‘These Americans’: Will Vogt documents the USA’s rich at play
Will Vogt’s photo book ‘These Americans’ is a deep dive into a world of privilege and excess, spanning 1969 to 1996
Existing dually as a historical document and an artwork, new photography book These Americans by Will Vogt is an escape into the delirious excesses of the USA’s upper class, between 1969 and 1996. These dancing, hunting, and kissing characters are all completely unguarded in front of Vogt’s camera – because he is one of them; they are his family and friends.
Vogt explains of the book, published by Schilt Publishing, ‘It is about my life and the major themes within, the spaces I’ve inhabited and the people I’ve known. But of course, it’s also about a certain time and class in America.’ A time of Ayn Rand (the philosopher behind Objectivism, which places man’s ‘own happiness as the moral purpose of his life’), and Reaganomics.
What’s most striking to an outside viewer is how Vogt’s photographs can be read interchangeably as vernacular snapshots or as tableaux – either way, they are images all about leisure in its most boundless form.
Though we can hold critiques for hedonism and privilege, ultimately, as an audience, we are still always fascinated by windows into this world. The privileged are routinely caricatured in film and fiction, as novelist Jay McInerney notes in his sharp essay for the book, but Vogt’s images are the real deal. That suited man really is snoring on a private jet, oral sex really is happening under the table at a dinner party, that deer carcass really is strung from a helicopter, and the woman with the diamond bracelet and equally shiny blow-dry really is cutting lines of cocaine.
McInerney goes on to write: ‘(Vogt) knows what they’re thinking and he knows that it may not be pretty. He knows who’s fucking whom, who cheats at golf, who starts drinking at 11 in the morning. But he’ll take them as they are. They’re his people. And he shows them to us in a way that no one else has.’
It’s this brazen lack of self-consciousness that creates such a draw here, a decadent, and possibly delusional, cocktail of freedom and excess.
These Americans, photographs by Will Vogt, introduction by Jay McInerney, available in bookstores and online, $50/€50/£45, Schilt Publishing, schiltpublishing.com
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Also available from amazon.co.uk
As Photography Editor at Wallpaper*, Sophie Gladstone commissions across fashion, interiors, architecture, travel, art, entertaining, beauty & grooming, watches & jewellery, transport and technology. Gladstone also writes about and researches contemporary photography. Alongside her creative commissioning process, she continues her art practice as a photographer, for which she was recently nominated for the Foam Paul Huf Award. And in recognition of her work to date, listed by the British Journal of Photography as ‘One to Watch’.
-
Gucci’s new book is a love letter to London and its contradictions
Part of the ‘Gucci Prospettive’ series, Sabato De Sarno has drafted Charlene Prempeh and Lewis Dalton Gilbert of A Vibe Called Tech to curate an expansive portrait of their home city of London through a collage of artworks, photography and text
By Jack Moss Published
-
Teenage Engineering introduce the OP-XY sequencer, an ode to Teutonic sounds and style
A dynamic performance sequencer, the Teenage Engineering OP-XY is the latest highly desirable piece of kit from the Swedish electronics firm
By Jonathan Bell Published
-
Expandable Trailers delivers instant luxury accommodation on wheels
The new Expandable Mansion is a truckable structure that'll transform the remotest location into a restful retreat
By Jonathan Bell Published
-
‘Gas Tank City’, a new monograph by Andrew Holmes, is a photorealist eye on the American West
‘Gas Tank City’ chronicles the artist’s journey across truck-stop America, creating meticulous drawings of fleeting moments
By Jonathan Bell Published
-
Intimacy, violence and the uncanny: Joanna Piotrowska in Philadelphia
Artist and photographer Joanna Piotrowska stages surreal scenes at the Institute of Contemporary Art at the University of Pennsylvania
By Hannah Silver Published
-
First look: Sphere’s new exterior artwork draws on a need for human connection
Wallpaper* talks to Tom Hingston about his latest large-scale project – designing for the Exosphere
By Charlotte Gunn Published
-
Marc Hom reframes traditional portraiture in Cooperstown, NY
‘Marc Hom: Re-Framed’ has taken over the grounds of the Fenimore Art Museum, Cooperstown, planting Samuel L Jackson, Gwyneth Paltrow and more ‘personalities of the world’ into the landscape
By Hannah Hutchings-Georgiou Published
-
Alexander May, founder of LA studio Sized, on the joys of creative polymathy
Creative director Alexander May tells us of the multidisciplinary approach that drives his LA studio Sized and its offspring, a 5,000 sq ft event space and an exhibition series
By Hannah Silver Published
-
50 of America’s top creatives, photographed by Inez & Vinoodh
Photographed exclusively for Wallpaper* by Inez & Vinoodh, we present a portfolio of 50 creatives driving the current discourse on American culture and its dynamic evolution
By Dan Howarth Published
-
Nona Faustine confronts the past in New York
Artist Nona Faustine reframes New York's colonial past in an exhibition at the Brooklyn Museum
By Hannah Silver Published
-
How the west won: Ivan McClellan is amplifying the intrepid beauty of Black cowboy culture
In his new book, 'Eight Seconds: Black Cowboy Culture', Ivan McClellan draws us into the world of Black rodeo. Wallpaper* meets the photographer ahead of his Juneteenth Rodeo
By Tracy Kawalik Published