In the heart of London, the Barbican Centre’s Conservatory – a 1980s brutalist oasis filled with tropical plants – is hosting an immersive and site-specific exhibition from Indian artist Ranjani Shettar. The striking space, resembling a film set, boasts luscious greenery spilling over concrete balconies and labyrinthine pathways. Shettar’s exhibition, ‘Cloud songs on the horizon’ (10 September – 31 December 2023), adds five suspended sculptures to the Conservatory, drawing on the influence of nature and craft.
Shettar, who grew up in Bengaluru but now lives and works in a remote village 400km from the city, has made a name for herself through intriguing, abstracted and often biomorphic sculptures that employ natural and manmade materials including beeswax and steel, drawing on traditional craft techniques.
Ranjani Shettar, In the thick of the twilight, 2023. Installation view of ‘Cloud songs on the horizon’
Her works are often inspired by nature – ‘it can be the littlest things, even a shrivelled flower’, she says of her influences – but in layered and complex ways. ‘I take elements from nature, but they’re not direct. I’m more of an abstractionist.’
‘Cloud songs on the horizon’ was commissioned by Shanay Jhaveri, the Barbican’s head of Visual Arts, with whom Shettar worked previously on a solo show at The Metropolitan Museum of Art in New York in 2018. The free-to-visit Barbican exhibition is the first in a series of site-specific commissions Jhaveri has envisioned as a way to connect contemporary art more responsively to the unique setting of the centre, designed by Chamberlin, Powell and Bon in the brutalist architecture style (a book, Building Utopia: The Barbican Centre, marked its 40th anniversary in 2022).
Ranjani Shettar, Moon dancers, 2023. Installation view of ‘Cloud songs on the horizon’
Shettar describes experiencing the Conservatory for the first time following the commission: ‘It was totally unexpected for me. It just felt like an urban oasis – it’s beautiful.’
She was initially ‘a little daunted’ by making works for the 2,137 sq m space. ‘But when I spent more time with it, it felt like there are little pockets, almost like little galleries, that I could use and create a journey for the audience,’ she says. This sense of bringing visitors on a journey to discover various artworks in different settings across the Conservatory is key to her vision.
Ranjani Shettar, On the wings of crescent moons, 2023. Installation view of ‘Cloud songs on the horizon’
The scale wasn’t Shettar’s only challenge: her works typically rely on precise lighting and shadows, which was impossible in a daylit room packed with dense natural foliage. ‘Making an artwork for a green space is so different to showing in a white cube,’ she says. ‘It’s a very new environment to be showing my work in.’
The exhibition’s five projects vary in size, and use materials including muslin, stainless steel, and teak. Shettar describes the works as having ‘multiple perspectives’. She hopes they will encourage visitors to dwell, pause and think – and even come away feeling optimistic. ‘I’m trying to do something that’s projecting hope and joy,” she says.
‘Cloud songs on the horizon’ is at the Barbican, London, 10 September to 31 December 2023
Ranjani Shettar, Above the crest, 2023. Installation view of ‘Cloud songs on the horizon’
-
At Bar Siesta in Los Angeles, meals linger and moods perk upThis new Silver Lake hotspot showcases Spain's design, culture, and delectable tinned fish
-
A first look inside Archives of Us, a secret café hidden in Downtown LAArchives of Us is a contemporary café opening in Downtown LA boasting crisp interiors by Studio/ JIALUN XIONG who crafted a caffeinated sanctuary away from the city rush
-
Teresa Pągowska's dreamy interpretations of the female form are in London for the first time‘Shadow Self’ in Thaddaeus Ropac’s 18th-century townhouse gallery in London, presents the first UK solo exhibition of Pągowska’s work
-
Teresa Pągowska's dreamy interpretations of the female form are in London for the first time‘Shadow Self’ in Thaddaeus Ropac’s 18th-century townhouse gallery in London, presents the first UK solo exhibition of Pągowska’s work
-
Sylvie Fleury's work in dialogue with Matisse makes for a provocative exploration of the female form'Drawing on Matisse, An Exhibition by Sylvie Fleury’ is on show until 2 May at Luxembourg + Co
-
What to see at BFI Flare film festival, 'a rich tapestry of queer experience'As one of the only film festivals to explicitly profile LGBTQI+ cinema, BFI Flare Film Festival remains a unique and beloved event. Here's what to see as it makes its return to London from 19 - 30 March
-
The enduring appeal of Transport for London’s seat designsFrom artist Rita Keegan’s new collage to fashion designer Adam Jones’ Overground suit, TfL moquettes continue to enjoy a cult status
-
‘There's a lot to fear and a lot to love in this world’: Penny Goring unveils new work in LondonA new collection of large-scale collages takes centre stage at 'Penny Goring: Cold Hunt Corsage' at Arcadia Missa, London
-
‘Leigh Bowery!’ at Tate Modern: 1980s alt-glamour, club culture and rebellionThe new Leigh Bowery exhibition in London is a dazzling, sequin-drenched look back at the 1980s, through the life of one of its brightest stars
-
‘Yay, To Have a Mouth!’: a London show explores our oral fixation, from Freud to fairytalesThis group show at Rose Easton gallery in east London, created in collaboration with Ginny on Frederick, uncovers our fascination with the mouth
-
High low culture and the sickly sweetness of Tootsie Rolls: Derrick Adams in LondonDerrick Adams plays with themes of Black Americana in ‘Situation Comedy’ at Gagosian London.
