‘These Americans’: Will Vogt documents the USA’s rich at play
Will Vogt’s photo book ‘These Americans’ is a deep dive into a world of privilege and excess, spanning 1969 to 1996

Existing dually as a historical document and an artwork, new photography book These Americans by Will Vogt is an escape into the delirious excesses of the USA’s upper class, between 1969 and 1996. These dancing, hunting, and kissing characters are all completely unguarded in front of Vogt’s camera – because he is one of them; they are his family and friends.
Vogt explains of the book, published by Schilt Publishing, ‘It is about my life and the major themes within, the spaces I’ve inhabited and the people I’ve known. But of course, it’s also about a certain time and class in America.’ A time of Ayn Rand (the philosopher behind Objectivism, which places man’s ‘own happiness as the moral purpose of his life’), and Reaganomics.
What’s most striking to an outside viewer is how Vogt’s photographs can be read interchangeably as vernacular snapshots or as tableaux – either way, they are images all about leisure in its most boundless form.
Though we can hold critiques for hedonism and privilege, ultimately, as an audience, we are still always fascinated by windows into this world. The privileged are routinely caricatured in film and fiction, as novelist Jay McInerney notes in his sharp essay for the book, but Vogt’s images are the real deal. That suited man really is snoring on a private jet, oral sex really is happening under the table at a dinner party, that deer carcass really is strung from a helicopter, and the woman with the diamond bracelet and equally shiny blow-dry really is cutting lines of cocaine.
McInerney goes on to write: ‘(Vogt) knows what they’re thinking and he knows that it may not be pretty. He knows who’s fucking whom, who cheats at golf, who starts drinking at 11 in the morning. But he’ll take them as they are. They’re his people. And he shows them to us in a way that no one else has.’
It’s this brazen lack of self-consciousness that creates such a draw here, a decadent, and possibly delusional, cocktail of freedom and excess.
These Americans, photographs by Will Vogt, introduction by Jay McInerney, available in bookstores and online, $50/€50/£45, Schilt Publishing, schiltpublishing.com
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Also available from amazon.co.uk
As Photography Editor at Wallpaper*, Sophie Gladstone commissions across fashion, interiors, architecture, travel, art, entertaining, beauty & grooming, watches & jewellery, transport and technology. Gladstone also writes about and researches contemporary photography. Alongside her creative commissioning process, she continues her art practice as a photographer, for which she was recently nominated for the Foam Paul Huf Award. And in recognition of her work to date, listed by the British Journal of Photography as ‘One to Watch’.
-
Put these emerging artists on your radar
This crop of six new talents is poised to shake up the art world. Get to know them now
By Tianna Williams
-
Dining at Pyrá feels like a Mediterranean kiss on both cheeks
Designed by House of Dré, this Lonsdale Road addition dishes up an enticing fusion of Greek and Spanish cooking
By Sofia de la Cruz
-
Creased, crumpled: S/S 2025 menswear is about clothes that have ‘lived a life’
The S/S 2025 menswear collections see designers embrace the creased and the crumpled, conjuring a mood of laidback languor that ran through the season – captured here by photographer Steve Harnacke and stylist Nicola Neri for Wallpaper*
By Jack Moss
-
Leonard Baby's paintings reflect on his fundamentalist upbringing, a decade after he left the church
The American artist considers depression and the suppressed queerness of his childhood in a series of intensely personal paintings, on show at Half Gallery, New York
By Orla Brennan
-
Desert X 2025 review: a new American dream grows in the Coachella Valley
Will Jennings reports from the epic California art festival. Here are the highlights
By Will Jennings
-
In ‘The Last Showgirl’, nostalgia is a drug like any other
Gia Coppola takes us to Las Vegas after the party has ended in new film starring Pamela Anderson, The Last Showgirl
By Billie Walker
-
‘American Photography’: centuries-spanning show reveals timely truths
At the Rijksmuseum in Amsterdam, Europe’s first major survey of American photography reveals the contradictions and complexities that have long defined this world superpower
By Daisy Woodward
-
Sundance Film Festival 2025: The films we can't wait to watch
Sundance Film Festival, which runs 23 January - 2 February, has long been considered a hub of cinematic innovation. These are the ones to watch from this year’s premieres
By Stefania Sarrubba
-
What is RedNote? Inside the social media app drawing American users ahead of the US TikTok ban
Downloads of the Chinese-owned platform have spiked as US users look for an alternative to TikTok, which faces a ban on national security grounds. What is Rednote, and what are the implications of its ascent?
By Anna Solomon
-
Architecture and the new world: The Brutalist reframes the American dream
Brady Corbet’s third feature film, The Brutalist, demonstrates how violence is a building block for ideology
By Billie Walker
-
‘Gas Tank City’, a new monograph by Andrew Holmes, is a photorealist eye on the American West
‘Gas Tank City’ chronicles the artist’s journey across truck-stop America, creating meticulous drawings of fleeting moments
By Jonathan Bell