Peter Lindbergh, the fashion photographer celebrated for championing supermodels’ imperfections, has carried out a very novel and exciting collaboration – with one of the titans of 20th-century sculpture.
Alberto Giacometti’s starkly silhouetted sculptures and knife-headed busts, which have become so familiar to so many, are now on show at Gagosian’s Britannia Street outpost as you have never seen them before. In their portraits by Lindbergh, they are shown close-up, blown-up. Their rawness distilled by light, they are immediate and brought to life by a spark in the eye or a blur of focus. They appear scarred, brutalised, yet alive, with what Lindbergh calls their ‘perfect imperfections’.
The German photographer, who has had numerous Vogue covers and won awards for his cinematic filmmaking, was invited by the Kunsthalle, Zurich to make the series in 2016. The Kunsthalle owns the largest Giacometti collection in the world and wanted to challenge people with fresh ways of looking at a vitally important body of work, which the public may have become too familiar or too comfortable with.
Amazingly Lindbergh says he didn’t know a lot about Giacometti when he made his first visit to meet his unusual new models. ‘When I arrived and gathered the Giacometti busts and bronzes into a group I had the feeling that they’re not objects, or sculptures, they’re alive, talking to each other like a group of school children. I kept asking myself, how is that possible?’
Installation view of ‘Substance and Shadow’ at Gagosian
He continues: ‘So much of that one man is in there. You feel that his life is in there. Intuitively I began to imagine what Giacometti was doing and thinking. What I wanted to capture was the relation between him and the object.’
Pointing to one of the most powerful images in the series, of Buste de Diego (1964-5), I suggest to Lindbergh that Giacometti wasn’t interested in portraiture so much as capturing the experience of life emerging from and vanishing into space.
‘But that’s exactly like portraiture!’ he exclaims. ‘Sometimes I show a photograph to somebody and they go, “That’s him! You’ve captured him!” I say that’s impossible. How can anyone do that? He is so complex this person, and tomorrow he will be a completely different person.
Lindbergh muses, ‘A photograph has nothing to do with the person you are photographing. It has to do with what comes out of the person when you’re with them, and what you can give them.’
Alberto Giacometti, Buste de Diego (vers 1964-1965), Zurich, 2016, by Peter Lindbergh, 2016. © The artist and Succession Alberto Giacometti.
Installation view of ‘Substance and Shadow’ at ‘Substance and Shadow’ at Gagosian’s Brittania Street outpost
Alberto Giacometti, Femme debout (Poseuse I) (1954), Zurich, 2016, by Peter Lindbergh, 2016. © The artist and Succession Alberto Giacometti.
INFORMATION
‘Substance and Shadow’ is on view until 22 July. For more information, visit the Gagosian website
ADDRESS
-
A major Frida Kahlo exhibition is coming to the Tate Modern next yearTate’s 2026 programme includes 'Frida: The Making of an Icon', which will trace the professional and personal life of countercultural figurehead Frida Kahlo
-
A portrait of the artist: Sotheby’s puts Grayson Perry in the spotlightFor more than a decade, photographer Richard Ansett has made Grayson Perry his muse. Now Sotheby’s is staging a selling exhibition of their work
-
From counter-culture to Northern Soul, these photos chart an intimate history of working-class Britain‘After the End of History: British Working Class Photography 1989 – 2024’ is at Edinburgh gallery Stills
-
Celia Paul's colony of ghostly apparitions haunts Victoria MiroEerie and elegiac new London exhibition ‘Celia Paul: Colony of Ghosts’ is on show at Victoria Miro until 17 April
-
Teresa Pągowska's dreamy interpretations of the female form are in London for the first time‘Shadow Self’ in Thaddaeus Ropac’s 18th-century townhouse gallery in London, presents the first UK solo exhibition of Pągowska’s work
-
Sylvie Fleury's work in dialogue with Matisse makes for a provocative exploration of the female form'Drawing on Matisse, An Exhibition by Sylvie Fleury’ is on show until 2 May at Luxembourg + Co
-
What to see at BFI Flare film festival, 'a rich tapestry of queer experience'As one of the only film festivals to explicitly profile LGBTQI+ cinema, BFI Flare Film Festival remains a unique and beloved event. Here's what to see as it makes its return to London from 19 - 30 March
-
The enduring appeal of Transport for London’s seat designsFrom artist Rita Keegan’s new collage to fashion designer Adam Jones’ Overground suit, TfL moquettes continue to enjoy a cult status
