Nicole Eisenman explores the dimensions of sculpture and painting at Hauser & Wirth Paris
Nicole Eisenman presents ‘with, and, of, on Sculpture’, her first retrospective at Hauser & Wirth Paris drawing inspiration from political challengers to ABBA
![Installation view, ‘Nicole Eisenman. with, and, of, on Sculpture’ at Hauser & Wirth Paris,5 June–21 September 2024.© Nicole Eisenman.Courtesy the artist and Hauser & Wirth.](https://cdn.mos.cms.futurecdn.net/hfm5FLGM5PPVfNAr3ej2Dd-415-80.jpg)
Now open at Hauser & Wirth Paris, artist Nicole Eisenman’s exhibition ‘with, and, of, on Sculpture’ explores the varied ways in which she intertwines painting and sculpture. This is her first retrospective at this location, which showcases works from 2019 through to present, delving into her stand alone technique and foundational inspiration behind certain pieces from politics to ABBA.
Nicole Eisenman presents ‘with, and, of, on Sculpture’
Installation view, ‘Nicole Eisenman. with, and, of, on Sculpture’ at Hauser & Wirth Paris, 5 June–21 September 2024.© Nicole Eisenman. Courtesy the artist and Hauser & Wirth
Sitting distinctly between the title of painter and sculptor, Eisenman feels that sculpture can be also two dimensional saying, ‘A line is sculptural, the way it floats in space on a white page. You’re looking at the representation of a dimension and it can be perceived as either two or three dimensional.’
Installation view, ‘Nicole Eisenman. with, and, of, on Sculpture’ at Hauser & Wirth Paris, 5 June–21 September 2024.© Nicole Eisenman. Courtesy the artist and Hauser & Wirth
Upon entering the ground floor of the exhibition space, each piece of work foretells the next. Two figures from Eisenman’s sculptural installation titled Procession (2019) take centre stage, while her latest multi-layered painting Archangel (The Visitors) (2024) hangs at the heart of the exhibition. This painting, somewhat comically, depicts an imagined exhibition featuring fictional sculptures.
Installation view, ‘Nicole Eisenman. with, and, of, on Sculpture’ at Hauser & Wirth Paris, 5 June–21 September 2024.© Nicole Eisenman. Courtesy the artist and Hauser & Wirth
The Visitors takes reference from John Heartfield and Rudolf Schlichter’s Prussian Archangel (1920), which featured a ‘pig-headed military figure’ which was first exhibited in Berlin in 1920. The work's title The Visitors refers to ABBA's 1981 single with the same name, which is about the persecution of those who challenge politics.
Installation view, ‘Nicole Eisenman. with, and, of, on Sculpture’ at Hauser & Wirth Paris, 5 June–21 September 2024.© Nicole Eisenman. Courtesy the artist and Hauser & Wirth
Downstairs features the Perpetual Motion Machine (2019), while G*d-cat in Drawing for Procession (2018) is a stand alone piece on the upper floor. Head with Slaband Foot (2024) incorporates ‘a plaster slab with an intaglio plate’ which blends its two-dimensional image with a three-dimensional structure. Eisenman is not afraid to get visitors to speculate and weave their own narrative through her wide use of mixed-media and historical connotations.
Nicole Eisenman’s exhibition ‘with, and, of, on Sculpture’ is on display at Hauser and Wirth Paris until 21 September 2024 hauserwirth.com
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox
Tianna Williams is the Editorial Executive at Wallpaper*. Before joining the team in 2023, she has contributed to BBC Wales, SurfGirl Magazine, and Parisian Vibe, with work spanning from social media content creation to editorial. Now, her role covers writing across varying content pillars for Wallpaper*.
-
Inside Apple’s first flagship store in Malaysia
Apple opens its first store in Malaysia, designed by Foster + Partners, and offers the brand’s distinct interior style adapted to a warmer climate
By Tianna Williams Published
-
Art-infused restaurant Carlo’s is Manila’s latest gem, by design studio JJ Acuna
A new American-Italian restaurant in Manila, Carlo’s combines vitality with old-world charm, and tempts with vodka pizza and Aperol spritz
By Catherine Shaw Published
-
Artist Emmanuelle Castellan’s textural takeover in Brussels
La Verrière gallery in Brussels and Fondation d’entreprise Hermès present ‘Spektrum’, infused with colour and texture by the works of Emmanuelle Castellan
By Hannah Silver Published
-
The Roth Bar at Hauser & Wirth Somerset serves up a cocktail of salvaged materials
Art and entertaining meet in Oddur Roth’s bar sculpture at Hauser & Wirth Somerset, a site-specific installation and social hub
By Hannah Silver Published
-
Josèfa Ntjam reveals mythical sculptures for her LVMH Métiers d’Art artist residency
LVMH Métiers d’Art presents ‘Une cosmogonie d’océans’, celebrating Josèfa Ntjam’s artistic residence
By Tianna Williams Published
-
Who is the future of British art? Hauser & Wirth Somerset finds out
‘Present Tense’ at Hauser & Wirth Somerset showcases some of Britain’s most exciting emerging talents with a group show of 23 artists
By Mary Cleary Published
-
Ludovic Nkoth’s vibrant paintings reflect on migration
Cameroon-born, New York-based Ludovic Nkoth uses acrylic paint to strike a balance between abstraction and figuration
By Ugonna-Ora Owoh Published
-
Heads up: art exhibitions to see in January 2024
Start the year right with the Wallpaper* pick of art exhibitions to see in January 2024
By Hannah Silver Published
-
Paris Photo 2023: Eva Nielsen puts our impact on the Camargue in dynamic focus
At Paris Photo 2023, ‘Insolare’ by Eva Nielsen, in collaboration with BMW Art Makers, is a compelling exploration of human impact on the landscape
By Sophie Gladstone Published
-
Avery Singer considers 9/11 trauma and corporate anonymity at Hauser & Wirth
‘Avery Singer: Free Fall’ opens at Hauser & Wirth, London, melding a serene office aesthetic with moments of horror
By Emily Steer Published
-
Frieze London 2023: what to see and do
Everything you want to see at Frieze London 2023 and around the city in our frequently updated guide
By Hannah Silver Last updated