Korean resort Paradise City unveils new art space with museum-worthy collection

When the American business Steve Wynn was looking to open his eponymous Las Vegas resort in 2005, the casino magnate had intended to name the $2.4bn hotel La Rêve after a Picasso portrait he owned at the time. A prolific art collector, Wynn has long adorned his properties with European masterpieces and contemporary giants from his private collection. A roll of the roulette dice in front of a multimillion-dollar Manet may once have seemed an oddity, but extravagant art displays have since become the dernier cri of gambling joints.
So to Korea, where Paradise City is the latest entertainment resort to unveil a dedicated new art space, boasting a collection befitting of a museum. Take Jeff Koons’ sculpture Gazing Ball (Farnese Hercules) and Damien Hirst’s Aurous Cyanide painting, which both reside at the entrance where works from the permanent collection will be displayed. Upstairs, monumental installations by Korean artists Lee Bae and Kim Hodeuk dominate the first and second floor galleries.
All of Sudden Drawing the Space, 2018, by Kim Hodeuk
Both installations consider the allure of the colour black, explored through traditional materials of charcoal and ink. Lee Bae’s Issu de feu (2018) comprises hundreds of charcoal pieces on Korean hanji paper bound together like tree trunks. Similarly, Kim Hodeuk’s delves into darkness with All of Sudden, Drawing the Space (2018) where a series of hanji papers suspended above mirror inky liquid seemingly converges on itself. The shadows cast by the installation on the surrounding white walls are a decided part of the work.
The inaugural exhibition ‘Overstated & Understated’ has been curated by fashion designer and director Jung Kuho. Further works by blue-chip names including Ugo Rondinone, Robert Indiana, Subodh Gupta, Anish Kapoor, and Yayoi Kusama are installed throughout Paradise City. The 330,000 sq m resort is a 1.3 trillion won ($1.14 billion) joint venture between Korean casino operator Paradise Group and Japanese entertainment company Sega Sammy. The art space is part of the next phase of the development, which also includes the luxury boutique hotel Art Paradiso and concept spa Cimer.
Issu du feu, 2018, by Lee Bae, charcoal with rubber bands
Ray, 2012, by Subodh Gupta, stainless steel and stainless-steel utensils
Aurous Cyanide, by Damien Hirst
‘Proust’ chair, by Alessandro Mendini
Dog Days Are Over, 1998, by Ugo Rondinone, neon, acrylic glass, translucent foil, aluminium
INFORMATION
For more information, visit the Paradise City website
ADDRESS
Paradise City
186 Yeongjonghaeannam-ro 321beon-gil
Jung-gu
Incheon
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
-
What is the role of fragrance in contemporary culture, asks a new exhibition at 10 Corso Como
Milan concept store 10 Corso Como has partnered with London creative agency System Preferences to launch Olfactory Projections 01
By Hannah Tindle Published
-
Jack White's Third Man Records opens a Paris pop-up
Jack White's immaculately-branded record store will set up shop in the 9th arrondissement this weekend
By Charlotte Gunn Published
-
Designer Marta de la Rica’s elegant Madrid studio is full of perfectly-pitched contradictions
The studio, or ‘the laboratory’ as de la Rica and her team call it, plays with colour, texture and scale in eminently rewarding ways
By Anna Solomon Published
-
In ‘The Last Showgirl’, nostalgia is a drug like any other
Gia Coppola takes us to Las Vegas after the party has ended in new film starring Pamela Anderson, The Last Showgirl
By Billie Walker Published
-
‘American Photography’: centuries-spanning show reveals timely truths
At the Rijksmuseum in Amsterdam, Europe’s first major survey of American photography reveals the contradictions and complexities that have long defined this world superpower
By Daisy Woodward Published
-
Tasneem Sarkez's heady mix of kitsch, Arabic and Americana hits London
Artist Tasneem Sarkez draws on an eclectic range of references for her debut solo show, 'White-Knuckle' at Rose Easton
By Zoe Whitfield Published
-
Alice Neel’s portraits celebrating the queer world are exhibited in London
‘At Home: Alice Neel in the Queer World’, curated by Hilton Als, opens at Victoria Miro, London
By Hannah Silver Published
-
‘You have to face death to feel alive’: Dark fairytales come to life in London exhibition
Daniel Malarkey, the curator of ‘Last Night I Dreamt of Manderley’ at London’s Alison Jacques gallery, celebrates the fantastical
By Phin Jennings Published
-
Sundance Film Festival 2025: The films we can't wait to watch
Sundance Film Festival, which runs 23 January - 2 February, has long been considered a hub of cinematic innovation. These are the ones to watch from this year’s premieres
By Stefania Sarrubba Published
-
What is RedNote? Inside the social media app drawing American users ahead of the US TikTok ban
Downloads of the Chinese-owned platform have spiked as US users look for an alternative to TikTok, which faces a ban on national security grounds. What is Rednote, and what are the implications of its ascent?
By Anna Solomon Published
-
Architecture and the new world: The Brutalist reframes the American dream
Brady Corbet’s third feature film, The Brutalist, demonstrates how violence is a building block for ideology
By Billie Walker Published