To say Motoï Yamamoto suffers for his art is understatement. The Tokyo-based artist spent 25 hours hunched on his knees creating his latest installation, 'Floating Garden', at La Galerie Particulière in Paris. Using a plastic bottle with a narrow nozzle, he painstakingly 'drew' thousands of arcs of salt - a traditional symbol for purification and mourning in Japanese culture - as if multiplying on the concrete floor of the 'deuxième galerie'. The result is part mind-bending maze, part Tibetan 'mandala'.
The Japanese are familiar with the presence of salt as an icon. Often it's placed in piles at shop entrances to ward off evil spirits, in paths at funerals or even at sumo matches. Yamamoto adopted it as a medium after the death of his sister at age 24 from cancer. It was a way for him to preserve the past.
'Drawing with salt,' he says, 'is like following a trace of my memory. Memories seem to change and vanish as time goes by. What I seek is to capture a frozen moment that cannot be attained through pictures or writings.' Floating Garden is a 'mental map' that translates ineffable, ephemeral thoughts into something more tangible.
Just as important to the artist as the finished installation is the meditative process and the dismantling of each project at the end of its run. The weekend before the Floating Garden launch, Yamamoto worked through the night in the tapestry gallery of Paris' Hôtel de Ville to create 'Labyrinthe'; the process was open to the public as part of the Nuit Blanche programme of events. After Floating Garden runs its course at Galerie Particulière, he will sweep up every grain and return it to the sea in a ritual that highlights the role salt plays in the cycle of life.
The dazzling whiteness and organic energy give Floating Garden an arresting beauty and vitality that belie the sombre concept. So that tear in your eye may just as easily be one of joy.
The Tokyo-based artist spent 25 hours hunched on his knees to create the installation, using a plastic bottle with a narrow nozzle to painstakingly 'draw' thousands of arcs of salt. The result is part mind-bending maze, part Tibetan mandala
The Japanese are familiar with the presence of salt as an icon, often placing it in piles at shop entrances to ward off evil spirits. Yamamoto adopted it as a medium after the death of his sister at age 24, as a way for him to preserve the past
Yamamoto's latest exhibition is accompanied by additional photographs and drawings
After Floating Garden runs its course, Yamamoto will sweep up every grain and return it to the sea in a ritual that highlights the role salt plays in the cycle of life
The weekend before the 'Floating Garden' launch, Yamamoto worked through the night in the tapestry gallery of Paris' Hôtel de Ville to create 'Labyrinthe'; the process was open to the public as part of the Nuit Blanche programme of events
The artist's labyrinthine pattern begins to come together
'Drawing a labyrinth with salt,' he says, 'is like following a trace of my memory. Memories seem to change and vanish as time goes by. What I seek is to capture a frozen moment that cannot be attained through pictures or writings'
ADDRESS
La Galerie Particulière
11 rue du Perche
Paris
-
Year in review: top 10 furniture launches of 2024, as selected by Wallpaper* global design director Hugo MacdonaldThe furniture launches that wowed global design director Hugo Macdonald this year
-
Unboxing beauty products from 2024, as seen on the pages of Wallpaper*Wallpaper's 2024 beauty picks included Chanel lipstick, Bottega Veneta perfume and solid soap from the likes of Aesop, Celine, Diptyque, Hermès and Sisley
-
The cosiest alpine retreats to book in EuropeBrowse the Wallpaper* edit of European alpine retreats where to fully embrace the ski season
