New York artist Jesper Just commandeers Paris' Palais de Tokyo with a spectacular multimedia show

New York artist Jesper Just has commandeered the lower gallery at Paris' Palais de Tokyo with a spectacular audiovisual installation and a vast spatial intervention. Titled 'Servitudes', the exhibition takes visitors on an immersive journey through the space, guided by a series of videos that revolve around the lives of two characters: a young girl and a disabled child, played by Dree Hemingway and Rylee Sweeney, respectively.
Linked through the presence and manipulation of sound, the characters mirror, oppose and interact within the videos, exploring themes of ableism, ideals of youth and femininity as well as the boundaries of body and selfhood. Interestingly, the drama plays out against the backdrop of New York's One World Trade Center, a symbol of both resilience and loss which, as Just explains, becomes a character in itself:
'In the films, the setting appears as much as a mediator as it does a meeting place – uniting the characters, distinguishing them, serving as a gate, barrier and mirror. The characters interact not only within this space, but with it: investigating the boundaries of their own bodies and testing the autonomy they each possess over the urban landscape.'
Walking through a series of room dividing curtains and screens – made out of 230m of Kvadrat's Zulu textile by Giulio Ridolfo – visitors are guided by the music and sound as it propels them from one space to the next, video to video, overlapping and linking each experience.
The exhibition takes visitors on an immersive journey through the space, guided by a series of videos that revolve around the lives of two characters: a young girl and a disabled child
Linked through the presence and manipulation of sound, the characters mirror, oppose and interact within the videos, exploring themes of ableism, ideals of youth and femininity as well as the boundaries of body and selfhood
The drama plays out against the backdrop of New York's One World Trade Center, a symbol of both resilience and loss which, as Just explains, becomes a character in itself: 'In the films, the setting appears as much as a mediator as it does a meeting place'
Visitors are guided through the space by a series of room dividing curtains and screens made out of 230 metres of Kvadrat's Zulu textile
The film's soundtrack propels visitors from one space to the next, video to video, overlapping and linking each experience
ADDRESS
Palais de Tokyo
13, Avenue du Président Wilson
75116 Paris
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Ali Morris is a UK-based editor, writer and creative consultant specialising in design, interiors and architecture. In her 16 years as a design writer, Ali has travelled the world, crafting articles about creative projects, products, places and people for titles such as Dezeen, Wallpaper* and Kinfolk.
-
Revolutionary Apple icon designer Susan Kare unveils a playful jewellery and objet collaboration with Asprey Studio
Asprey Studio's new collection, Esc Keys, brings digital artworks by Susan Kare to life
By Hannah Silver Published
-
What is the role of fragrance in contemporary culture, asks a new exhibition at 10 Corso Como
Milan concept store 10 Corso Como has partnered with London creative agency System Preferences to launch Olfactory Projections 01
By Hannah Tindle Published
-
Jack White's Third Man Records opens a Paris pop-up
Jack White's immaculately-branded record store will set up shop in the 9th arrondissement this weekend
By Charlotte Gunn Published
-
20 years on, ‘The Gates’ makes a digital return to Central Park
The 2005 installation ‘The Gates’ by Christo and Jeanne-Claude marks its 20th anniversary with a digital comeback, relived through the lens of your phone
By Tianna Williams Published
-
In ‘The Last Showgirl’, nostalgia is a drug like any other
Gia Coppola takes us to Las Vegas after the party has ended in new film starring Pamela Anderson, The Last Showgirl
By Billie Walker Published
-
‘American Photography’: centuries-spanning show reveals timely truths
At the Rijksmuseum in Amsterdam, Europe’s first major survey of American photography reveals the contradictions and complexities that have long defined this world superpower
By Daisy Woodward Published
-
Miami’s new Museum of Sex is a beacon of open discourse
The Miami outpost of the cult New York destination opened last year, and continues its legacy of presenting and celebrating human sexuality
By Anna Solomon Published
-
Sundance Film Festival 2025: The films we can't wait to watch
Sundance Film Festival, which runs 23 January - 2 February, has long been considered a hub of cinematic innovation. These are the ones to watch from this year’s premieres
By Stefania Sarrubba Published
-
What is RedNote? Inside the social media app drawing American users ahead of the US TikTok ban
Downloads of the Chinese-owned platform have spiked as US users look for an alternative to TikTok, which faces a ban on national security grounds. What is Rednote, and what are the implications of its ascent?
By Anna Solomon Published
-
Architecture and the new world: The Brutalist reframes the American dream
Brady Corbet’s third feature film, The Brutalist, demonstrates how violence is a building block for ideology
By Billie Walker Published
-
Inside Luna Luna: the amusement park designed by artists lands in New York
‘Luna Luna: Forgotten Fantasy’ – featuring rides by Basquiat, Lichtenstein, Hockney, Haring, and Dalí – has opened at The Shed
By Osman Can Yerebakan Published