film Festival, which runs 23 January - 2 February, has long been considered a hub of cinematic innovation. These are the ones to watch from this year’s premieres
By Stefania Sarrubba Published
-
What is RedNote? Inside the social media app drawing American users ahead of the US TikTok ban
Downloads of the Chinese-owned platform have spiked as US users look for an alternative to TikTok, which faces a ban on national security grounds. What is Rednote, and what are the implications of its ascent?
By Anna Solomon Published
-
Architecture and the new world: The Brutalist reframes the American dream
Brady Corbet’s third feature film, The Brutalist, demonstrates how violence is a building block for ideology
By Billie Walker Published