Watch dance, music and film collide at a unique event at Abbey Road Studios
In this exclusive film, watch Abbey Road’s first Artist in Residence, Jordan Rakei, collaborate with industry-leading creatives to produce a dance performance in the hallowed Studio One
Studio One at Abbey Road Studios has always been a home of boundary-pushing art. Earlier this month, the world’s largest purpose-built recording studio brought together dance and music in a first-of-its kind event, which is explored in the short documentary above, shared exclusively with Wallpaper*.
The performance featured the choreography of Royal Ballet alum Joseph Toonga to the scores of Spider-Man composer Daniel Pemberton, remixed and reshaped by Abbey Road’s first Artist In Residence, Jordan Rakei. This was the first time since Kate Bush filmed a music video here in 1981 that Studio One has hosted a dance performance, bringing dynamism to the space, which is hallowed ground in the music world.
The studio, the jewel in the crown of Abbey Road, is one of the best recording studios in the world, big enough at 4,844 sq ft to host a 100-piece orchestra and a 100-piece choir. This has made it the preferred recording spot for artists including Noel Gallagher, Little Simz, Dua Lipa, Harry Styles, Shygirl, Rudimental, Mabel and Metronomy.
Studio One is also one of the oldest studios, with classical greats such as Elgar, Prokofiev, Stravinsky, Casals, Callas and du Pré having recorded here. In the subsequent decades, Shirley Bassey recorded Goldfinger and The Beatles performed All You Need Is Love for the world’s first global satellite broadcast in Studio One.
Recently, the studio has hosted artists from Little Simz and Harry Styles to U2, Celeste and Sam Smith. Some of the best film scores of the last 45 years have been recorded here, including those of the Star Wars, Lord of the Rings, Harry Potter and Marvel films, Barbie, The Shape of Water, Tár, Raiders of The Lost Ark, Skyfall, Gravity, Gladiator II and Wicked.
Toonga has created dance productions for The Royal Ballet School, English National Ballet School and Boston Conservatoire of Dance. His signature style, which challenges conventions commonly used in hip hop dance, met the music of Pemberton, who creates scores for film, television and video games. The composer worked with Rakei, the New Zealand-Australian musician, singer, songwriter and record producer of six studio albums, who has collaborated with artists such as FKJ, Tom Misch and Disclosure, to bring something totally unique to Studio One.
This collision of worlds celebrated creativity in all its forms in a space that has, fittingly, facilitated some of the most important musical moments of the last half-century. It's an important moment in Abbey Road's continuing evolution.
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Anna Solomon is Wallpaper*’s Digital Staff Writer, working across all of Wallpaper.com’s core pillars, with special interests in interiors and fashion. Before joining the team in 2025, she was Senior Editor at Luxury London Magazine and Luxurylondon.co.uk, where she wrote about all things lifestyle and interviewed tastemakers such as Jimmy Choo, Michael Kors, Priya Ahluwalia, Zandra Rhodes and Ellen von Unwerth.
-
Frances Elkins gets her dues at Christie's this June
You can soon take home a piece of the legendary American designer’s legacy…including a $3 million Alberto Giacometti sculpture.
By Anna Fixsen
-
The new Phone 2 Pro from CMF combines generous scale with true affordability
We explore the ins and outs of the CMF Phone 2 Pro, the newest device from the Nothing sub-brand that focuses on bold design and carefully honed value engineering
By Jonathan Bell
-
‘I’ve considered every single detail’: how Victoria Beckham designed the perfect make-up brush collection
Victoria Beckham speaks to Wallpaper* about the meticulous design process behind her debut collection of make-up brushes, which perfectly treads a line between form and function
By Hannah Tindle
-
Wayne McGregor’s new work merges genetic code, AI and choreography
Company Wayne McGregor has collaborated with Google Arts & Culture Lab on a series of works, ‘Autobiography (v95 and v96)’, at Sadler’s Wells (12 – 13 March 2024)
By Rachael Moloney
-
The Royal Ballet celebrates new talent in choreography with edgy set design
The Royal Ballet Festival of New Choreography encompasses performances and events at the Royal Opera House in London
By Hannah Silver
-
Stephen Galloway on turning movement into magic
Creative movement director Stephen Galloway, photographed here by Paul Mpagi Sepuya, on making the magic happen, from turning up Mick Jagger ‘150 per cent’ to creating the moves that sent Miley Cyrus’ ‘Flowers’ video viral
By Mallery Roberts Morgan
-
The world’s first AI ballet has arrived, and it's setting the bar high
The first-ever AI ballet is here, directed and composed by speech artist and musician Harry Yeff (AKA Reeps100), and performed by the Leipzig Ballet
By Harriet Lloyd-Smith
-
‘Punk ballerina’ Karole Armitage debuts a genre-bending show in New York
Karole Armitage, the choreographer behind Madonna’s Vogue video and Marc Jacobs’ A/W 2021 show, debuts A Pandemic Notebook at New York Live Arts
By Mary Cleary
-
Dance Reflections: progressive new festival blends art and movement
The inaugural edition of Dance Reflections by Van Cleef & Arpels Festival marks a bold new fixture on the performing arts calendar. In London from 9 – 23 March 2022, the initiative has been conceived in collaboration with Sadler’s Wells, the Royal Opera House and Tate Modern. Here’s what to expect
By Rachael Moloney
-
New dance performance features costumes made of spider silk
Mist is the second collaboration between choreographer Damien Jalet and artist Kohei Nawa, with spider silk costumes designed by Sruli Recht
By Mary Cleary
-
Wayne McGregor and Random International collaborate on futuristic dance performance
Presented by BMWi and Superblue during Frieze London 2021, No One is an Island is an arresting yet hypnotic dance performance confronting the relationship between man and machine
By Rachael Moloney