Objects of desire: the seductive exchange between fine art and advertising photography
At the Los Angeles County Museum of Art (LACMA) ‘Objects of Desire: Photography and the Language of Advertising’ explores how contemporary artists have imitated, appropriated and exploited the language of commercial photography

What is art without manipulation? What is advertising photography without seduction? A new group show at the Los Angeles County Museum of Art (LACMA) will prove that in these two worlds, the exchange flows both ways. Titled ‘Objects of Desire: Photography and the Language of Advertising’, the exhibition delves into how artists have borrowed the motifs and strategies of commercial photography and reimagined them for a fine art context.
By the mid-20th century, the world had left war-induced frugality behind. The consumer golden age had arrived, and with it, an advertising strategy built on the psychology of desire. As the emphasis shifted from ‘need’ to ‘want’, compelling visual advertising was at the heart of the game. By the 1970s, technological innovations were increasing the potential of photography; artists began to exploit the language of advertising for creative expression. They asked: what exactly do these images want from us?
Elad Lassry, Persian Cucumbers, Shuk Hakarmel, 2007, Los Angeles County Museum of Art, purchased with funds provided by the Ralph M. Parsons Fund and Marc J. Lee, © Elad Lassry, digital image © Museum Associates/LACMA
‘Objects of Desire’ dives into this underexplored exchange between art, advertising and photography. ‘No other medium has such diversity in its application,’ exhibition curator Rebecca Morse explained in a statement. ‘The exhibition places commercial photography at its centre – examining where artists have imitated its look, appropriated its content, adopted its distribution methods, and generally exploited what has historically belonged to a strain of photography in the service of commerce.’
Although the majority of works are drawn from LACMA’s collection, with many notable pieces from the 1980s and 90s acquired when they were first created, the show also features recent acquisitions and contemporary works to highlight the ever-complex relationship between fine art and commercial photography. The show features photography, film, sculpture and multimedia work by artists including Robert Heinecken, Victoria Fu, Roe Ethridge, Lucas Blalock, Jo Ann Callis, Sarah Charlesworth, Elad Lassry and Hank Willis Thomas, alongside works on view beyond the museum walls, such as a billboard by Larry Sultan and Mike Mandel, and a mock advertisement by Chris Burden.
Hank Willis Thomas, Believe It, 2010. Los Angeles County Museum of Art. © Hank Willis Thomas. All rights reserved, digital image © Museum Associates/LACMA
Hank Willis Thomas, Believe It, 2010. Los Angeles County Museum of Art. © Hank Willis Thomas. All rights reserved, digital image © Museum Associates/LACMA
Image from Toiletpaper (December 2012), courtesy of the artists and LACMA Balch Art Research Library. © Toiletpaper magazine (Maurizio Cattelan and Pierpaolo Ferrari), photo courtesy of Toiletpaper
Lucas Blalock, Untitled (deck prism), 2009, Los Angeles County Museum of Art, © Lucas Blalock, digital image courtesy of the artist
Lucas Blalock, Untitled (deck prism), 2009, Los Angeles County Museum of Art, © Lucas Blalock, digital image courtesy of the artist
INFORMATION
'Objects of Desire: Photography and the Language of Advertising', 4 September - 18 December 2022, Los Angeles County Museum of Art (LACMA). lacma.org
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Harriet Lloyd-Smith was the Arts Editor of Wallpaper*, responsible for the art pages across digital and print, including profiles, exhibition reviews, and contemporary art collaborations. She started at Wallpaper* in 2017 and has written for leading contemporary art publications, auction houses and arts charities, and lectured on review writing and art journalism. When she’s not writing about art, she’s making her own.
-
Put these emerging artists on your radar
This crop of six new talents is poised to shake up the art world. Get to know them now
By Tianna Williams
-
Dining at Pyrá feels like a Mediterranean kiss on both cheeks
Designed by House of Dré, this Lonsdale Road addition dishes up an enticing fusion of Greek and Spanish cooking
By Sofia de la Cruz
-
Creased, crumpled: S/S 2025 menswear is about clothes that have ‘lived a life’
The S/S 2025 menswear collections see designers embrace the creased and the crumpled, conjuring a mood of laidback languor that ran through the season – captured here by photographer Steve Harnacke and stylist Nicola Neri for Wallpaper*
By Jack Moss
-
Leonard Baby's paintings reflect on his fundamentalist upbringing, a decade after he left the church
The American artist considers depression and the suppressed queerness of his childhood in a series of intensely personal paintings, on show at Half Gallery, New York
By Orla Brennan
-
Unlike the gloriously grotesque imagery in his films, Yorgos Lanthimos’ photographs are quietly beautiful
An exhibition at Webber Gallery in Los Angeles presents Yorgos Lanthimos’ photography
By Katie Tobin
-
Desert X 2025 review: a new American dream grows in the Coachella Valley
Will Jennings reports from the epic California art festival. Here are the highlights
By Will Jennings
-
Cowboys and Queens: Jane Hilton's celebration of culture on the fringes
Photographer Jane Hilton captures cowboy and drag queen culture for a new exhibition and book
By Hannah Silver
-
New gallery Rajiv Menon Contemporary brings contemporary South Asian and diasporic art to Los Angeles
'Exhibitionism', the inaugural showcase at Rajiv Menon Contemporary gallery in Hollywood, examines the boundaries of intimacy
By Aastha D
-
Helmut Lang showcases his provocative sculptures in a modernist Los Angeles home
‘Helmut Lang: What remains behind’ sees the artist and former fashion designer open a new show of works at MAK Center for Art and Architecture at the Schindler House
By Francesca Perry
-
In ‘The Last Showgirl’, nostalgia is a drug like any other
Gia Coppola takes us to Las Vegas after the party has ended in new film starring Pamela Anderson, The Last Showgirl
By Billie Walker
-
‘American Photography’: centuries-spanning show reveals timely truths
At the Rijksmuseum in Amsterdam, Europe’s first major survey of American photography reveals the contradictions and complexities that have long defined this world superpower
By Daisy Woodward