Television as Art: NSU Art Museum presents the unexpected connection

Television and art are not often regarded as being remotely in the same league, but the NSU Art Museum in Fort Lauderdale, Florida is proving the influence that avant-garde art had on television in its nascent years. Organised together with the Jewish Museum in New York and the Center for Art, Design and Visual Culture at the University of Maryland, Baltimore County, ‘Revolution of the Eye: Modern Art and the Birth of American Television’ pulls together two cherished pillars of American culture.
Spanning the late 1940s to the mid 1970s, the exhibition presents how American television took on a modernist aesthetic as its inspiration. Over 250 fine art objects and examples of graphic design, including works from artists such as Marcel Duchamp, Saul Bass, Roy Lichtenstein and Georgia O’ Keeffe, stand alongside television memorabilia, clips and ephemera from iconic television series and shows, such as The Ernie Kovacs Show, The Ed Sullivan Show, Rowan and Martin’s Laugh-In and even The Twilight Zone. From the Pop Art aesthetics reflected in early Batman epsiodes to Op Art-esque commercials for Kodak and sets for The Ed Sullivan Show, the connections are rather unexpected, to say the least.
In addition to a showing of early advertising, which still exude an exciting quality and were revolutionary at the time, the exhibition also highlights the ‘New Advertising’ revolution of the 1950s and 1960s, where Andy Warhol and Ben Shahn created advertising and commercial campaigns for CBS.
And finally, to prove just how entwined television and art were in popular culture, the exhibition also documents how artists like Salvador Dali, Willem de Kooning, Ray Eames and Marcel Duchamp became household names, thanks to television appearances that were broadcast nationwide. A series of rare TV clips forms part of the experience.
Over 250 fine art objects and examples of graphic design stand alongside television memorabilia, clips and ephemera from iconic films and television shows, such as The Ernie Kovacs Show. Pictured: Ernie Kovacs. Image provided by Photofest, New York
Spanning the late 1940s to the mid 1970s, the exhibition presents how American television took on a modernist aesthetic as its inspiration. Pictured: 'Winky Dink and You' game book, c. 1954
The exhibition also includes rare film clips showing how artists, like Salvador Dali, became household names, thanks to television appearances that were broadcast nationwide. Pictured: Salvador Dali on 'What's My Line', CBS, January 1952. Copyright: Fremantle Media
Pictured: Rowan and Martin's Laugh-In bubble-gum wrapper, c. 1968
Pictured: Lifesavers commercial, 1966
The exhibition also includes examples of early advertising, which still exude an exciting quality and were considered revolutionary at the time. Pictured: William Golden, Art Director, 'The Sign of Good Television,' Fortune, December 1951
It also highlights the ‘New Advertising’ revolution of the 1950s and 1960s, where Andy Warhol and Ben Shahn created advertising and commercial campaigns for CBS. Pictured: Designer unknown, The Souper Dress, c. 1967
INFORMATION
‘Revolution of the Eye: Modern Art and the Birth of American Television’ runs until 10 January 2016
ADDRESS
NSU Art Museum Fort Lauderdale
1 East Las Olas Boulevard
Fort Lauderdale, Florida
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Pei-Ru Keh is a former US Editor at Wallpaper*. Born and raised in Singapore, she has been a New Yorker since 2013. Pei-Ru held various titles at Wallpaper* between 2007 and 2023. She reports on design, tech, art, architecture, fashion, beauty and lifestyle happenings in the United States, both in print and digitally. Pei-Ru took a key role in championing diversity and representation within Wallpaper's content pillars, actively seeking out stories that reflect a wide range of perspectives. She lives in Brooklyn with her husband and two children, and is currently learning how to drive.
-
Revolutionary Apple icon designer Susan Kare unveils a playful jewellery and objet collaboration with Asprey Studio
Asprey Studio's new collection, Esc Keys, brings digital artworks by Susan Kare to life
By Hannah Silver Published
-
What is the role of fragrance in contemporary culture, asks a new exhibition at 10 Corso Como
Milan concept store 10 Corso Como has partnered with London creative agency System Preferences to launch Olfactory Projections 01
By Hannah Tindle Published
-
Jack White's Third Man Records opens a Paris pop-up
Jack White's immaculately-branded record store will set up shop in the 9th arrondissement this weekend
By Charlotte Gunn Published
-
In ‘The Last Showgirl’, nostalgia is a drug like any other
Gia Coppola takes us to Las Vegas after the party has ended in new film starring Pamela Anderson, The Last Showgirl
By Billie Walker Published
-
‘American Photography’: centuries-spanning show reveals timely truths
At the Rijksmuseum in Amsterdam, Europe’s first major survey of American photography reveals the contradictions and complexities that have long defined this world superpower
By Daisy Woodward Published
-
Miami’s new Museum of Sex is a beacon of open discourse
The Miami outpost of the cult New York destination opened last year, and continues its legacy of presenting and celebrating human sexuality
By Anna Solomon Published
-
Sundance Film Festival 2025: The films we can't wait to watch
Sundance Film Festival, which runs 23 January - 2 February, has long been considered a hub of cinematic innovation. These are the ones to watch from this year’s premieres
By Stefania Sarrubba Published
-
What is RedNote? Inside the social media app drawing American users ahead of the US TikTok ban
Downloads of the Chinese-owned platform have spiked as US users look for an alternative to TikTok, which faces a ban on national security grounds. What is Rednote, and what are the implications of its ascent?
By Anna Solomon Published
-
Architecture and the new world: The Brutalist reframes the American dream
Brady Corbet’s third feature film, The Brutalist, demonstrates how violence is a building block for ideology
By Billie Walker Published
-
‘Gas Tank City’, a new monograph by Andrew Holmes, is a photorealist eye on the American West
‘Gas Tank City’ chronicles the artist’s journey across truck-stop America, creating meticulous drawings of fleeting moments
By Jonathan Bell Published
-
Intimacy, violence and the uncanny: Joanna Piotrowska in Philadelphia
Artist and photographer Joanna Piotrowska stages surreal scenes at the Institute of Contemporary Art at the University of Pennsylvania
By Hannah Silver Published