The photographer immortalising London's endangered gasholders
As gasholders gradually vanish from the urban landscape, one photographer has devoted an entire series to chronicling the stark beauty and cultural significance of London's remaining gasworks

Francesco Russo - Photography
The photographer Francesco Russo has turned his eye to one of the more curious survivors of London's eclectic cityscape; the gasholder. ‘Industrial architecture has interested me ever since I was studying architecture in Venice,' says the Italian photographer. Russo began his ‘Ruin or Rust' project two years ago, after witnessing a funeral in Kensal Green Cemetery against the backdrop of the gasholders by the Regents Canal overlooking the vast graveyard. ‘The feeling was far from cold and grim, but rather reassuring, almost as if the huge structure was overlooking and protecting such an intimate event.'
Russo, who is a member of Mass, a collective of young London-based architectural photographers, notes that 20 of these monumental structures still exist in the capital. ‘Some of them are so big that they can be seen from many miles away,' he marvels, ‘I can only imagine what their impact was on the urban landscape before the skyscraper era.' Many date back to the Victorian era and were designed to house coal gas, but the arrival of North Sea gas in the 1960s and changing demand meant that they were all redundant by the turn of the century.
Kensington Gas Works, from ‘Ruin or Rust’ by Francesco Russo
Russo's images place these structures in context, juxtaposing them against industrial estates, empty plots and low-rise housing. ‘They've become part of the backdrop of everyday life,' he says, ‘it's sad to see that many of them have already been dismantled for developments that often don't have any sort of character or architectural value.' His pictures include the now-demolished gasholder in Sydenham and examples in Greenwich and Orpington that will soon be lost. ‘I remember going to Southall in January last year to photograph the one that was probably the tallest among them all and a landmark for the area. I was hugely disappointed when I got there on the last day of its demolition,' he says. Nevertheless, Russo approves of the prominent Kings Cross redevelopment that includes new apartments set within the framework of its three iconic gasholders to designs by Wilkinson Eyre and Jonathan Tuckey.
‘Some of them are so big that they can be seen from many miles away. I can only imagine what their impact was on the urban landscape before the skyscraper era’
Above: Sydenham Holder Station. Below: King's Cross Gas Holders, both from ‘Ruin or Rust’ by Francesco Russo
‘Industrial heritage definitely offers creative and alternative opportunities,' Russo admits, noting there are similar plans for gasholders in Haggerston, the Old Kent Road and Kennington. ‘I'm aware that London's housing problem is a major concern, but it would also be interesting to see proposals for different uses. I can picture some of the structures transformed into open-air theatres, playgrounds, creative hubs, markets, pools, facilities that serve the surrounding communities.' For now, his pictures serve as a chronicle of a fading technology.
Haggerston Gasworks, from ‘Ruin or Rust’ by Francesco Russo
Kennington Gas Holder Station, from ‘Ruin or Rust’ by Francesco Russo
Leigh Road Gas Holder, from ‘Ruin or Rust’ by Francesco Russo
Old Kent Road Gas Works, from ‘Ruin or Rust’ by Francesco Russo
Crayford Holder Station, from ‘Ruin or Rust’ by Francesco Russo
INFORMATION
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Jonathan Bell has written for Wallpaper* magazine since 1999, covering everything from architecture and transport design to books, tech and graphic design. He is now the magazine’s Transport and Technology Editor. Jonathan has written and edited 15 books, including Concept Car Design, 21st Century House, and The New Modern House. He is also the host of Wallpaper’s first podcast.
- Francesco Russo - PhotographyPhotography
-
Isolation to innovation: Inside Albania’s (figurative and literal) rise
Albania has undergone a remarkable transformation from global pariah to European darling, with tourists pouring in to enjoy its cheap sun. The country’s glow-up also includes a new look, as a who’s who of international architects mould it into a future-facing, ‘verticalising’ nation
By Anna Solomon
-
The Lighthouse draws on Bauhaus principles to create a new-era workspace campus
The Lighthouse, a Los Angeles office space by Warkentin Associates, brings together Bauhaus, brutalism and contemporary workspace design trends
By Ellie Stathaki
-
Extreme Cashmere reimagines retail with its new Amsterdam store: ‘You want to take your shoes off and stay’
Wallpaper* takes a tour of Extreme Cashmere’s new Amsterdam store, a space which reflects the label’s famed hospitality and unconventional approach to knitwear
By Jack Moss
-
The UK AIDS Memorial Quilt will be shown at Tate Modern
The 42-panel quilt, which commemorates those affected by HIV and AIDS, will be displayed in Tate Modern’s Turbine Hall in June 2025
By Anna Solomon
-
Meet the Turner Prize 2025 shortlisted artists
Nnena Kalu, Rene Matić, Mohammed Sami and Zadie Xa are in the running for the Turner Prize 2025 – here they are with their work
By Hannah Silver
-
‘Humour is foundational’: artist Ella Kruglyanskaya on painting as a ‘highly questionable’ pursuit
Ella Kruglyanskaya’s exhibition, ‘Shadows’ at Thomas Dane Gallery, is the first in a series of three this year, with openings in Basel and New York to follow
By Hannah Silver
-
Contemporary artist collective Poush takes over Château La Coste
Members of Poush have created 160 works, set in and around the grounds of Château La Coste – the art, architecture and wine estate in Provence
By Amy Serafin
-
The art of the textile label: how British mill-made cloth sold itself to Indian buyers
An exhibition of Indo-British textile labels at the Museum of Art & Photography (MAP) in Bengaluru is a journey through colonial desire and the design of mass persuasion
By Aastha D
-
Artist Qualeasha Wood explores the digital glitch to weave stories of the Black female experience
In ‘Malware’, her new London exhibition at Pippy Houldsworth Gallery, the American artist’s tapestries, tuftings and videos delve into the world of internet malfunction
By Hannah Silver
-
Ed Atkins confronts death at Tate Britain
In his new London exhibition, the artist prods at the limits of existence through digital and physical works, including a film starring Toby Jones
By Emily Steer
-
Tom Wesselmann’s 'Up Close' and the anatomy of desire
In a new exhibition currently on show at Almine Rech in London, Tom Wesselmann challenges the limits of figurative painting
By Sam Moore